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The concluding novel in William Golding's great sea trilogy, "To the Ends of the Earth". The warship is nearing the end of her voyage to the Antipodes, and Edmund Talbot, the narrator, is nearing the end of his journey to some sort of understanding of the world and his place in it.
- Sales Rank: #1341496 in Books
- Color: Red
- Published on: 1999-12-01
- Released on: 1999-12-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .72" w x 5.50" l, .87 pounds
- Binding: Paperback
- 313 pages
- ISBN13: 9780374526382
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Publishers Weekly
The conclusion of the trilogy he began with the Booker Prize-winning Rites of Passage (1980) and followed with Close Quarters (1987), Nobel Laureate Golding's densely complex, subtle and exacting latest novel tussles intriguingly with thematic and formal problems that have occupied the author in his previous works. The present trilogy enriches itself by self-consciously playing off its fictional precursors in a number of dimensions, including, most obviously, that of the voyage of self-discovery. In relating an almost year-long voyage (in the Napoleonic era) from England to the Antipodes of a motley band of passengers and the crew of a decrepit former man-o'-war as they experience many of life's dramas, the trilogy evokes tales by Melville, Voltaire and Homer among others. And the novels may be further interpreted not only as the Bildungsroman of aristocratic young narrator, Edmund FitzHenry Talbot, by means of myth's revelatory reversal that exposes the disjunction between appearances and reality, but also (given the autobiographical details) as a means to Golding's own ironic self-discovery. The narrative's beautiful, otherworldly descriptions of the sea and air, as the ship, twice damaged by errors of judgment on the part of its younger officer, flounders in terrifyingly heavy seas, evoke a metaphysical, mythic dimension. This rich and problematical text resists facile interpretation even as it delights through Golding's witty and poetic evocation of the language of the period.
Copyright 1989 Reed Business Information, Inc.
From Library Journal
This novel completes the Nobel laureate's trilogy about a voyage from England to Australia in the early 19th century. Neither Close Quarters ( LJ 4/15/87) nor this volume achieves the formal unity of Rites of Passage ( LJ 10/1/80), but the story Golding tells is engrossing and psychologically acute. Just as the beleaguered ship can serve as a microcosm of English society, so the voyage functions as an allegory of a more primal passage, as young Edmund Talbot progresses from "the objectivity of ignorance" to "the subjectivity of knowledge." Equally noteworthy is Golding's description of a horrifying storm off the Cape of Good Hope. These volumesthe best sea fiction we've had since Conradbelong in most fiction collections. Grove Koger, Boise P.L., Id.
Copyright 1989 Reed Business Information, Inc.
About the Author
William Golding (1911–93) was born in Cornwall, England. His first novel, Lord of the Flies, was published in 1954 and became an international bestseller. In 1983, he was awarded the Nobel Prize in Literature.
Most helpful customer reviews
0 of 0 people found the following review helpful.
NO PORT IN A STORM
By r dale street
This is the final installment of Golding's "Sea Trilogy," the first two being "Rites of Passage" and "Close Quarters." Like those books, this volume is narrated - in the form of a journal - by Edmund Talbot, a young man of the British upper class traveling from England to Australia, where he has an "entry level" position awaiting him in the local government. Since it is 1813 or 1814 the only way to get there is by sea, a voyage that ends up taking nearly a year. The sailing ship is old and breaking apart by the start of this part of the saga. It is by no means certain that it will reach its destination (although, because we are reading Edmund's journal, we - the readers - assume that he makes it to Sydney in the end.) Along the way, the ship encounters awful dangers: terrifying storms, huge icebergs, etc. Also, because the means to measure longitude has not yet been invented, no one seems to know where the ship actually is much of the time! Food and water are running out, since the voyage has taken much longer than anticipated. In the end, though, this story, as in the books that preceded it, is about the education of Edmund Talbot, who begins this voyage quite ignorant of the ways of men and the world. His experiences shatter his preconceptions about men and women from other classes than his own, for one thing, and in the course of the voyage we observe his transformation from self-regarding, entitled youth to something else - manhood, perhaps. Edmund's friendship with the ship's first officer, Charles Summers, and his growing appreciation of an unusual couple, Mr. and Mrs. Prettiman, give this rather bleak story a much-needed warm heart. I gave the first two books each five stars. This one I gave four, mainly because it doesn't hold up very well as a self-contained story. An interested reader should really start at the beginning, with "Rites of Passage." Highly recommended.
p.s. A wonderful filmed version of these books was produced for the BBC a few years ago. Edmund is played - superbly - by Benedict Cumberbatch. The DVD is available under the title "To the Ends of the Earth."
8 of 9 people found the following review helpful.
3rd part of trilogy and doesn't stand alone
By Andrew Forbes (andrew.forbes1@kvaerner.com)
Wonderful prose, beautifully observed character study, as WG slips into the skin of an extremely priggish and snobbish early twenties aristocrat as he comes of age and begins to understand a little more of the virtues of the ordinary people around him. Sea journeys of that era were long, tedious, largely uneventful and extremely uncomfortable. All 3 books in the trilogy carry this perfectly: the maritime atmosphere is conveyed as perfectly as the arrogant character of the narrator. However, the tedium of the journey also comes across in the virtually non-existent plot which makes the books drag on somewhat. It is probably, though, as brilliant description of the English class system at the start of the 19th century as you will read. I believe that the books in Trilogies should be able to stand alone, if they are to be sold separately, & on that basis, this trilogy definitely fails. I'm glad I read it as a single 750 page tome.
1 of 1 people found the following review helpful.
Benedict ran around in my head
By Serena
I purchased this trilogy after trying to watch Benedict Cumberbatch in the DVD version. While he is beautiful to watch,I often floundered with the plot as I had trouble understanding the British accent, language of the time, and "Tarpaulin", which is a kind of sailors' language. Having the experience of seeing Benedict in the role of Edmund Talbot enhanced the reading of this extraordinary trilogy. I fell in love with these books and was so sad to read the last page. So thank you Benedict Cumberbatch for opening a whole new world for me. I'm now voraciously devouring all of William Golding's works, ever the sweeter having been forced to read "Lord of the Flies" in high school many years ago.
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