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Blood of the Liberals, by George Packer

An acclaimed journalist and novelist explores the legacy and future of American liberalism through the history of his family's politically active history

George Packer's maternal grandfather, George Huddleston, was a populist congressman from Alabama in the early part of the century--an agrarian liberal in the Jacksonian mold who opposed the New Deal. Packer's father was a Kennedy-era liberal, a law professor and dean at Stanford whose convictions were sorely--and ultimately fatally--tested in the campus upheavals of the 1960s. The inheritor of two sometimes conflicting strains of the great American liberal tradition, Packer discusses the testing of ideals in the lives of his father and grandfather and his own struggle to understand the place of the progressive tradition in our currently polarized political climate. Searching, engrossing, and persuasive, this is an original, intimate examination of the meaning of politics in American lives.

  • Sales Rank: #1283798 in Books
  • Published on: 2001-08-01
  • Released on: 2001-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .93" w x 5.50" l, 1.03 pounds
  • Binding: Paperback
  • 416 pages

From Library Journal
Packer has produced a fascinating personal history while examining why people become liberals even though their efforts frequently seem extremely futile. The author describes the life and times of his Alabama-born maternal grandfather, Congressman George Huddleston, whose brand of liberalism was rooted in Southern agrarian populism and who often opposed FDR's New Deal. Packer also tells of his father, Herbert, whose Jewish American background placed him squarely in the urban liberal tradition of the mid-20th century. His father's life and career ultimately came to a turbulent climax as an administrator at Stanford University during the late 1960s. Finally, in a brief, informative, and moving autobiographical section, Packer recounts the development of his own social and political views following his father's stroke and suicide. The author attempts to demonstrate the ongoing relevance to today's world of a political philosophy that many believe has little future. Packer's combination of personal and historical perspectives, as well as his considerable skill at conveying them, make this work both challenging and enjoyable. Written for the lay reader, it nonetheless avoids oversimplification. Highly recommended.DCharles K. Piehl, Minnesota State Univ., Mankato
Copyright 2000 Reed Business Information, Inc.

From Booklist
Family saga and the history of a political idea blend in this thoughtful, gracefully written reflection. Journalist and novelist Packer traces three generations of his own family and the shifting meaning of liberalism over the past century. Packer's maternal grandfather, George Huddleston, represented Birmingham, Alabama, in Congress from 1915 to 1937. A Southern Progressive, a "Thomas Jefferson Democrat," he started out arguing for universal suffrage and unions; he quickly learned to avoid race and gender, but his class-based radicalism was firm until the New Deal's elitist tinkering made him a "state's rights" conservative. Nancy Huddleston married Herbert Packer, a Yale-educated Jewish lawyer who taught at Stanford University; both were "Adlai Stevenson Democrats" and "New Deal liberals." But Packer took on administrative duties at Stanford just as a new generation challenged the rational liberalism he championed; he suffered a stroke and, three years later, committed suicide. Twelve when his father died in 1972, George Packer pursued his own vision of liberalism: at Yale, in the Peace Corps, in volunteerism and political activism. A fascinating, thought-provoking narrative. Mary Carroll
Copyright © American Library Association. All rights reserved

Review

“Splendid . . . [Packer] skillfully weaves the travails of the reformist left through the equally tempetuous story of his own activist family. The result is a politically engaged memoir that sheds more understanding on the problems and promise of liberalism than a shelf full of hand-wringing or wistful post-mortems.” ―Michael Kazin, The Chicago Tribune

“Remarkable . . . Belongs on the shelf next to Angela's Ashes, The Liars' Club, and A Heartbreaking Work of Staggering Genius.” ―Jack Hitt, The New York Times Book Review

“Blood of The Liberals is coherent, compelling and desperately urgent.” ―Wilson Carey McWilliams, San Francisco Chronicle

“I've never read a book quite like George Packer's Blood of the Liberals. More than a learned history and revealing memoir, it's also an unsentimental but deeply felt love letter to the father he barely knew and the grandfather he never met. Packer shows American liberals where we've been and where we must go by sharing his story--a story that is heartbreaking, hopeful, and beautifully drawn.” ―George Stephanopoulos

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Martha Anne Dorminy
A 5 star book, elegantly
and clearly written.

64 of 74 people found the following review helpful.
A voice in the wilderness
By Anthony Berno
How did such a basic, rational notion as liberalism turn into the favorite epithet of talk-show hosts? What happened to social justice? Where is the freewheeling spirit of the Sixties? These, and other questions, have haunted me for years. Not being well versed in American history, the seemingly abrupt annhiliation of everything "liberal" has caused me great puzzlement and distress.
Packer, in a beautiful amalgam of memoir and history, has written a book that has almost singlehandedly restored my relationship with the past and pointed my way to the future. While as a historical account it is spotty, and as a memoir it is sometimes dry, the heartfelt combination of these two styles has a vitality and immediacy I've never seen anywhere else.
His conclusions, while expansive, are also poignant, with a touch of desperation. In his consideration of the prospects of liberalism in this country, I am reminded of the Monty Python sketch about the parrot - "It's just resting!" - while at the same time I'm stirred by its undercurrent of optimism. His last few words ring in my ears: "We will have a more just society as soon as we want one."
If you sense that, like myself, you are a lost liberal that is trying to find your way in the world, this book is for you.
If you are a Rush Limbaugh dittohead who needs a clue as to what "liberal" really means, this book is for you as well.

6 of 6 people found the following review helpful.
If you want to understand why liberals lose elections, read Packer
By Stephen R. Laniel
Blood of the Liberals is a near-perfect blend of the personal and the political. Packer's grandfather was George Huddleston, a Congressman from Birmingham, Alabama who represents for Packer a lot of the contradictions in modern liberalism: desegregation versus states' rights, support for the common man against bigness (whether corporate, governmental, or otherwise), and at the same time a belief that government is sometimes necessary.

Packer's father, by contrast, was a pointy-headed academic. He grew up as a shy Jewish boy and moved into the ivory-tower life after some time spent in World War II; Packer paints the war years as rather uneventful for the senior Packer -- indeed little more than a pause from his books. I felt a lot of empathy with the dad; I was the same way when I was a kid, and I'm sure that if I went off to fight a war I'd be mailing home to ask for books and magazines just as much as Packer Sr. was.

I also drew a lot from Packer's portrait of his father, because in that portrait Packer seems to have discovered why liberals keep losing elections. Packer Sr. was an Adlai Stevenson man -- Stevenson, the charismatic, brilliant loser. In a better world, Stevenson would have been our president, but in this world he lost the race twice. The term egghead became popular because one of the Alsops tagged Stevenson with it.

And ever since Stevenson, says Packer, liberalism has been dominated by rather bloodless intellectuals who can't argue persuasively against the bread-and-butter issues that let Republicans win. The common thread among these intellectuals, says Packer, is a love of abstract debate, and the belief that human problems can be solved by the judicious application of reason -- that we can all get along and solve our issues without yelling or fighting. That's fine and good, and as far as it goes it's no more modern than Jefferson. The Jeffersonian strain is one of the key strands that Packer identifies in liberal thought.

Where it starts losing elections, he says, is when the intellectuals start to take it over. Discussions shift from individual people -- this man lost his land, this man's family is starving because of government policies -- to larger universal themes like freedom, equality, justice, and the rule of law.

This adherence to principles loses us elections. It lost Stevenson the election against Eisenhower when he stood up for fairness and impartiality in the anti-Communist witchhunts; he himself was a strong anti-Communist, but he framed his beliefs in terms that Nixon could tear apart.

This doesn't play with the public. The public is more concerned with outcomes than with processes. If the public doesn't feel safe, it will not vote for abstract principles that seem to help their enemies. We could argue for civil liberties all we want, but Republicans will always come back with the argument that they're helping protect us from terrorists. When it comes to a battle between safety and our Constitutional freedoms, safety will always win.

This, at least, is the message that Packer seems to be sending so far. His diagnosis does seem spot on. And his delivery is just right: he cuts back and forth between an impersonal political tale -- how liberals have ended up in the mess we're in -- and a personal story about discovering his father's and grandfather's role in it all. It is at once autobiography and political cautionary tale. I'm amazed that he could pull it off.

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~ Download PDF Arming America: The Origins of a National Gun Culture, by Michael A. Bellesiles

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Arming America: The Origins of a National Gun Culture, by Michael A. Bellesiles

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Arming America: The Origins of a National Gun Culture, by Michael A. Bellesiles

How and when did Americans develop their obsession with guns? Is gun-related violence so deeply embedded in American historical experience as to be immutable? The accepted answers to these questions are "mythology," says Michael A. Bellesiles.

Basing his arguments on sound and prodigious research, Bellesiles makes it clear that gun ownership was the exception--even on the frontier--until the age of industrialization. In Colonial America the average citizen had virtually no access to or training in the use of firearms, and the few guns that did exist were kept under strict control. No guns were made in America until after the Revolution, and there were few gunsmiths to keep them in repair.

Bellesiles shows that the U.S. government, almost from its inception, worked to arm its citizens, but it met only public indifference and resistance until the 1850s, when technological advances--such as repeating revolvers with self-contained bullets--contributed to a surge in gun manufacturing. Finally, we see how the soaring gun production engendered by the Civil War, and the decision to allow soldiers to keep their weapons at the end of the conflict, transformed the gun from a seldom-needed tool to a perceived necessity--opposing ideas that are still at the center of the fight for and against gun control today.

Michael A. Bellesiles's research set off a chain of passionate reaction after its publication in the Journal of American History in 1996, and Arming America is certain to be one of the most controversial and widely read books on the subject.

  • Sales Rank: #1996515 in Books
  • Published on: 2000-09-05
  • Released on: 2000-09-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.37" h x 6.37" w x 9.56" l,
  • Binding: Hardcover
  • 624 pages

Amazon.com Review
While gun supporters use the nation's gun-toting history in defense of their way of life, and revolutionary enthusiasts replay skirmishes on historic battlefields, it now turns out that America has not always had a gun culture, and wide-scale gun ownership is much newer than we think. After a 10-year search for "a world that isn't there," professor and scholar Michael Bellesiles discovered that Americans not only rarely owned guns prior to the Civil War, they wouldn't even take them for free from a government that wanted to arm its reluctant public. No sharpshooters, no gun in every home, no children learning to hunt beside their fathers. Bellesiles--whose research methods have generated a great deal of controversy and even a subsequent investigation by Emory University--searched legal, probate, military, and business records; fiction and personal letters; hunting magazines; and legislation in his quest for the legendary gun-wielding frontiersman, only to discover that he is a myth. There are other revelations: gun ownership and storage was strictly legislated in colonial days, and frivolous shooting of a musket was backed by the death penalty; men rarely died in duels because the guns were far too inaccurate (duels were about honor, not murder); pioneers didn't hunt (they trapped and farmed); frontier folk loved books, not guns; and the militia never won a war (it was too inept). In fact, prior to the Civil War, when mass production of higher quality guns became a reality, the republic's greatest problem was a dearth of guns, and a public that was too peaceable to care about civil defense. As Bellesiles writes, "Probably the major reason why the American Revolution lasted eight years, longer than any war in American history before Vietnam, was that when that brave patriot reached above the mantel, he pulled down a rusty, decaying, unusable musket (not a rifle), or found no gun there at all." Strangely, the eagle-eye frontiersman was created by East Coast fiction writers, while the idea of a gun as a household necessity was an advertising ploy of gun maker Samuel Colt (both just prior to the Civil War). The former group fabricated a historic and heroic past while Colt preyed on overblown fears of Indians and blacks.

Bellesiles, who is highly knowledgeable about weapons and military history, never comes out against guns. He is more interested in discovering the truth than in taking sides. Nevertheless, his work shatters some time-honored myths and icons--including the usual reading of the Second Amendment--and will be hard to refute. This fascinating, eye-opening account is sure to both inform and inflame the already highly charged debate about guns in America. --Lesly Reed

From Publishers Weekly
Like most students of U.S. history, Bellesiles (Emory University) believed gun-related violence was inextricably woven into the American past from its earliest days. Then he started studying county probate records as part of a project about the early American frontier. To his surprise, he found that for the years 1765 to 1770, only 14 percent of probate inventories listed a gun. Further study convinced Bellesiles that American gun culture began only with the Civil War. Sickened by the carnage associated with guns today, Bellesiles, in his second book (following Revolutionary Outlaws: Ethan Allen and the Struggle for Independence on the Early American Frontier), is agenda driven. If U.S. society has, as he contends, been largely free of gun-related violence in the past, then it could be again. This agenda, however, does not taint Bellesiles's scholarship. Through examination of "[l]egal, probate, military and business records, travel accounts, personal letters" and other primary sources, he painstakingly documents the relative absence of guns before the Civil WarAand the rise of the gun culture in its wake, due to an increasingly urban populace now accustomed to shooting and newly industrialized gun manufacturers tooled up to mass-produce firearms. This combination of factors, he argues, led to the violence-prone American ethos, one that fetishizes guns. Bellesiles's approachable writing style makes easily digestible this revision of the historiographical record. "The question is one of cultural primacy," Bellesiles contends. "What lies at the core of national identity?" His answer is bound to inflame today's impassioned controversy over gun control.
Copyright 2000 Reed Business Information, Inc.

From Booklist
Expect vitriolic debate about historian Bellesiles' analysis of when and how the U.S. came to have a "national gun culture," because it upends the traditional notion that guns are as American as apple pie. Bellesiles argues that "gun ownership was exceptional in the seventeenth, eighteenth, and early nineteenth centuries, even on the frontier." Guns became commonplace only toward midcentury, as American-made weapons began to equal European guns in quality, and the Civil War taught large numbers of men how to use them. Americans indeed developed "a fixation with firearms that any modern enthusiast would recognize and salute," but this fixation developed only in the 1870s. From the Revolution through the 1840s, government tried to arm its citizens, with limited success; it subsidized the gun industry, which ultimately mechanized production enough to produce large quantities of quality weapons. And then, Bellesiles observes, "The Civil War transformed the gun from a tool into a perceived necessity. The War preserved the Union, unifying the nation around a single icon: the gun." Mary Carroll
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

186 of 210 people found the following review helpful.
Problems with this book!
By David L. Peterson
Before you buy this book, please take note of the problems which have come from it.

1. The Bancroft Prize which this book won in 2001 was withdrawn in 2002 due to the fact that Bellesiles "had violated basic norms of acceptable scholarly conduct" during the time when he researched and wrote the book.

2. Bellesiles was employed as a professor of history at Emory University until he was forced to resign due to "unprofessional and misleading work" that he put into this book.

3.Bellesiles said in an interview with a National Review reporter that he used "San Fransisco records from 1849-50 and 1858-59", but when the reporter confronted him with the fact that those documents were destroyed during the Great Earthquake and Fire of 1906, he claimed that his memory was bad and told the reporter to check some libraries, when she did, they did not have the documents either.

In conclusion, this book is a fabrication, and anyone who has studied the history of the United States military from The Revolution to The War of 1812 to The Civil War knows that the majority of units were militia, made up of citizen soldiers who armed themselfs, due to the culture that didn't love guns, but saw them as useful tools, and quite often at that. But Mr. Bellesiles does not want you to know that, so that he may infleuence political opinions.

25 of 28 people found the following review helpful.
Of interest to collectors and historians
By Greg Broiles
.. this book is destined for a special place in the libraries of historians as an example of the dangers of thesis-driven research. A winner of the prestigious Bancroft prize, this book ultimately led to the resignation under fire of the author, formerly a tenured professor at Emory University. An independent review commission from Emory reviewed the numerous charges of falsification and sloppy research levelled against Bellesiles after his book won popular acclaim among gun prohibitionists. The book was well-received becuase it questioned the historical basis for the Second Amendment even as scholarly consensus has grown amongst law professors and commentators that the Second Amendment does, in fact, protect an individual right to keep and bear arms. Unfortunately for Bellesiles, the Emory review committee's investigator and other independent researchers were unable to substantiate his claims and conclusions given the evidence Bellesiles claims to have reviewed (which, in several cases, had been destroyed decades before Bellesiles was born). Bellesiles apologized, in his response to the report of the committee which held that he was guilty of falsification of data and "serious deviation from accepted practices in carrying out and reporting results from research", and said that he intended to correct his mistakes in a second edition of this book, or in journal articles to be published later. It appears that Bellesiles may not enjoy the opportunity to correct his mistakes, as his credibility has been seriously damaged amongst historians.
As the Emory committee wrote, ".. the best that can be said of his work with the probate and militia records is that he is guilty of unprofessional and misleading work. Every aspect of his work in the probate records is deeply flawed . . . . Bellesiles seems to have been utterly unaware of the importance of the possibility of the replication of his research. Subsequent to the allegations of research misconduct, his responses have been prolix, confusing, evasive, and occasionally contradictory . . . . [e]ven at this point, it is not clear that he fully understands the magnitude of his own probate research shortcomings."

4 of 25 people found the following review helpful.
Why the controversy?
By A Customer
Michael Bellelisles's book definitely challenges the common assumptions about the United States's gun culture, which explains the strong reactions this book receives. Guns were Far from being a universal item in this country's culture as is usually presented. In fact, the American frontier is a rather placid place populated by farmers who were more interested in farming than shooting game...
It took a lot of time to properly care for firearms (which were made of iron which rusts if not taken care of properly) that can be more profitably spent working the farm. Another reviewer has outlined the technology (or lack thereof) which precludes the widespread ownership of firearms prior to the mid 19th Century.
Additionally, the militia was the important focus of the Second Amendment. This was a body that was not very popular with the "people" who have the right to bear arms...The United States militia system provided citizen soldiers who were inept and poorly armed allowing for Washington, DC to be burned by British Regulars...
Mr. Bellelisles does have extensive footnotes and a bibliography which can be seen at his website...

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Friday, June 19, 2015

> Ebook Download Selected Poems: Expanded Edition: Including selections from Day by Day, by Robert Lowell

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Selected Poems: Expanded Edition: Including selections from Day by Day, by Robert Lowell

Selected Poems includes over 200 works culled from Robert Lowell's books of verse―Lord Weary's Castle, The Mills of the Kavanaughs, Life Studies, For the Union Dead, Near the Ocean, History, For Lizzie and Harriet, and The Dolphin. Edited and with a foreword by the poet Frank Bidart, who also edited Collected Poems of Robert Lowell, this volume is a perfectly chosen representation of "the greatest American poet of the mid-century" (Richard Poirier, Book Week).

  • Sales Rank: #314730 in Books
  • Brand: Lowell, Robert
  • Published on: 2007-01-09
  • Released on: 2007-01-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 1.30" w x 6.00" l, 1.36 pounds
  • Binding: Paperback
  • 448 pages

From Publishers Weekly
Starred Review. With Collected Poems (2003) and last year's Letters, this selection—a much-expanded version by Bidart of Lowell's own late-life culling—brings the Herculean effort of restoring Lowell's oeuvre to print and prominence near completion. Next to the colossal Collected Poems, this is a formidable book in its own right, offering a distilled view of the arc of Lowell's whole career and of each of his individual books. From the early formal triumphs of Lord Weary's Castle and The Mills of the Kavanaughs to the seminal Life Studies (which is presented here in its entirety and includes what may be Lowell's most overarching characterization of his work: "I myself am hell"); from the tense and arguably unscrupulous sonnets of History and For Lizzie and Harriet to the dark resolve of The Dolphin and Day by Day: all of Lowell's varied modes are generously represented, along with Bidart's notes from Collected Poems. This book finally makes the breadth of Lowell's great achievement accessible in a single, portable volume. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“By far the most famous poet of his era . . . Lowell transformed American poetry.” ―Charles McGrath, The New York Times Magazine

“Robert Lowell was one of the three or four greatest American poets of the twentieth century . . . his real peers are the classics of American literature: Melville and Whitman, Eliot and Frost . . . Lowell's torrential eloquence, his historical consciousness, his moral and political seriousness are a standing challenge.” ―Adam Kirsch, The Times Literary Supplement

“Lowell's genius and his grinding labor brought to verse in English not only technical mastery on a scale otherwise scarcely attempted in [the twentieth] century, but then his courage and honesty brought ... a new generosity and dignity to the whole enterprise of poetry.” ―John Thompson, The New York Review of Books

“The best American poet of his generation.” ―Time

“The subjects of these poems will eventually become extinct, like all other natural species devoured by time, but the indelible mark of their impression on a single sensibility will remain, in Lowell's votive sculpture, bronzed to imperishability.” ―Helen Vendler, The Atlantic Monthly

About the Author

Robert Lowell (1917–77) was the renowned and controversial author of many books of poetry, including For the Union Dead (1964) and Life Studies (1959), both published by FSG, which also published his Collected Poems in 2003.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Richard Pacheco
Simply exquisite. Highly memorable.

24 of 24 people found the following review helpful.
Shared reading experience
By frumiousb
This is a good book. The revised edition (which this is) contains a wide and well-chosen selection of Lowell's poetry. He notes in the foreword that he tried to choose possible sequences rather than just greatest hits out of context. This effort is visible and the book flows together like almost one book instead of a career's overview.
What was interesting for me as I read it was that I was reading a used copy which was liberally marked up with underlines and notes of various kinds. Normally, this drives me crazy and as it was in pencil I began by first erasing five pages worth of notes and then reading on myself. Gradually, however, about one third through the book I noticed that whoever it was that had owned the book before shared a lot of tastes with me. I started enjoying his/her remarks and notitions and it felt like I was having a little conversation about the book.
The former owner underlined without comment the line where Lowell comments he "lies to friends and tells the truth in print". He circled the "Long Summer" sequence titles and placed an awed exclamation point after Lowell's poem for Ford Madox Ford. We both, apparently love "Margaret Fuller Drowned" as it rated one of only three poems marked with a star in the whole book.
It was a wonderful book, and while this shouldn't be construed as license to mark up books (I still find it a barbaric habit), it was also a good conversation.

9 of 11 people found the following review helpful.
Get the new 'Collected Poems' instead
By J. Ott
I made the mistake of getting this edition just as the new COLLECTED POEMS OF ROBERT LOWELL (edited by Frank Bidart) was coming out. The new book has all the notes, introductory biographical info (Lowell writes about his life as if you already know about it) and additional Lowell that THE SELECTED POEMS lacks.
However, if you want to go cheap (or don't need notes) this is not a bad 'Selected Poems'. It's fairly comprehensive, yet not too long -- and it gives you a good sense of the poet. It's been all people had for years (other than buying each of his many books). I think with the new COLLECTED, however, it has probably run its course.

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Tuesday, June 16, 2015

? Ebook Download Master of the Mountain: Thomas Jefferson and His Slaves, by Henry Wiencek

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Master of the Mountain: Thomas Jefferson and His Slaves, by Henry Wiencek

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Master of the Mountain: Thomas Jefferson and His Slaves, by Henry Wiencek

Henry Wiencek's eloquent, persuasive Master of the Mountain―based on new information coming from archival research, archaeological work at Monticello, and hitherto overlooked or disregarded evidence in Thomas Jefferson's own papers―opens up a huge, poorly understood dimension of Jefferson's faraway world. We must, Wiencek suggests, follow the money.

Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profit" gained from his slaves―and thanks to the skewed morals of the political and social world that he and thousands of others readily inhabited. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Slaves are bought, sold, given as gifts, and used as collateral for the loan that pays for Monticello's construction―while Jefferson composes theories that obscure the dynamics of what he himself called "the execrable commerce." Many people saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had become deeply corrupted, and an oligarchy was getting very rich. Is this the quintessential American story?

  • Sales Rank: #947646 in Books
  • Brand: Brand: Farrar, Straus and Giroux
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.66" h x .94" w x 6.04" l, .99 pounds
  • Binding: Paperback
  • 352 pages
Features
  • Used Book in Good Condition

Review

“[A] brilliant examination of the dark side of the man who gave the world the most ringing declarations about human liberty.” ―Jonathan Yardley, The Washington Post

“In this deeply provocative and crisply written journey into the dark heart of slavery at Monticello, Henry Wiencek brings into focus a side of Jefferson that Americans have largely failed―or not cared―to see. This book will change forever the way that we think about the author of the Declaration of Independence.” ―Fergus M. Bordewich, The Wall Street Journal

“As an engrossing investigation into Jefferson’s change of heart and mind, Master of the Mountain is narrative history wrapped around an incendiary device: surely, political pundits and Jeffersonians will be wrestling over Wiencek’s explosive interpretations of the historical evidence―some of it newly discovered―for years to come . . . One of the incontestable strengths of Wiencek’s book is the way it transports readers deep into the hierarchical world of Jefferson’s Monticello.” ―Maureen Corrigan, Fresh Air

“[Wiencek's] account of Jefferson's evolving and convoluted position on the subject is all the more damning for his restraint . . . Every American should read it. As depicted by Wiencek, the older Jefferson resembles a modern-day 1-percenter . . . We try to persuade ourselves that the author of some of our most inspiring political works was not a self-serving hypocrite. But given the bountiful evidence offered in Master of the Mountain, it's now impossible to see him any other way.” ―T. H. Breen, The American Scholar

“[A] commanding stud[y] of a central area of American history, and [a] pioneering work[ ] in an ongoing battle for justice. Wiencek provides more detail about Thomas Jefferson's history of slaveholding than has ever existed in one place before, making an important adjustment to a bowdlerized historical record.” ―Lawrence P. Jackson, Los Angeles Review of Books

“Compelling and utterly damning.” ―Tina Jordan, Entertainment Weekly

“Wiencek carefully probes the historical record, parsing the enormous body of Jefferson literature. His work is a thoughtful and well-documented contribution, offering a powerful reassessment of our third president.” ―Kevin J. Hamilton, The Seattle Times

“[Wiencek] reviews Jefferson's record like a prosecutor, hammering away at the evasions, rationalizations, and lies that have preserved Jefferson's reputation as a profoundly decent man trapped by the conventions of his own times. In Master of the Mountain, Wiencek does not reargue the tawdry details of the Sally Hemings affair. Rather, he invites readers to reflect seriously on one famous man's stunning refusal to provide moral leadership for a nation that desperately needed it.” ―T. H. Breen, The American Scholar

“[A] meticulous account . . . Wiencek's vivid, detailed history casts a new slant on a complex man.” ―Publishers Weekly (starred review)

“Well-rendered yet deeply unsettling . . . Wiencek scours the primary sources . . . for a thoughtful reexamination of what was really going on behind the harmonious façade of the great house on the mountain . . . Beautifully constructed reflections and careful sifting of Jefferson's thoughts and deeds.” ―Kirkus Reviews (starred review)

“Esteemed historian and author Henry Wiencek . . . creates a detailed, poignant analysis from Jefferson's younger years as an emancipationist through his later years as a slave-trade profiteer . . . Master of the Mountain is a well-written, intelligently constructed account that captures years of controversy and debate surrounding one of the most revered founding fathers. Wiencek brilliantly and comprehensively reevaluates the revolutionary-turned-slave-owner's reputation, questioning why America holds Jefferson as a pillar in its moral composition. . . [Jefferson] is exposed as a beneficiary of America's selective historical memory.” ―Anthony Steven Lubetski, Shepherd Express

“Master of the Mountain is a remarkable re-creation of Monticello's economy and culture . . . Whether you agree or not with Wiencek's provocative analysis, it's a book worth taking seriously as we continue to struggle with slavery's legacy.” ―Anne Bartlett, BookPage

“Henry Wiencek's Master of the Mountain is the most important challenge to Jefferson on slavery since DNA suggested a link between him and Sally Hemings. Arguably it is even more significant, because it uncovers wider secrets about Monticello than a possible sexual liaison. Not everyone will accept all of Wiencek's arguments, but no one who would understand our history can ignore this pathbreaking exploration of our foundations.” ―William W. Freehling, author of The Road to Disunion and The Founding Fathers and Slavery

“Master of the Mountain is bound to cause a firestorm. It completely upends our view of Jefferson and his attitudes on freedom, slavery, and wealth. It's a tough-minded book by a master craftsman, completely convincing and a joy to read.” ―Richard Ben Cramer, author of What It Takes: The Way to the White House

“Master of the Mountain is wonderful! Eloquent and carefully researched, this invaluable book takes us behind the curtain of Jefferson's familiar public words and shows us Jefferson the Virginia planter, committed to slavery because he was utterly dependent on it for all his wealth, status, and power. Henry Wiencek's insights help to debunk the whole myth of the ‘humane masters.” ―Bruce Levine, author of The Fall of the House of Dixie: The Civil War and the Social Revolution That Transformed the South

About the Author
Henry Wiencek, a nationally prominent historian and writer, is the author of several books, including The Hairstons: An American Family in Black and White, which won a National Book Critics Circle Award in 1999, and An Imperfect God: George Washington, His Slaves, and the Creation of America (FSG, 2003). He lives with his wife and son in Charlottesville, Virginia.

Most helpful customer reviews

83 of 91 people found the following review helpful.
Rich, Original, Thoughtful
By PJE
This is a remarkable book on Thomas Jefferson--it has already kicked up a great deal of controversy and no doubt will kick up more. And that's a good thing--we can't brood and argue enough about the nature of Jefferson. But what the controversies may obscure is what a thoughtful, detailed, intelligent and above all engrossing book this is. The author has spent many years studying Jefferson and his times and he has fully metabolized his subject, so that the portrait of the Founder that emerges is subtle,very serious and quite fresh. Is this a darker, more self-interested Jefferson than the one we have gotten to know? Yes, it is. But the portrait is patient and qualified and the overall sense of the man and his age that emerges is remarkable. By the time you're through, you know a lot more about Jefferson, about the 18th and early 19th century in America and (maybe above all) about American slavery than you did before. I've read quite a few books about Jefferson over the years (I'm a Virginian-it's almost mandatory), but I've never learned so much from a Jefferson book as I have from this one. Nor have I ever been so impressed by a Jefferson author's serious devotion to his subject. It's a wonderful book.

83 of 94 people found the following review helpful.
A Sick Institution
By Richard Alvarez
Before reading Master of the Mountain I had viewed slavery and the role of Jefferson in bits and pieces. The details of his relationship with Sally Hemings, the treatment of his slaves on the mountain, the contradictions of his early and late attitudes on the institution, etc. It turns out that the details are the least important part of the picture. This book opened my eyes to the utter depravity of the institution. Master and slave were equally debased. Mulberry Row, the slave quarter, was the equivalent of a neighborhood bordello for the Jefferson family and for those residing nearby. Slaveholders, including Jefferson, became indolent, utterly dependent on the institution and indifferent to the human cost of enslavement.

Jefferson was a master wordsmith. In his writings, early and late, he dances expertly around the issues of slavery, leaving his reputation for enlightened thinking intact for history (until now). The fact is that Jefferson saw his slaves as assets which produced more profit from activities in the breeding shed than in the fields. He sold slaves away, broke up families and viewed his slaves as lazy wards who owed him a return on investment. The chilling aspect of this book, which is beautifully written and structured, is that conditions on the mountain, while simply appalling, were probably much better than conditions on other plantations, especially in the Deep South. Healthy young men who were sold south had a life expectancy of 18 months on the rice plantations. Slaves were cheap so they worked them to death and then bought more.

I was struck by Jefferson's skill at self justification. If it worked for him, he was able to conjure noble purposes for his actions, no matter how depraved. Jefferson's daughter, Martha and grandson, Jeff Randolph, repeatedly tried to nudge the old man in a liberal direction to no avail. Thaddeus Kosciuszko, the Polish hero of the American Revolution gave Jefferson $20,000 in his will and encouraged him to use the money to free his slaves . . . Jefferson did nothing.

Our family moved from New York to Virginia in 1956 when I was 10. This was during Jim Crow, and I heard over and over from respectable people, the 200 year old echoes of Jefferson's refrain, "the time is not right . . . be patient". Jefferson's reputation as an enlightened thinker is a sham. George Washington freed his slaves in his will (1799) and other prominent Virginians did the same . . . Jefferson talked and wrote a good game all his life but he didn't back it up.

58 of 67 people found the following review helpful.
Disappointing.
By D. Markle
It's a hard thing to read a review of a book like this. Detractors and admirers alike all seem to have some sort of axe to grid, especially when the subject is someone as controversial as Thomas Jefferson.

Jefferson apologists might keep denying the lineage of the descendants of Sally Hemmings and hold it against the author. Detractors might latch on to the final conclusion, finding all-too-easy answers in the author's condemnation of Jefferson as well.

But I'm not doing that. I'm writing a negative review because I think this book was poorly written. The author repeatedly and freely gives way to weaving fantasies, stitching together scenes from his mind out of whole cloth. At one point, he imagines for us what he'd think would be a good scene from a movie about the topic. At one point, he brings up Ann Coulter and then, of course (?) Ayn Rand. Why are these people in a history book about Thomas Jefferson again? He fails to let us in on the complications of Thaddeus Kościuszko's will. This isn't just an omission -- it's blatantly misleading. He spends an enormous amount of time and effort "getting into the minds" of the figures in the book based on the smallest amount of evidence. He seems to be able to read Jefferson's mind by scanning the ledger of his Farm Book, and then proceeds to read Sally Hemmings' mind by jumping to a conclusion about a piece of trash in her garbage pit. His quotes from Jefferson are highly, shall we say, selective. Instead of printing the context of Jefferson's comments, giving us paragraphs of his letters as block quotes, the author cuts out the context all too often. Does this often change the meaning of what Jefferson is trying to say? The answer is that I don't know -- I'm no Jefferson scholar. And that, ultimately, is why this book is so frustrating. As a reader, I lose trust in the author so quickly that I'm not able to simply trust that he has not modified the meaning of his quotes. It makes me long for a better treatment of the subject by someone who will simply let me see the context, facts, and evidence, and trusts me, the reader, to judge for myself what I think of Thomas Jefferson.

It's too bad. "An Imperfect God", by the same author, was so good.

Do yourself a favor. Please do your homework online before purchasing this book and taking it in without a grain of salt.

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Sunday, June 14, 2015

# Download Alexander Pushkin: The Collected Stories, by Alexander Pushkin

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Alexander Pushkin: The Collected Stories, by Alexander Pushkin

Alexander Pushkin: The Collected Stories, by Alexander Pushkin



Alexander Pushkin: The Collected Stories, by Alexander Pushkin

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Alexander Pushkin: The Collected Stories, by Alexander Pushkin

 

Pushkin’s prose tales are the foundation stones on which the great novels of Turgenev, Tolstoy, and Dostoevsky were built, but they are also brilliant and fascinating in their own right. In both prose and verse, Pushkin was one of the world’s great storytellers: direct and dramatic, clear-sighted, vivid, and passionate.

 

This new and expanded Everyman’s edition of his stories includes all the mature work. In addition to such novella-length masterpieces as The Captain’s Daughter and The Tales of Belkin the collection now contains many more short pieces and the masterly History of Pugachev, a powerful account of the man who rebelled against Catherine the Great.  This version is translated by Paul Debreczeny and Walter Arndt.

(Book Jacket Status: Jacketed)

  • Sales Rank: #361212 in Books
  • Brand: Pushkin, Aleksandr Sergeevich/ Debreczeny, Paul/ Arndt, Walter
  • Published on: 1999-05-18
  • Released on: 1999-05-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.30" h x 1.20" w x 5.30" l, 1.40 pounds
  • Binding: Hardcover
  • 616 pages

Review
“Pushkin is not only Russia’s primary and archetypal author but her most astonishingly versatile one . . . There is something Mozartian about his genius, which is replete in the same manner with variety, gaiety, and depth . . . [His prose stories] are not only as much masterpieces as his tales in verse, but carry the same
unmistakable and original stamp of his style and personality.”
—from the Introduction by John Bayley

About the Author
Alexander Pushkin (1799-1837) was a poet, playwright, and novelist who achieved literary prominence before he was twenty. His radical politics led to government censorship and periods of banishment from the capital, but he eventually married a popular society beauty and became a regular part of court life. Notoriously touchy about his honor, he died at age thirty-seven in a duel with his wife's alleged lover.

Most helpful customer reviews

68 of 72 people found the following review helpful.
Thrilling Tales of Adventure and Romance!
By Ray Farmer
This book contains the major prose works of Aleksandr Pushkin, which include "The Tales of the Late Ivan Petrovich Belkin", "Dubrovskii", "The Queen of Spades", "The Captain's Daughter", and "A History of Pugachev". Also included in the book are many unfinished stories and fragments, which provide some glimpse into what Pushkin was thinking in between the years that he wrote his masterpieces.
Pushkin's stories range from melancholy to humorous to psychological and yet they are all written in a clear, and crisp style that is easy to grasp. Unlike Pushkin's poetry, little is lost in the translation of his prose works from Russian to English and thus we can fully appreciate his genius.
Although all of Pushkin's prose works are excellent, but one that continues to remain in my memory for some reason is "Egyptian Nights". Here the two main characters are Charskii, the nobleman who upholds the aesthetic and personal nature of poetry writing, and the greedy Italian improvisator, who lives by giving public shows and is able to deliver a poem (and quite astonishing at that) on any topic at a moment's notice - but for a fee. Is it possible that Charskii and the Italian both represent different facets of Pushkin's own personality? Anyway, I thought the story ending was erotic and exotic...
Even if you are not interested in Russian literature or in Russian culture in general, I would daresay that you would find it hard to put this collection of stories down after you started reading them.
The only problem that I had was with the publisher. I wish that they had provided a bookcover, because the paint on the outside of the hardcover kept coming off onto my hands!

0 of 0 people found the following review helpful.
The Collected Tales of Alexander Pushkin will delight you with short tales of love, war and adventure told by a master!
By C. M Mills
Alexander Pushkin (1799-1837) was born into the gentry class. He was killed in a duel in 1837 fought with a French courtier of his adulterous wife.
Pushkin is best known today as a great Romantic poet such as his masterpiece "Eugene Onegin. Thjis novel in verse was turned into a wonderful opera by Peter Tchaikovsky later in the nineteenth century.
This delightful Everyman edition contains such masterpieces as "The Queen of Spades" a fascinating tale of the supernatural which was also turned into an opera by Tchaikovsky. Other stories deal with love and duels and warfare as experienced by the aristocratic class of Russian society during the travails of the Napoleonic era. Pushkin would influence such giants of Russian literature as Tolstoy, Chekhov, Gogol and Pasternak.
He writes with an intimate style as if he is sitting down with the reader and talking to her one on one.
The book is well bound, includes a useful glossary of Russian terms and includes a helpful chronology of Pushkin's short and tragic life as well
as a lengthy introduction to his importance in Russian literary history. Sit back and enjoy!

9 of 9 people found the following review helpful.
Fun Throughout
By D. F. Whipple
Readers seeking an entrée into Russian literature are prime candidates for this prose collection. Pushkin's stories are well-paced--not a word is wasted--and those who look beneath the surface of the writer's refreshingly lucid, taut and unembellished style will find a world that bristles with energy and life.

Among my favorite short stories in this collection are "The Tales of the Late Ivan Petrovich Belkin," "The Captain's Daughter" and "The Queen of Spades." The epistolatory introduction to "Tales of Belkin" consists of a wry letter from the publisher, which kicks off a hilarious and sweeping commentary on Russian society. Filled with such characters as an arrogant fop, a wistful maiden and a heartbroken father, these poetic stories are beautifully crafted by a bon vivant writer who, without a doubt, appreciates the art of entertainment. The only selection I don't care for is "The Undertaker," as it strikes me as silly, but the rest of Belkin's tales are page-turners. "The Captain's Daughter" is a heartwarming and often amusing tale of love, persistence and respect, as well as a not-so-oblique commentary on Tsarist aggression: the subject nearly landed young Pushkin in scalding-hot water. Incidentally, the protagonist Petr Andreich, who remains callow and a victim of circumstance throughout much of the story, reminds me of Pip from Dickens's Great Expectations (Penguin Classics). Finally, "Queen of Spades" is a poignantly dark and cynical exploration of greed and treachery.

The images this artist pours into his short stories, as well as the plethora of superb scenes and the economy of writing he employs, are reminiscent of modern screenwriting, and I suspect even harried readers accustomed to a steady diet of film and television will find themselves welcome here. To wit, several stories strike me as prime candidates for a short film; I'd especially like to see an adaptation of "The Shot," one of the five "Tales of Belkin." Too bad this Everyman's Library edition isn't available in paperback, although it's probably small and light enough to fit into a travel bag.

Regardless, it's a fine read.

My Titles
Shadow Fields
Snooker Glen

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Saturday, June 13, 2015

^ Get Free Ebook Unseen Hand: Poems, by Adam Zagajewski

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Unseen Hand: Poems, by Adam Zagajewski

A brilliant new collection from a master world poet

One of the most gifted poets of our time, Adam Zagajewski is a contemporary classic. Few writers in poetry or prose have attained the lucid intelligence and limpid economy of style that are the trademarks of his work. His wry humor, gentle skepticism, and perpetual sense of history's dark possibilities have earned him a devoted international following. This collection, gracefully translated by Clare Cavanagh, finds the poet returning to the themes that have defined his career―moving meditations on place, language, and history. Unseen Hand is a luminous meeting of art and everyday life.

  • Sales Rank: #1235376 in Books
  • Brand: Brand: Farrar, Straus and Giroux
  • Published on: 2012-06-05
  • Released on: 2012-06-05
  • Original language: Polish
  • Number of items: 1
  • Dimensions: 8.32" h x .47" w x 5.56" l, .38 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Review

“Not so long ago we had two incredible voices--Neruda and Milosz. Now we have Adam Zagajewski, who also speaks passionately from both the historical and the personal perspective, in poems reduced to a clean, lyrical clarity. In one poet's opinion (mine), he is now our greatest and truest representative, the most pertinent, impressive, meaningful poet of our time.” ―Mary Oliver

“Zagajewski's poems pull us from whatever routine threatens to dull our senses, from whatever might lull us into mere existence.” ―Philip Boehm, The New York Times Book Review

“As the title suggests, Polish poet Adam Zagajewski's new book Unseen Hand is a book of hidden things. By this we mean the poems move in and out of revealing and concealing, each poem an elegant exploration of history, both personal and global . . . Zagajewski's poetry reflects on the unseen impressions we leave on each other and the physical world around us, the indirect intimacy of human interaction . . . Thoughtful and meditative . . . We as readers . . . experience the steady unveiling of the unseen and the unspoken through Zagajewski's language.” ―Kelly Forsythe, Newcity Lit

“In his new book, Zagajewski stakes out, as firmly as ever, the position of poetry in a world where language's metaphysical registers have been largely usurped by the forces of political oppression . . . Yet these poems oppose grand pronouncements . . . we see Zagajewski's continual evolution toward elegy and memory, but the role of poetry is still both vital and deeply limited . . . these new poems, pitched at a register slightly lower than that of praise, offer a sort of quiet surprise--occasionally even delight--born out of wise and hard-earned skepticism.” ―Publishers Weekly

“The poems of Unseen Hand, translated by the admirably consistent Clare Cavanagh, move through the various locales of Zagajewski's life; from his Polish upbringing in Lvov and the provincial garrison town of Gliwice . . . to various stints in Krakow, Paris, and Chicago . . . Zagajewski is especially perceptive of the ways the past is channeled through the present -- his ‘now' tends to carry the authority of an ‘always' . . . Zagajewski's skill with subtle tensions doesn't stifle his playful nature . . . As always with Zagajewski, we are ultimately responsible for the way we experience our own lives, how we value the inheritance of the past, and how open we are to those ‘moments without an hour.'” ―Michael Brodeur, The Boston Globe

“Zagajewski . . . blends past and present, mundane and mysterious in all his word. His new collection has a conversational, unadorned style reminiscent of William Carlos Williams . . . The best poems establish a contradiction that is resolved at the end by paradox . . . melancholy yet hopeful.” ―Diane Scharper, Library Journal

“Adam Zagajewski's radiant poetry is a gift. It offers a chance to ponder the vagaries of human experience in the company of a uniquely sensitive, patient, hospitable companion, who maintains a capacity for childlike wonder in concert with maturity. His work is also an example of what art can achieve now, in defiance of theorists who insist that poetry is no longer an authentic possibility, that we are trapped in our own small, stifling self.” ―Ian Marcus Corbin, The Weekly Standard

“Insightfully translated from the Polish by Clare Cavanagh, Zagajewski's latest poems celebrate the twofold pleasures of recollection and meditation . . . Zagajewski is particularly interesting when he writes about his beloved cities: Lvov . . . whose inhabitants appears ghost-like in his dreams and on photographs, and Cracow, which he reproduces in all its old-fashioned splendor . . . Of particular note are the several poems that describe his lonely wanderings through Cracow's Jewish corner. The setting is often nocturnal, the tone mournful . . . Zagajewski acknowledges that history takes its course regardless of any poet's contribution.” ―Piotr Gziazda, Times Literary Supplement

“Zagajewski has cultivated, through his travels, a supremely long-range view, as if the trials of the past might be understood in the present, if not explained or justified. Like the hymn the collection's title perhaps alludes to, this is a poetry that journeys across a weary earth but aspires to quiet rapture. In the final poem, ‘Carts,' even ‘carts full of hay' feel shadowed by deportations. Transport is not always freeing. These carts ‘abandoned the town / in greatest quiet.' There are ‘cautious glances' and ‘archives' in which ‘men calculate the losses.' Yet there is also life's undeniable pull.” ―Joseph Campana, Houston Chronicle

About the Author

Adam Zagajewski was born in Lvov in 1945. His previous books include Tremor; Canvas; Mysticism for Beginners; Without End; Solidarity, Solitude; Two Cities; Another Beauty; A Defense of Ardor; and Eternal Enemies―all published by FSG. He lives in Chicago and Kraków.

Clare Cavanagh is a professor of Slavic languages at the University of Wisconsin at Madison, and has also translated the poetry of Wyslawa Szymborska.

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Friday, June 12, 2015

>> Ebook Free Lose Your Mother: A Journey Along the Atlantic Slave Route, by Saidiya Hartman

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Lose Your Mother: A Journey Along the Atlantic Slave Route, by Saidiya Hartman

In Lose Your Mother, Saidiya Hartman traces the history of the Atlantic slave trade by recounting a journey she took along a slave route in Ghana. Following the trail of captives from the hinterland to the Atlantic coast, she reckons with the blank slate of her own genealogy and vividly dramatizes the effects of slavery on three centuries of African and African American history.

The slave, Hartman observes, is a stranger―torn from family, home, and country. To lose your mother is to be severed from your kin, to forget your past, and to inhabit the world as an outsider. There are no known survivors of Hartman's lineage, no relatives in Ghana whom she came hoping to find. She is a stranger in search of strangers, and this fact leads her into intimate engagements with the people she encounters along the way and with figures from the past whose lives were shattered and transformed by the slave trade. Written in prose that is fresh, insightful, and deeply affecting, Lose Your Mother is a "landmark text" (Robin D. G. Kelley, author of Freedom Dreams).

  • Sales Rank: #98559 in Books
  • Published on: 2008-01-22
  • Released on: 2008-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.15" h x .83" w x 5.51" l, .72 pounds
  • Binding: Paperback
  • 288 pages

From Publishers Weekly
Starred Review. In this rousing narrative, Berkeley professor Hartman traces first-hand the progress of her ancestors-forced migrants from the Gold Coast-in order to illuminate the history of the Atlantic slave trade. Chronicling her time in Ghana following the overland slave route from the hinterland to the Atlantic, Hartman admits early on to a naïve search for her identity: "Secretly I wanted to belong somewhere or, at least, I wanted a convenient explanation of why I felt like a stranger." Fortunately, Hartman eschews the simplification of such a quest, finding that Africa's American expatriates often find themselves more lost than when they started. Instead, Hartman channels her longing into facing tough questions, nagging self-doubt and the horrors of the Middle Passage in a fascinating, beautifully told history of those millions whose own histories were revoked in "the process by which lives were destroyed and slaves born." Shifting between past and present, Hartman also considers the "afterlife of slavery," revealing Africa-and, through her transitive experience, America-as yet unhealed by de-colonization and abolition, but showing signs of hope. Hartman's mix of history and memoir has the feel of a good novel, told with charm and passion, and should reach out to anyone contemplating the meaning of identity, belonging and homeland.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Hartman journeys along the route taken by captured slaves from the interior of what is now Ghana to the Atlantic coast. With no specific trail to follow from her own lineage, Hartman views her search as a coming to terms with her status as stranger and wanderer in the African diaspora. She meets African American expatriates who have been living in Ghana for 20 years, not fully integrated in Africa but alienated from America. She also meets Ghanians who deride or exploit the desperate longing they see in the throngs of black Americans who visit the slave castles each year. She explores the perspective on slaves and slavery held by Africans versus the African American view and how those perspectives affect diasporan efforts to reconnect and to reckon with history. Reflecting on the complex history of slavery, Hartman integrates memories of her own family's journey to become African Americans from the Middle Passage through the Caribbean to the U.S. An eloquent and thoughtful look at the Atlantic slave trade and its resounding impact on the African American psyche. Vanessa Bush
Copyright © American Library Association. All rights reserved

Review

“An original, thought-provoking meditation on the corrosive legacy of slavery, [Lose Your Mother is] splendidly written, driven by this writer's prodigious narrative gifts.” ―Elizabeth Schmidt, The New York Times Book Review

“This is a memoir about loss, alienation, and estrangement, but also, ultimately, about the power of art to remember. Lose Your Mother is a magnificent achievement.” ―Henry Louis Gates Jr., Alphonse Fletcher University Professor, Harvard University

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25 of 27 people found the following review helpful.
Roots 2.0
By Robert W. Kellemen
What "Roots" was to the Boomer Generation, "Lose Your Mother" could and should be to the Generation Next. Saidiay Hartman's writing styles fits perfectly for a generation that longs for and loves narrative, story, and first-hand journal accounts.

However, no one should thus assume that Hartman's writing lacks research credibility for she brilliantly weaves both rousing narrative and copious research to portray a powerful picture of one of history's ugliest stories: Middle Passage. She provides a fresh account of ancient wounds.

Hartman's book can and should make a renewed contribution to the healing of past hurts which still linger deep. Her passionate style and scholarly depth can help a nation move beyond suffering to healing hope.

Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction , Soul Physicians, and Spiritual Friends.

9 of 9 people found the following review helpful.
Extraordinarily Insightful and Eloquent
By John E. Pepper
A deeply moving combination of history, personal memoir and deep reflection,particularly on the heroic and aspirational legacy of slavery as seen by this wonderful writer.

10 of 11 people found the following review helpful.
Spectacular
By Murray S
Saidiya Hartman takes us on a journey that is intense, tough and thoroughly rewarding. Impressively, she learned as much about herself as she did about the past she sought, even more.

The beauty of going with her on this journey is that the reader has the same magnificent opportunity, hypnotically led by the author, to ponder and to gain personal insight perhaps too long submerged.

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