Wednesday, April 29, 2015

? Free PDF The Kingdom of This World, by Alejo Carpentier

Free PDF The Kingdom of This World, by Alejo Carpentier

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The Kingdom of This World, by Alejo Carpentier

The Kingdom of This World, by Alejo Carpentier



The Kingdom of This World, by Alejo Carpentier

Free PDF The Kingdom of This World, by Alejo Carpentier

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The Kingdom of This World, by Alejo Carpentier

A few years after its liberation from the brutality of French colonial rule in 1803, Haiti endured a period of even greater brutality under the reign of King Henri-Christophe, who was born a slave in Grenada but rose to become the first black king in the Western Hemisphere. In prose of often dreamlike coloration and intensity, Alejo Carpentier records the destruction of the black regime―built on the same corruption and contempt for human life that brought down the French while embodying the same hollow grandeur of false elegance, attained only through slave labor―in an orgy of voodoo, race hatred, madness, and erotomania.

  • Sales Rank: #108847 in Books
  • Published on: 2006-05-16
  • Released on: 2006-05-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.12" h x .48" w x 5.42" l, .42 pounds
  • Binding: Paperback
  • 180 pages

Review

“Carpentier's writing has the power and range of a cathedral organ on the eve of the Resurrection.” ―The New Yorker

“Carpentier's energy is gigantic and pell-mell, sweeping colossi on top of each other with ruthless, contemptuous daring.” ―The Yale Review

“Carpentier creates a brilliant, improbable world which has the stylized reality of the great myths.” ―The Atlantic Monthly

“The Kingdom of This World packs literary dynamite. There can be no disputing the fact, Carpentier is equipped with an elegant perception and a distinctive style which make him a writer to be classed with Thomas Mann and W.H. Hudson.” ―San Francisco Chronicle

Language Notes
Text: English (translation)
Original Language: Spanish

About the Author

Alejo Carpentier was born in Havana in 1904. He lived for many years in France and Venezuela but returned to Cuba after the revolution. One of the major Latin American writers of this century, he is the author of The Lost Steps, Explosion in a Cathedral, and The Chase. He died in Paris in 1980.

Most helpful customer reviews

62 of 63 people found the following review helpful.
The Kingdom of this World
By A Customer
Not long after Haiti's liberation from French colonial rule, King Henri-Christophe reigned through an era of chaos, violence, superstition and socio-political upheaval.
Carpentier details the story of this era, and the eventual overthrowing of Henri-Christophe's black regime, through the narrative of slave Ti-Noel.
For me, the interesting thing about this book was the way in which Carpentier shows how the black regime failed on the same sort of grounds that caused the French regime to become corrupt, outwardly oppulent and inwardly self-destructive. I find it very reminiscent of the sort of dialogue popularized by Freire's "Pedagogy of the Oppressed" where he explains how, in an effort to overthrow an oppressive system of education (but this has to work, to some extent, for politics, culture, etc) the rebels end up instituting essentially the same sort of system---only with themselves at the top instead of bottom.
The novel also deals convincingly with issues of cultural patrimony, the occult, and obviously with historical and political scenario. As with many of his books, Carpentier combines a strong dedication to the factual or realistic history with allegory, metaphor and allusion.
The writing style is fairly dense and I did find it difficult to read the novel straight through. However, I found the read very rewarding and also enlightening.

0 of 0 people found the following review helpful.
This is another world! the revenge of the man ...
By bob phoenix
This is another world ! the revenge of the man of color ?

0 of 0 people found the following review helpful.
Three Stars
By sonia francis
Good

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~ Ebook Alcestis: A Play, by Euripides

Ebook Alcestis: A Play, by Euripides

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Alcestis: A Play, by Euripides

Alcestis: A Play, by Euripides



Alcestis: A Play, by Euripides

Ebook Alcestis: A Play, by Euripides

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Alcestis: A Play, by Euripides

In the years before his death at age sixty-eight in 1998, Hughes translated several classical works with great energy and ingenuity. His Tales from Ovid was called "one of the great works of our century" (Michael Hofmann, The Times, London), his Oresteia of Aeschylus is considered the difinitive version, and his Phèdrewas acclaimed on stage in New York as well as London. Hughes's version of Euripides's Alcestis, the last of his translations, has the great brio of those works, and it is a powerful and moving conclusion to the great final phase of Hughes's career.

Euripides was, with Aeschylus and Sophocles, one of the greatest of Greek dramatists. Alcestis tells the story of a king's grief for his wife, Alcestis, who has given her young life so that he may live. As translated by Hughes, the story has a distinctly modern sensibility while retaining the spirit of antiquity. It is a profound meditation on human mortality.

Ted Hughes's last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.

  • Sales Rank: #1023135 in Books
  • Published on: 2000-09-04
  • Released on: 2000-09-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .27" w x 5.50" l, .34 pounds
  • Binding: Paperback
  • 112 pages
Features
  • ISBN13: 9780374527266
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Review

“Hughes's poetic style if fully of beauty and pathos. Highly recommended.” ―Library Journal

“[Hughes uses] the same technique of adaptation he deployed so well in Tales from Ovid, paring Classical polysyllables to the minimum, and finding the grain of mythic significance...His portrayal of the surviving and self-chastising Admetos is acute. Whatever shades of autobiography may writhe through these lines--they belong to a drama that works.” ―Nigel Spivey, The Daily Telegraph

About the Author

Among Ted Hughes's other translations are The Oresteia of Aeschylus, Racine's Phedre, and Tales from Ovid. His last book of poems, Birthday Letters, won the Whitbread Book of the Year Prize. He was Poet Laureate to Queen Elizabeth II and lived in Devon, England until he died in 1998.

Most helpful customer reviews

1 of 1 people found the following review helpful.
An interesting play
By Israel Drazin
This play by the famed Greek playwright Euripides (480-406 BCE) is a supernatural tale of King Admetus who was told that he would not die if he could find another person who was willing to die for him. In his play, Euripides analyses the psychology of the king. After being rebuffed by his parents, he asks his wife to die for him. She agrees on the condition that he marries no other person after her death. She explained that she loves her two children and feared that a stepmother would not treat them well. The king agrees and she dies. Soon after her death, the king realizes two things. First, he acted dishonorably and second, he misses his wife. “This is he who lives in shame because he dared not do.” “He never knew her worth… he will know it now.”
Just as she is being buried, Heracles appears at the king’s palace. Unasked by the king, he goes out, wrestles with death, defeats death, and brings back Alcestis to her husband alive.
Interestingly, Alcestis is unable to speak when she reappears after her death. Her husband asks why this is so. Heracles explains that it is only after three days after death that one can be fully alive again. This brings to mind the story of the resurrection of Jesus after three days.

0 of 0 people found the following review helpful.
ALCESTIS: A PLAY
By Drayton Blankenbaker
This was a very eye opening play that kept me on my toes. I thought it was a great read and I highly recommend it. If its for a class or even for the joy of reading, it will keep you engaged throughout to make the reader want to keep reading. I finished it in a day thats how good it was and I would read it again if I had the time to! If you come across this play, I would give it a shot and take the time to read it because I thoroughly enjoyed it!

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Monday, April 27, 2015

* Free PDF The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

Free PDF The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

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The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice



The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

Free PDF The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

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The Anne Rice Collection Mayfair Witches: Lasher / The Witching Hour / Taltos, by Anne Rice

The Witching Hour Read by Lindsay Crouse
Lasher Read by Joe Morton
Taltos Read by Tim Curry
8 cassettes/ 10 hours

The Witching Hour
The first of the Mayfair Witch triology. This is the complex history of the mysterious Mayfair family through centuries of their tangled existence with a demonic spirit, a spirit that has brought them power and terrible tragedy. At the center of the novel is Rowan Mayfair, the heir to the Mayfair fortune, who must face her family's mysterious past and her own strange powers.

Lasher
The sequel to the Witching Hour. It's the story of Rowan Mayfair, the queen of the Mayfairs, who is held spellbound by the demon Lasher, the same demon who has lured the Mayfair women for centuries, and her escape from his demonic spell with their child. Through her escape and the cast of characters, demon and angel, mortal and immortal, the novel journeys across the globe and across the centuries.

Taltos
The last novel in the Mayfair Witch triology. This mesmerizing novel is a journey back through the centuries to a civilization half-human species living among humankind and whose sole survivor is seeking answers about his origin and his peoples' tangled history with the mysterious and powerful Mayfair family.

  • Sales Rank: #181155 in Books
  • Published on: 2000-11-07
  • Released on: 2000-11-07
  • Formats: Abridged, Audiobook
  • Original language: English
  • Number of items: 8
  • Dimensions: 6.11" h x 2.63" w x 4.14" l,
  • Running time: 600 minutes
  • Binding: Audio Cassette

From Library Journal
From the Mayfair Witches collection, only The Witching Hour seems to provide much of a coherent story, though the other works have considerable information on Rice's world of witchcraft, spirits, and human-like aliens as well as the Mayfair family of witches itself. The three titles are excellently read by Joe Morton, Lindsay Crouse, and Tim Curry, but it's unclear what the producer was trying to accomplish by arranging the set out of chronological order. The action in Lasher logically follows that of The Witching Hour, which ends describing the relationship of Rowan Mayfair with the spirit Lasher. Taltos seems to be a vehicle to redefine Lasher, killed off in the earlier work, as a demon who assumed the identity of Mr. Ash/St. Ashlar, a nonhuman, nonvampire being whose kind live for millennia. There's a lot of pseudomyth touched up with Catholic or voodoo imagery and laced liberally with incestuous or otherwise taboo sex: a Mayfair dynasty no doubt but with no discernible witchcraft and quite a fixation on the female breast. Horrifying, no, though quite horrible. Merrick, on the other hand, provides the listener with an excellent abridgment, read with great feeling and effectiveness by Sir Derek Jacobi. Though Merrick is a Mayfair and a witch, one will not have had to read a majority of other works Rice has written about the Mayfairs to understand what is happening in this story. Also, along with the myth and voodoo allusions, one actually gets some of what the listener would think of as witchcraft. It's decidedly spooky stuff that also explores Rice's visions of possible afterlives, the mortality of witches, and the virtual immortality of vampires. Acquire Mayfair Witches in this abridged set only if circulation patterns indicate you should. Merrick is highly recommended for adult fiction and horror collections. Cliff Glaviano, Bowling Green State Univ. Libs., OH
Copyright 2001 Reed Business Information, Inc.

From the Inside Flap
The Witching Hour Read by Lindsay Crouse
Lasher Read by Joe Morton
Taltos Read by Tim Curry
8 cassettes/ 10 hours

The Witching Hour
The first of the Mayfair Witch triology. This is the complex history of the mysterious Mayfair family through centuries of their tangled existence with a demonic spirit, a spirit that has brought them power and terrible tragedy. At the center of the novel is Rowan Mayfair, the heir to the Mayfair fortune, who must face her family's mysterious past and her own strange powers.

Lasher
The sequel to the Witching Hour. It's the story of Rowan Mayfair, the queen of the Mayfairs, who is held spellbound by the demon Lasher, the same demon who has lured the Mayfair women for centuries, and her escape from his demonic spell with their child. Through her escape and the cast of characters, demon and angel, mortal and immortal, the novel journeys across the globe and across the centuries.

Taltos
The last novel in the Mayfair Witch triology. This mesmerizing novel is a journey back through the centuries to a civilization half-human species living among humankind and whose sole survivor is seeking answers about his origin and his peoples' tangled history with the mysterious and powerful Mayfair family.

About the Author
Anne Rice lives in New Orleans with her husband, the poet and painter Stan Rice, and her son, the novelist Christopher Rice.

Most helpful customer reviews

81 of 85 people found the following review helpful.
Totally Bewitched
By BirdieTracy
I bought the electronic version of this book because my hardcover copy was getting a bit worn. Actually more than a bit worn.

As blasphemous as this may sound, this is probably my favorite book by Anne Rice. Maybe it was the age I was at when it was released. I don't know. I can honestly say that I have read, and pretty much loved every book she's written, but this one put so many hooks in me that I guess I never got away.

There are so many stories going on. There is the child, practically stolen at birth. The ghost that gives wealth and power while it plots it's future. The lost women, used and discarded. An evil woman so cloaked in self righteousness that she believes her behavior is not only acceptable, but necessary. And the witch determined to free the family from it's curse.

Witch burnings, the Renaissance, moving to the New World, the Jazz Age. After all, this story covers some 300 plus years. And then there is New Orleans and the House. There is simply no other place like New Orleans. Even today the streets, houses, cemeteries, people, churches and sometimes, it seems, the very air are different. A very Old World place plopped down in the New.

I truly believe that in just about anyone else's hands all of the threads of this story would be a knot so tangled it would require a knife to undo. A really big knife. How she manages it is beyond me- but she does. Beautifully.

So, if you like history, romance, mystery, suspense, and some seriously spooky goings on, you might love this book as much as I do. Well, almost as much.

47 of 51 people found the following review helpful.
My All Time Favorite Book
By Amy Wallace
This may be my all time favorite book. Ever. I first read this book when I was 9 years old. I skimmed through it, reading bits and pieces. As I got older, I kept picking this book up and re-reading it, gleaning more and more of the information contained within the text. So many different stories, so many different characters. I remember re-enacting some of the stories with my dolls.

This novel is epic, both in length and in the story. Dr. Rowan Mayfair discovers that she is adopted several years after the death of her adoptive parents and after the death of her biological mother, a woman she never even knew existed. Rowan is an heiress to a massive fortune and a large mansion in the Garden District in New Orleans. Along with the house and fortune, Rowan inherits a massive family with a long and twisted history and a family ghost.

Maybe I love this novel because I too, am adopted. I think every adopted child fantasizes about their biological parents,, imagining them to be someone famous, royalty or very wealthy. Anne Rice created a character that seems absolutely real from the beginning, coming alive off the page and turning into a living, breathing woman before your eyes.

All of Anne Rice's characters throughout the novel have a tendency to leap off the page and become real for the reader. I can almost hear their voices, accents and inflections in the dialogue, as if I was watching a mini-series in my head. With each re-read of this book, I enjoy it more and more. With each turn of the very last page, I feel as though I have uncovered yet another dark secret from within the novel. A sense of accomplishment comes every time I read the last few words.

Not only have I read this novel over and over again, I have also read every other novel Anne Rice has published to date. I think this book shines brighter than any of her other novels or series. Don't misunderstand me, I loved reading her other novels, but this one has always seemed like the best of the best. One of the characters in The Witching Hour, Michael Curry, re-reads Charles Dickens' Great Expectations over and over again because it is his favorite book and never fails to capture his imagination. I feel the same way about The Witching Hour and read it any time I need to escape from reality.

This book has it all: grand plantations, townhouses, a ghost story, family secrets, family history, witches, and a mystery to solve. This novel never fails to suck me in, transport me to the streets of the Garden District and into the Mayfair Family history. I have never been to New Orleans, but I know it would feel familiar if I visited. I would recognize the places in the novel that Anne Rice describes. It wouldn't surprise me to see a twisted old woman sitting on a screened in porch in a rocking chair and know that she was Deirdre Mayfair, or see an old Englishman standing on a street corner and know it was Aaron Lightner. Anne Rice may not know it, but I think that she may have written one of the best books in literary history with The Witching Hour. I can't ever get enough of it, that is the basis for a damn good novel: one that you never want to end.

137 of 155 people found the following review helpful.
Rice's journey through myth, legend and the supernatural
By Chris K. Wilson
"The Witching Hour," Anne Rice's 1990 foray into witchcraft and the occult, is not really a change of pace for the uniquely gifted author more than it is a better realized creation emphasizing her strengths and obsessions. As most readers know, Rice cut her teeth with the enormously successful Vampire Chronicles including "Interview with the Vampire" and "The Vampire Lestat." With "The Witching Hour," Rice has taken a well-deserved break from the immortal lives of her witty vampire clan, creating a fascinating legend of a family of witches stretching back four centuries and two continents.
The witches, known as the Mayfairs, are connected by the haunting thread of the mysterious spirit Lasher, appearing ghost-like to a selected few, standing within the shadows of ominous trees and forming within mirrors, tears streaking his pale face. Lasher forms an eerie, if not erotic bond with the women of the Mayfair clan, providing untold riches and eventually amorous damnation. But Lasher, much like the legacy of the Mayfair family, is an exotic mystery waiting to be solved, and this intimidating responsiblity falls into the modern-day hands of Michael Curry and Rowan Mayfair. This appealing, love-struck couple, set out for New Orleans to solve the mystery and reclaim the souls of the Mayfair family.
"The Witching Hour" was eventually followed by two sequels, but it stands alone as one of Rice's greatest novels, an enthralling, complex epic filled with gothic mystery, dancing ghosts and heartbreaking irony. Her descriptions of the decayed mansion on First Street, situated in the Garden District of New Orleans, a moody, ancient home owned by the Mayfairs for over 100 years, provides some of this novels most sensual and memorable passages. This house is indeed haunted by spirits and the hovering mysteries of past tragedies, but like Shirley Jackson's classic "The Haunting of Hill House," what is lurking within the home is much more than just crying spirits of the dead.
Rice's body of work has always had an old fashioned taste for the finer things in life, from exquisite bottles of wine to antique furnishings and dusty historic paintings. She caresses these lush trappings, much like a lover embraces an old flame. And her descriptions of these tasteful adornments - clothes, artwork, china, food and even New Orleans culture, all glowing within the flame of yellow candlelight, are examples of her sensual writing style. Granted, the passages leading up to the novel's final conflict, in which Michael and Rowan begin renovating the ancient Mayfair home, move slowly, perhaps providing more architectural detail than the reader is interested in. But Rice is strategically building a growing sense of dread. Horror is going to pay a visit to this young couple, and when it eventually does, the reader's mouth will be agape.
"The Witching Hour" is a mesmerizing novel, combining comfortable elements of the English ghost story with a feather-touch dash of erotica, witchcraft and the occult. As in all Anne Rice novels, the dead will simply not go away. They lurk in the shadows of history, as they have for centuries. Time may have passed these pseudo banshees by, but their power is far reaching. Even within the shadows of skyscrapers, automobiles and computers, these timeless supernatural fears are hiding. In Anne Rice's fascinating worlds, ancient legends live and wait, and our imagination is entranced.

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!! Ebook Strange Defeat: A Statement of Evidence Written in 1940, by Marc Bloch

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Strange Defeat: A Statement of Evidence Written in 1940, by Marc Bloch

Marc Bloch wrote Strange Defeat during the three months following the fall of France, after he returned home from military service. In the midst of his anguish, he nevertheless "brought to his study of the crisis all the critical faculty and all the penetrating analysis of a first-rate historian" (Christian Science Monitor). Bloch takes a close look at the military failures he witnessed, examining why France was unable to respond to attack quickly and effectively. He gives a personal account of the battle of France, followed by a biting analysis of the generation between the wars. His harsh conclusion is that the immediate cause of the disaster was the utter incompetence of the High Command, but his analysis ranges broadly, appraising all the factors, social as well as military, which since 1870 had undermined French national solidarity. "Much has been, and will be, written in explanation of the defeat of France in 1940, but it seems unlikely that the truth of the matter will ever be more accurately and more vividly presented than in this statement of evidence." — P. J. Philip, New York Times Book Review "The most wisdom-packed commentary on the problem set [before] all intelligent and patriotic Frenchmen by the events of 1940." — D. W. Brogan, Spectator

  • Sales Rank: #12977499 in Books
  • Published on: 1967-12
  • Original language: English
  • Binding: Hardcover

Review
Much has been, and will be, written in explanation of the defeat of France in 1940, but it seems unlikely that the truth of the matter will ever be more accurately and more vividly presented than in this statement of evidence. -- P. J. Philip, New York Times Book Review

The most wisdom-packed commentary on the problem set [before] all intelligent and patriotic Frenchmen by the events of 1940. -- D. W. Brogan, Spectator

About the Author
Marc Bloch was a French historian who cofounded the Annales School of French social history. He was captured and shot by the Gestapo in 1944 for his work with the French Resistance.

Most helpful customer reviews

33 of 34 people found the following review helpful.
Indispensible for Understanding 20th Century France
By I. Martinez-Ybor
This slim, unpretentious volume, written at the time events took place, and validated by the author's subsequent death at German's hands, is the best witness account we have of the disintegration of what at the time was regarded the most powerful army in the Allied camp. There is a dry-eyed innocence in the reporting that makes the shattering news it conveys more momentous than anything I have read in more scholarly, more documented, chronicles of the period which overwhelm citizen experience with broader perspectives. This is not to minimize others' works, nor to regard M. Bloch as a "minimalist": au contraire. He was a world-renowned medieval scholar, so his mind was nuanced and perceptive, his approach unsentimental and objective; he brings the full intellectual rigor of his training and experience to extract all possible social, historical, and moral truth from the seemingly mundane. He was in his late forties when the war started but nonetheless, served with honor, very much with his eyes-opened, did his duty in the army and kept his brain functioning throughout rather than putting it on hold in blind patriotism (such a treacherous, over-rated popular paliative). He kept at his craft but rather than delving in ancient manuscripts he reported on what he observed around him of an army, indeed a state, in rapid collapse. The macro waves drowning the country are inferred from his micro observations. Indeed the many treasures come in seemingly casual descriptions of mundane events like millions of naked, flickering, low-wattage light-bulbs adumbrating the tragedy of national collapse. Bloch comes to a melancholic but inherently optimistic conclusion: the future of France will be built not by men of his generation, but by a new breed. How ironic this observation in the midst of the overwhelming propaganda for Petain's phony reactionary, bullying National Revolution and its relatively widespread support (at least in its early stages) in Occupied and Vichy France. This book was written after the defeat and before he joined the Resistance (in whose service he was captured, tortured and killed by the Gestapo). Even in the most abject moments of defeat, I don't think Bloch ever wavered in the belief that the Germans would eventually have to go. Indeed, without regret or melancholy, there seems to have been an absolute faith in the eventual disappearance of the old, pre-popular front, pre-war French order, as much as of French political and military men, as of pre-war French bourgeoisie. The book could have been written by a character in Renoir's 1939 masterpiece "Regle du Jeu." This is real though, and our author a genuine hero. Perhaps it would have been ironically interesting, had he lived, to learn what he would have made of Indochine, Algerie, Gaullism and the heady days of 1968.

For anyone interested in the second world war and French history, this little book is indispensible.

19 of 19 people found the following review helpful.
Classic Account of a Shocking Defeat
By Rastignac
The simple-minded are apt to chalk up the shocking defeat of France in the summer of 1940 to French weakness. If you'd rather think a bit more deeply, read this classic account by the pioneering medieval historian. Bloch, who lived through the defeat and died fighting with the French resistance, lays out a penetrating analysis of the French defeat. It is vivid, perceptive, beautifully written, and unsparing in its examination of the failures of the generals, the politicians, and the people. It is a thought-provoking cultural critique of a society in a moment of crisis. A classic.

34 of 69 people found the following review helpful.
Good title, strange analysis
By J. Adams
While Bloch most assuredly was a patriot and served his country the best he could in both wars, his view of France and the French seems to be at odds with subsequent historical analysis. Bloch seems to blame the generals for the problems dealing with French impotence in the face of the Germans, but he doesn't seem to dig deep enough to examine alternative explanations, such as the fact that the French had not won a war since Napoleon and were fundamentally inept compared to other war machines. But since war is much more of a "natural" human state than peace, a society which does not educate and prepare for it is doomed to lose any battle where the enemy is better trained, disciplined, and focused. In many ways, Bloch's analysis ignores the political consequences of the lack of public understanding of the stakes at hand and instead looks at one aspect of examining the military humiliation of the "Phoney War". France was too divided politically and socially to win any battle verses the Nazi war machine. In many ways his analysis is more appropriate to why the French lost Vietnam than why it lost France to the Germans. But of course that happened long after he had been executed by the Nazis.

While this book has some good insights, it is not really anywhere near as good as Paxton's "Vichy France", but Paxton had the benefit of historical records unavailable to Bloch; however Bloch had the benefit of living the history that Paxton reveals.

But unlike the cowards like Sartre who sat out the war and watched the Germans rape his native land while the Vichy politicians acted as their cuckolds, he fought for his country and had an opinion that France was to blame for its own ignominy, instead of modern revisionists who sit back and attack those who stood up to evil.

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Friday, April 24, 2015

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Sula (Oprah's Book Club), by Toni Morrison

Toni Morrison's first novel, The Bluest Eye (1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry."

Sula has the same power, the same beauty.

At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes.

Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped.

Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by staying upright, helping out at church suppers, asking after folks--where you deal with evil by surviving it.

Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned...

In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.

  • Sales Rank: #316484 in Books
  • Brand: Knopf
  • Published on: 2002-04-05
  • Released on: 2002-04-05
  • Ingredients: Example Ingredients
  • Format: Deckle Edge
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.37" h x .46" w x 5.62" l,
  • Binding: Hardcover
  • 192 pages
Features
  • Great product!

Amazon.com Review
In Sula, Toni Morrison, winner of the 1993 Nobel Prize for literature, tells the story of two women--friends since childhood, separated in young adulthood, and reunited as grown women. Nel Wright grows up to become a wife and mother, happy to remain in her hometown of Medallion, Ohio. Sula Peace leaves Medallion to experience college, men, and life in the big city, an exceptional choice for a black woman to make in the late 1920s.

As girls, Nel and Sula are the best of friends, only children who find in each other a kindred spirit to share in each girl's loneliness and imagination. When they meet again as adults, it's clear that Nel has chosen a life of acceptance and accommodation, while Sula must fight to defend her seemingly unconventional choices and beliefs. But regardless of the physical and emotional distance that threatens this extraordinary friendship, the bond between the women remains unbreakable: "Her old friend had come home.... Sula, whose past she had lived through and with whom the present was a constant sharing of perceptions. Talking to Sula had always been a conversation with herself."

Lyrical and gripping, Sula is an honest look at the power of friendship amid a backdrop of family, love, race, and the human condition. --Gisele Toueg

From Library Journal
Hearing an author read her own work creates a special ambiance. To hear Morrison read a short, unabridged novel published 24 years ago, to hear in her voice how much she still values the writing, well, who could ask for more? The only drawback is that Morrison, while very much in tune with her characters, often lets her voice drop to a whisper, making these tapes difficult to listen to while driving and almost impossible on a highway with the window open. On the page, Sula is one of her more clearly defined novels?the friendship and later hatred that envelopes the lives of two black women from "the bottom"?but the imagistic nature of the writing means listeners may have to replay passages if they want to follow the action. A small price to pay for a masterpiece.?Rochelle Ratner, formerly with "Soho Weekly News," New York
Copyright 1997 Reed Business Information, Inc.

Review
“Extravagantly beautiful. . . . Enormously, achingly alive. . . . A howl of love and rage, playful and funny as well as hard and bitter.” —The New York Times

“Exemplary. . . . The essential mysteries of death and sex, friendship and poverty are expressed with rare economy.” —Newsweek

“In characters like Sula, Toni Morrison’s originality and power emerge.” —The Nation

“Enchanting. . . . Powerful.” —Chicago Daily News

“Toni Morrison is not just an important contemporary novelist but a major figure in our national literature.” —The New York Review of Books

“Sula is one of the most beautifully written, sustained works of fiction I have read in some time. . . . [Morrison] is a major talent.” —Elliot Anderson, Chicago Tribune

“As mournful as a spiritual and as angry as a clenched fist . . . written in language so pure and resonant that it makes you ache.” —Playboy

“In the first ranks of our living novelists.” —St. Louis Post-Dispatch

“Toni Morrison’s gifts are rare: the re-creation of the black experience in America with both artistry and authenticity.” —Library Journal

“Should be read and passed around by book-lovers everywhere.” —Los Angeles Free Press

Most helpful customer reviews

47 of 50 people found the following review helpful.
A study of contrasts, exploring the lives of three disparate women
By D. Cloyce Smith
"Sula" is a peculiar and haunting novel exploring the lives of several women who live in the Bottom, a black neighborhood on top of a hill in Ohio. Spanning the years 1919 to 1965, Morrison's book stitches together snippets of episodes and pieces of relationships. Because of its focus on character and community, the book's plot is difficult to summarize without oversimplification and, despite its brevity, the novel weaves many themes into its patchwork: motherhood, the tyranny of traditionalism, racism, the paradox of gentrification, and more.

The most obvious of Morrison's subjects, however, is her examination of the lives of black women in a society controlled by whites and by men. "Sula" is, above all, a study of contrasts, exploring the lives of three disparate women. The Old Testament version is represented by Eva Peace, an iron-willed woman who goes to biblical extremes to protect and control her children; she is so defined by her household that she never even leaves it. Not content with the company of her immediate family, she adopts stray children and takes in boarders to fill the rooms of her constantly expanding residence.

Set below Eva's expansive and commanding view of matriarchy is Nel, who embodies more traditional ideals about marriage and maternity, faith and subservience; she is the daughter, wife, mother who willingly capitulates to the demands of social convention. Nel's life will be much like the life of her mother: defined by husband and children. One of the more touching and oddly resonant moments occurs during Nel's wedding in her mother's home. The guests are spilling their drinks on the carpet and "the children are wrapping themselves into the curtains." but the normally abstemious Helene simply lets go: "Once this day was over she would have a lifetime to rattle around the house and repair the damage."

And perhaps this moment, too, defines the rebellious, independent, and "amoral" Sula, Eva's granddaughter and Nel's closest childhood friend. Immediately after the wedding that forever transforms Nel's and Helene's lives, Sula leaves town. After a ten-year hiatus in the urban deserts of America, she refuses to settle down with her own family, choosing instead a life of autonomy. Her homecoming, with its open defiance of social conventions, supplies her neighbors with a clearly defined enemy: "They began to cherish their husbands and wives, protect their children, repair their homes and in general band together against the devil in their midst."

Morrison's subtle symbolism and her signature sarcasm constantly defy reader's expectations: has a recent author ever been so consistently and brutally witty? The novel is filled with shocking incidents, hilarious escapades, and offbeat characters, but what linger are the portrayals of these three women and the choices they make. In the end, the reader confronts Nel's anguished acknowledgment of what has been surrendered to the pursuit of social conventions--yet Morrison is too adept to offer easy lessons. Each woman suffers from her own failings as much as from the expectations of others, and not one of them is able to salvage much from the ashes of her sacrifices.

0 of 0 people found the following review helpful.
Book is great, but service is mediocre.
By Star6
While I know the book was used, I really didn't expect it to be full - I mean FULL - of underlines and margin notes. I just expected it to be used with curled pages at the corners or a little battered cover. It also took an unnecessarily long time to arrive. The story itself is fantastic!!! Morrison uses words like an artist uses color! Can't get enough of her powerful descriptions of the simplest things. I created my own margin notes and underlines throughout the book!!! Highly recommended to anyone who wants to read quality work from a writer who has completely mastered her craft.

0 of 0 people found the following review helpful.
In my opinion this is the better novel between the two
By MusicLover94
I ordered the bluest eye by Toni Morrison and decided to order this book as well. In my opinion this is the better novel between the two. While the bluest eye is often heralded as Morrison's best work, I think it pales in comparison to sula. I won't spoil the novel I would just recommend anyone to read it who is interested in Africanamerican lit

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~~ Fee Download The Nelson DeMille Collection: Cathedral / The Charm School / Word of Honor, by Nelson Demille

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The Nelson DeMille Collection: Cathedral / The Charm School / Word of Honor, by Nelson Demille

Timed to coincide with the publication of DeMille's new novel, "The Lion's Game", here are three of his most gripping novels--collected together for the first time: "Cathedral" read by Michael Murphy, "The Charm School" read by James Naughton, and "Word of Honor" read by Brian Murray.

  • Sales Rank: #3422138 in Books
  • Published on: 1999-05-11
  • Released on: 1999-05-11
  • Formats: Abridged, Audiobook
  • Original language: English
  • Number of items: 6
  • Dimensions: 6.10" h x 2.63" w x 4.10" l,
  • Running time: 540 minutes
  • Binding: Audio Cassette

Most helpful customer reviews

6 of 6 people found the following review helpful.
The Charm School
By Ann White
Despite the cold war being over, the possibility of a school that trains spys is still real.
Highly recommend this book, one of DeMille's best.
This story is so plausible it will keep you awake at night.
Shiver.

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Wednesday, April 22, 2015

** PDF Ebook Find Me: A Novel, by Laura van den Berg

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Find Me: A Novel, by Laura van den Berg

Long-listed for the 2016 International Dylan Thomas Prize

After two acclaimed story collections, Laura van den Berg brings us Find Me, her highly anticipated debut novel--a gripping, imaginative, darkly funny tale of a young woman struggling to find her place in the world.

Joy has no one. She spends her days working the graveyard shift at a grocery store outside Boston and nursing an addiction to cough syrup, an attempt to suppress her troubled past. But when a sickness that begins with memory loss and ends with death sweeps the country, Joy, for the first time in her life, seems to have an advantage: she is immune. When Joy's immunity gains her admittance to a hospital in rural Kansas, she sees a chance to escape her bleak existence. There she submits to peculiar treatments and follows seemingly arbitrary rules, forming cautious bonds with other patients--including her roommate, whom she turns to in the night for comfort, and twin boys who are digging a secret tunnel.

As winter descends, the hospital's fragile order breaks down and Joy breaks free, embarking on a journey from Kansas to Florida, where she believes she can find her birth mother, the woman who abandoned her as a child. On the road in a devastated America, she encounters mysterious companions, cities turned strange, and one very eerie house. As Joy closes in on Florida, she must confront her own damaged memory and the secrets she has been keeping from herself.

  • Sales Rank: #300965 in Books
  • Published on: 2016-02-02
  • Released on: 2016-02-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.52" h x .79" w x 5.02" l, .0 pounds
  • Binding: Paperback
  • 288 pages

From School Library Journal
The world is starting to fall apart just as Joy begins putting herself back together. Abandoned by her mother at birth and raised in several foster care and group home situations, Joy has struggled to find direction. When a deadly sickness spreads across the country, first stripping people of their memories and then propelling them from dementia to death, Joy finds out she is immune to this disease and is admitted to a hospital that is looking for a cure. She uses this time to reflect on her life thus far and make a plan to track down her birth mother. The first-person narration allows readers to follow the story through Joy's changing perspective, which creates a mood that subtly moves from ambivalence to determination. Teens will be compelled to discover more about the mystery of the illness, and themes of survival and self-discovery will resonate with them. This debut novel's interesting exploration of how people behave during times of crisis mixed with the dynamics of hospital living is a combination of Susanna Kaysen's Girl, Interrupted (Turtle Bay Bks., 1993) and Josh Malerman's Bird Box (Ecco, 2014). VERDICT Give this to introspective teens who enjoy postapocalyptic stories and lyrical language.—Carrie Shaurette, Dwight-Englewood School, Englewood, NJ

Review
"The book's ambiguous conclusion may lead to rereading as the possibility of multiple interpretations is opened." ---Library Journal Starred Review

About the Author
Laura van den Berg's first collection of stories, What the World Will Look Like When All the Water Leaves Us, was a Barnes & Noble "Discover Great New Writers" selection. Her second collection of stories, The Isle of Youth, won the Rosenthal Family Foundation Award from the American Academy of Arts and Letters and The Bard Fiction Prize, and was named a "Best Book of 2013" by over a dozen venues, including NPR, The Boston Globe, and O, The Oprah Magazine. Both collections were shortlisted for the Frank O'Connor International Short Story Award. The recipient of a 2014 O. Henry Award, Laura currently lives in the Boston area and is a Writer-in-Residence at Bard College. Find Me is her first novel.

Most helpful customer reviews

26 of 31 people found the following review helpful.
What did I just read?
By Debbie McBee
I'm not even mad that I wasted $13 and a part of two days. Nothing ... absolutely nothing makes any sense. It's as if the author got incredibly stoned and began scribbling on the walls. The apocalypse? Stupid. Don't let that hook you. The author attempts to reel in a story about this mystery disease killing Americans, but never lands it. Is it truly an apocalypse if the disease only affects Americans? There is no resolution. None. Actually there is nothing to resolve. Just a bunch of ramblings about what the subject remembers. 'I remember the sky was purple and I was craving ice cream. A puppy whined in the distance and a blue whale was on tv.' Okay, that's not an actual quote from the book, but it could've been. Utterly stupid through and through.

The book could also use an editor. There is an entire paragraph describing a man with 'their'. Their hair, their posture. Other nitpicky items throughout that I wouldn't normally mention: however the story is so bad (so, so bad), the errors blazed from the pages.

8 of 8 people found the following review helpful.
Hit and miss
By Bill Tobin
I bought this book after reading a review on the Culture section of BBC News. Find Me was listed as one of the best books for 2015 and I was intrigued. Intrigue turned to despair. I struggled to retain any real interest for the main character in the second part of the book and failed to buy into the storyline of her journey after the hospital. Some of the writing is beautiful, but excellent prose is not enough for me if the plot and characters fail to connect.

0 of 0 people found the following review helpful.
If memory defines who we are, then what does it mean if it's gone?
By Amazon Customer
If you are looking for your typical, sci-fi, plot-driven dystopian novel, you have come to the wrong place. The mind-destroying disease that begins the apocalyptic degradation of society only acts as a backdrop in "Find Me," and rightly so. This book isn't about the politics, religion, or even culture behind humanity when it reaches its breaking point--instead, it pinpoints its focus to a singular character, fighting not for survival (as many of the characters in this ravaged world, in fact, have turned their backs on) but instead for a meaning in a world that is not, for her, entirely different from what she had experienced before the sickness. That meaning comes in the form of self-exploration, and a desperate attempt at unearthing her own identity with more hope for success than those she watches succumb to a deadly, memory-erasing fate.

I want to address the criticism I've seen in reviews about the book, which actually pushed me to buy it in the first place. I love Laura Van Den Berg's writing style, and know it's not for everyone. But many of reviewers that complain about the book's lack of plot, movement, and answers I feel might have been skimming and not really reading. I never got the sense that "nothing" happened--things were constantly happening, in the form of unusual, moody scenes that either fleshed out the main character Joy's past or pushed the plot forward perfectly. Certainly there are questions posed that don't always have direct answers, but like any good story, you have to look for them--they aren't just handed to you on a silver platter. Additionally, many of the things left up to interpretation, either because of Joy's ignorance to the situation or unreliable narration, I found more interesting to ponder to myself long after the book ended.

Finally, there is the switch in scenery as Joy moves from the Hospital she is kept in to the roadways on a trip to find her mother. Which section the reader likes better is entirely up to the reader themselves; I liked both parts of the story equally. I will say that the mysterious and seemingly too-good-to-be-true appearance of one of the most important characters mid-way through should not be looked at as a deux ex machina on the part of the author. Remember that this a story in which memory and perception, according to Joy herself, are not necessary accurate, and we as readers should treat all of the experiences she has, in and out of the Hospital, as merely that--experiences, and not always the hard truth.

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> Fee Download Poet in New York: Bilingual Edition (FSG Classics), by Federico García Lorca

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Poet in New York: Bilingual Edition (FSG Classics), by Federico García Lorca

A newly revised edition of the insightful poetic cycle by one of the key figures of modern literature

Written while Federico García Lorca was a student at Columbia University in 1929–30, Poet in New York is one of the most important books he produced, and certainly one of the most important books ever published about New York City. Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.
Timed to coincide with the citywide celebration of García Lorca in New York planned for 2013, this edition, which has been revised once again by the renowned García Lorca scholar Christopher Maurer, includes thrilling material―new photographs, new and emended letters―that has only recently come to light. Complementing these additions are García Lorca's witty and insightful letters to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall), the annotated photographs that accompany those letters, a prose poem, extensive notes, and an interpretive lecture by García Lorca himself.
An excellent introduction to the work of a key figure of modern poetry, this bilingual edition of Poet in New York, a strange, timeless, vital book of verse, is also an exposition of the American city in the twentieth century.

  • Sales Rank: #1207749 in Books
  • Published on: 2013-04-09
  • Released on: 2013-04-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.21" h x 1.03" w x 6.20" l, .95 pounds
  • Binding: Paperback
  • 320 pages

Review
“Lorca's testament may well be one of the greatest books of poems ever written about New York City . . . A wildly imaginative and joyously alienated declaration of residence.” ―The New Yorker

About the Author
Federico García Lorca, one of Spain's greatest poets and dramatists, was born in a village near Granada in 1898 and was murdered in 1936, at the beginning of the Spanish Civil War.

Most helpful customer reviews

1 of 3 people found the following review helpful.
In-Depth Preface
By paula mclaughlin
In his in-depth preface; Maurer, the translator of many of the poems, helps the reader understand what the poet feels.

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Saturday, April 18, 2015

! PDF Ebook The Metaphysical Club: A Story of Ideas in America, by Louis Menand

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The Metaphysical Club: A Story of Ideas in America, by Louis Menand

The Metaphysical Club is the winner of the 2002 Pulitzer Prize for History.

A riveting, original book about the creation of modern American thought.

The Metaphysical Club was an informal group that met in Cambridge, Massachusetts, in 1872, to talk about ideas. Its members included Oliver Well Holmes, Jr., future associate justice of the United States Supreme Court; William James, the father of modern American psychology; and Charles Sanders Peirce, logician, scientist, and the founder of semiotics. The Club was probably in existence for about nine months. No records were kept. The one thing we know that came out of it was an idea -- an idea about ideas. This book is the story of that idea.

Holmes, James, and Peirce all believed that ideas are not things "out there" waiting to be discovered but are tools people invent -- like knives and forks and microchips -- to make their way in the world. They thought that ideas are produced not by individuals, but by groups of individuals -- that ideas are social. They do not develop according to some inner logic of their own but are entirely depent -- like germs -- on their human carriers and environment. And they thought that the survival of any idea deps not on its immutability but on its adaptability.

The Metaphysical Club is written in the spirit of this idea about ideas. It is not a history of philosophy but an absorbing narrative about personalities and social history, a story about America. It begins with the Civil War and s in 1919 with Justice Holmes's dissenting opinion in the case of U.S. v. Abrams-the basis for the constitutional law of free speech. The first four sections of the book focus on Holmes, James, Peirce, and their intellectual heir, John Dewey. The last section discusses some of the fundamental twentieth-century ideas they are associated with. This is a book about a way of thinking that changed American life."

  • Sales Rank: #77302 in Books
  • Published on: 2002-04-10
  • Released on: 2002-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.24" h x 1.54" w x 5.53" l, 1.38 pounds
  • Binding: Paperback
  • 576 pages
Features
  • Louis Menand
  • movements
  • philosophy

Amazon.com Review
If past is prologue, then The Metaphysical Club by Louis Menand may suggest an intellectual course for the United States in the 21st century. At least Menand, a frequent contributor to The New Yorker and The New York Review of Books, thinks so. This enthralling study of Oliver Wendell Holmes, William James, Charles Sanders Peirce, and John Dewey shows how these four men developed a philosophy of pragmatism following the Civil War, a period Menand likens to post-cold-war times. Together, "they were more responsible than any other group for moving American thought into the modern world."

Despite this potentially forbidding theme, The Metaphysical Club is not a dry tome for academics. Instead, it is a quadruple biography, a wonderfully told story of ideas that advances by turning these thinkers into characters and bringing them to life. Menand links them through the Metaphysical Club, a conversational club formed in Cambridge, Massachusetts, in 1872. It lasted but a few months, and references to it appear only in Peirce's writings (its real significance seems rather limited), though Holmes and James were both members. (Dewey was much younger than these three, and more an heir than a contemporary.) It is difficult to describe in a sentence or two what they accomplished, though Menand takes a stab at it: "They helped put an end to the idea that the universe is an idea, that beyond the mundane business of making our way as best we can in a world shot through with contingency, there exists some order, invisible to us, whose logic we transgress at our peril." Academic freedom and cultural pluralism are just two of their legacies, and they are linchpins of democracy in a nonideological age, says Menand.

A book like this is necessarily idiosyncratic, yet at the same time this one is sweeping. It presents an accessible survey of intellectual life from roughly the end of the Civil War to the start of the cold war. Dozens of figures receive fascinating thumbnail sketches, from Ralph Waldo Emerson and Charles Darwin to Jane Addams and Eugene Debs. The result is a grand portrait of an age that will appeal to anyone with even a modest interest in the history of philosophy and ideas. --John Miller

From Publishers Weekly
The Metaphysical Club was an informal intellectual gathering of philosophers and academics that met in Cambridge, Mass., for only nine months in 1872. Menand, known for his contributions to the New Yorker and the New York Review of Books, follows the evolution of pragmatism as it emerged from the minds of four of the club's "members": Supreme Court Justice Oliver Wendell Holmes, William James, Charles Sanders Peirce and John Dewey. The Metaphysical Club describes how the lives of these great thinkers interconnect in an enjoyable, though sometimes complex, narrative. Leyva's reading is fluid and clean. His delivery, that of an enthusiastic yet slightly removed academic, transports the listener to a classroom seat, alert and ready to take notes. Unlike those audiobooks in which the enthralled listener cannot wait to listen to each subsequent tape in order to see what happens next, listeners may find themselves rewinding the tape to repeat bits here and there, or just turning it off from time to time to digest the thoughts introduced. This audiobook is stimulating for our nation today, as Menand stresses the important role of intellectuals in times of chaos (in this case, after the Civil War), when people's beliefs are put to the test. Based on the Farrar, Straus & Giroux hardcover (Forecasts, Mar. 12, 2001). (Sept.)n

Copyright 2002 Cahners Business Information, Inc.

From Library Journal
Menand (English, CUNY) acknowledges at the outset the ephemeral nature of the informal discussion group known as "the metaphysical club," stating that it "was probably in existence for only nine months, and no records were kept." Yet he sees in the work of its principals Oliver Wendell Holmes, William James, and Charles Sanders Peirce a momentous change in the conditions of modern life, brought about in large part because of their thought and work. The three men met informally in Cambridge, MA, in 1872, and out of these meetings a new philosophy was born a uniquely American way of looking at the world, known as pragmatism. To tell this fascinating story, Menand produces a seamless narrative line that moves from the Civil War to the Supreme Court case in 1919 that became the basis for the constitutional doctrine of free speech. Along the way, the reader is introduced to myriad pertinent players and events that bring the era and the thinking vividly to life. Highly recommended for academic and public libraries.
- Leon H. Brody, U.S. Office of Personnel Mgt. Lib., Washington, DC
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

3 of 3 people found the following review helpful.
An enthralling, entertaining, enlightening story of ideas in
By cs211
Louis Menand's exhaustively researched The Metaphysical Club describes the life and times of a handful of prominent American intellectuals from the Civil War era to the World War era, including U.S. Supreme Court Justice Oliver Wendell Holmes Jr. and philosopher William James. Menand is ultimately successful in his primary aim, which is to show how abstract philosophical ideas can have a major impact on the quality of life experienced by everyday people.
Menand's narrative path encompasses many side journeys, sometimes not appearing to advance towards the end goal, and it is not until the last seventh of the book that we get treated to an overall description of the philosophy of pragmatism. The doings of the Cambridge Metaphysical Club are briefly summarized almost halfway through the book, and the reader at that point learns that the club itself is not (although it is the title of the book) what made the major impact on society; rather, it is what some of the club's members did over the course of many subsequent decades that changed American society.
The great pleasure in reading The Metaphysical Club comes from following Menand on these many side journeys, thereby learning about a cornucopia of subjects, from the politics of slavery, abolition and the Civil War, to what pre-Civil War proper Boston Brahmin society was like, to the impact that Darwin's ideas on evolution had, to the Dartmouth College case and the founding of the modern private American university, to the Pullman car strike, to the initial battles to establish the principle of academic freedom, all underscored with a recurring discussion of race attitudes over the decades.
If this list appears to be a bit of a grab-bag of subjects, that impression prevails while reading the book: although it is all connected, you never quite know what subject Menand is going to explore next. The Metaphysical Club is not the final authority on any of these subjects; rather, it is a top-quality survey work. The subtitle describes the book better than the title: it truly is "a story of ideas in America". It's not "the" definitive story; Menand is exercising his right to explore brief portions of subjects of interest to him and germane to the storyline. But if you are willing to grant him this authorial license, and not protest the course he chooses, then you will be enthralled, entertained, and enlightened.
As a work of history (it won the 2002 Pulitzer Prize for history), Menand also succeeds in providing a great deal of context about the state of the world his subjects were living in, so that we 21st century readers can "see how almost unimaginably strange they and their world were, too." While there are certain timeless truths that were generated by these thinkers, it is also instructive to see just how much they were a product of their times, which (of course) applies equally as well to us, today.

3 of 3 people found the following review helpful.
Great (but that depends on how you look at 'great')
By Daniel H. Yeary
A fairly fast-paced history that follows the trail of Pragmatism from its origin onward via biographical sketches of the men involved in forming it. As has already been noted in other reviews, this is a book that you could probably spend months and months sifting through due to the density of the subject matter.
The author does an excellent job of shedding light on other subjects during the era, like slavery and the racial theories of prominent scientists. Let me assure you, if you look at the past through the views that most of us hold today, there were few men in any part of the country that didn't hold views on race to make you cringe. For example, as silly as it might seem now, the most serious scientists of their time were divided as to whether or not the white and black races evolved from one common ancestor or evolved entirely independent of one another...i.e., we were created differently from day one.
It's this very thing that reveals the beauty of science as something that builds on itself via verifiable data and, once your ideas fail the test, they go directly and swiftly into the dustbin of history.
Philosophical systems not being something that spring into someone's head fully formed, Menand does a great job tracing all of the twists and turns that ultimately lead to what we refer to as the philosophy of Pragmatism.
This book was much broader in scope than I thought it would be and intensely interesting in many ways. You'll likely add bios of Oliver Wendell Holmes, William James & John Dewey to your wish-list after reading this.

0 of 0 people found the following review helpful.
Excellent and fascinating
By Phoebe C. Ellsworth
A superb and highly readable account of four great American intellects and the birth of pragmatism.The sections on Holmes and James are especially good. The associations between all four are not as close as the title might suggest, but I did not find that a serious drawback.

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