Thursday, July 31, 2014

!! Ebook Free The Endurance: Shackleton's Legendary Antarctic Expedition, by Caroline Alexander

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The Endurance: Shackleton's Legendary Antarctic Expedition, by Caroline Alexander

In August 1914, days before the outbreak of the First World War, the renowned explorer Ernest Shackleton and a crew of twenty-seven set sail for the South Atlantic in pursuit of the last unclaimed prize in the history of exploration: the first crossing on foot of the Antarctic continent. Weaving a treacherous path through the freezing Weddell Sea, they had come within eighty-five miles of their destination when their ship, Endurance, was trapped fast in the ice pack. Soon the ship was crushed like matchwood, leaving the crew stranded on the floes. Their ordeal would last for twenty months, and they would make two near-fatal attempts to escape by open boat before their final rescue.

Drawing upon previously unavailable sources, Caroline Alexander gives us a riveting account of Shackleton's expedition--one of history's greatest epics of survival. And she presents the astonishing work of Frank Hurley, the Australian photographer whose visual record of the adventure has never before been published comprehensively. Together, text and image re-create the terrible beauty of Antarctica, the awful destruction of the ship, and the crew's heroic daily struggle to stay alive, a miracle achieved largely through Shackleton's inspiring leadership.

The survival of Hurley's remarkable images is scarcely less miraculous: The original glass plate negatives, from which most of the book's illustrations are superbly reproduced, were stored in hermetically sealed cannisters that survived months on the ice floes, a week in an open boat on the polar seas, and several more months buried in the snows of a rocky outcrop called Elephant Island. Finally Hurley was forced to abandon his professional equipment; he captured some of the most unforgettable images of the struggle with a pocket camera and three rolls of Kodak film.

Published in conjunction with the American Museum of Natural History's landmark exhibition on Shackleton's journey, The Endurance thrillingly recounts one of the last great adventures in the Heroic Age of exploration--perhaps the greatest of them all.

  • Sales Rank: #94577 in Books
  • Published on: 1998-11-03
  • Released on: 1998-11-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.43" h x .92" w x 8.33" l, 2.07 pounds
  • Binding: Hardcover
  • 224 pages

Amazon.com Review
Melding superb research and the extraordinary expedition photography of Frank Hurley, The Endurance by Caroline Alexander is a stunning work of history, adventure, and art which chronicles "one of the greatest epics of survival in the annals of exploration." Setting sail as World War I broke out in Europe, the Imperial Trans-Antarctic Expedition, led by renowned polar explorer Sir Ernest Shackleton, hoped to become the first to cross the Antarctic continent. But their ship, Endurance, was trapped in the drifting pack ice, eventually to splinter, leaving the expedition stranded on floes--a situation that seemed "not merely desperate but impossible."

Most skillfully Alexander constructs the expedition's character through its personalities--the cast of veteran explorers, scientists, and crew--with aid from many previously unavailable journals and documents. We learn, for instance, that carpenter and shipwright Henry McNish, or "Chippy," was "neither sweet-tempered nor tolerant," and that Mrs. Chippy, his cat, was "full of character." Such firsthand descriptions, paired with 170 of Frank Hurley's intimate photographs, which are comprehensively assembled here for the first time, penetrate the hulls of the Endurance and these tough men. The account successfully reveals the seldom-seen domestic world of expedition life--the singsongs, feasts, lectures, camaraderie--so that when the hardships set in, we know these people beyond the stereotypical guise of mere explorers and long for their safety.

Alexander reveals Shackleton as an inspiring optimist, "a leader who put his men first." Throughout the grueling ordeal, Shackleton and his men show what endurance and greatness are all about. The Endurance is a most intimate portrait of an expedition and of survival. Readers will possess a newfound respect for these daring souls, know better their unthinkable toil and half-forgotten realm of glory. --Byron Ricks

From Publishers Weekly
The unparalleled adventure and ordeal of Sir Ernest Shackleton and his crew, stranded on the Antarctic ice for 20 months beginning January 20, 1915, then forced to row a 22-foot boat 850 miles across storm-ravaged seas, has inspired at least three marvelous books: Shackleton's own memoir, South; Alfred Lansing's bestselling Endurance; and this stirring account by Alexander (The Way to Xanadu). In 1914, Shackleton sailed to Antarctica with 27 men in hopes of being the first human to transverse the continent. But his ship, the Endurance, was trapped, then crushed, by ice in the Weddell Sea, propelling the party into a nightmare of cold and near starvation. Alexander, relying extensively on journals by crew members, some never published, as well as on myriad other sources, delivers a spellbinding story of human courage (and occasional venality) in the face of daunting odds. She succinctly and boldly captures the character of the men and of the terrible land- and seascape they crossed toward salvation. What makes this book especially exciting, however, are the 170 previously unpublished photos by the expedition's photographer, Frank Hurley: stark, artfully composed tributes to the savage beauty of the ice and to the fortitude of the men and their dogs. Not one of the men died during their sojourn in a freezing hell; as Alexander makes clear in her gripping, emotionally resonant book, this incredible fact bears witness not only to Shackleton's leadership but to the strength of the human spirit. Agent, Anthony Sheil. Author tour. (Nov.) FYI: The Endurance is being published in association with the American Museum of Natural History, which in March 1999 will open an exhibit, curated by Alexander, chronicling Shackleton's voyage. A feature-length IMAX film on the subject will be released then, as well.
Copyright 1998 Reed Business Information, Inc.

From Library Journal
During Shackleton's 1914 expedition to Antarctica, he and his crew were trapped on ice floes for 20 months. Alexander is curating a forthcoming exhibition on their plight.
Copyright 1998 Reed Business Information, Inc.

Most helpful customer reviews

154 of 156 people found the following review helpful.
A Gripping and Beautiful Tale of Leadership
By David - Bay Area
This is a truly gripping and beautiful book. The story of the voyage and survival of the Endurance, Sir Ernest Shackleton's 1914 expedition to traverse the Antarctic continent on foot, is truly awe-inspiring. The photographs of Frank Hurley, the expedition's photographer, are sublime and powerful. I can't recapture the magnitude or beauty of the book in a few words, but two things struck me as particularly moving. At one point, Shackleton and five men sailed 800 miles in a 22-foot boat through the tempestuous South Atlantic Ocean to reach help. I doubt that even Alexander's account of the voyage does justice to the courage, skill and fortitude exhibited by these men.
Two comments put this one piece of the survival struggle into perspective. Alexander comments, "They would later learn that a 500-ton steamer had foundered with all hands in the same hurricane they had just weathered." And upon reaching civilization for the first time, the captain of the Endurance, Frank Worsley records the reaction of some of the hardiest seamen in the world:
Three or four white-haired veterans of the sea came forward. One spoke in Norse, and the Manager translated. He said he had been at sea over 40 years; that he knew this stormy Southern Ocean intimately, from South Georgia to Cape Horn, from Elephant Island to the South Orkneys, and that never had he heard of such a wonderful feat of daring seamanship as bringing the 22-foot open boat from Elephant Island to South Georgia.... All the seamen present then came forward and solemnly shook hands with us in turn. Coming from brother seamen, men of our own cloth and members of a great seafaring race like the Norwegians, this was a wonderful tribute. (The Endurance, pages 166-167).
The second thing I found so moving about Alexander's account was the skillful and authentic way she weaves Hurley's unbelievably stark and beautiful photographs into the fabric of this story. Most moving of all, though, is the absence of photographs during the voyage described above. Shackleton, who lived and led for his men, left them to bring help, and it is somehow fitting that we have the same sense of solitude and lack the tangibility of a photograph to reassure us about the well-being of the 22 men left behind.
Shackleton ("the Boss") to his men, was a true leader. In her conclusion, Alexander writes of him, "He would be remembered not so much for his own accomplishment -- the 1909 expedition that attained the farthest South -- as for what he was capable of drawing out of others." She goes on to quote Worsley:
Shackleton's popularity among those he led was due to the fact that he was not the sort of man who could do only big and spectacular things. When occasion demanded he would attend personally to the smallest details.... Sometimes it would appear to the thoughtless that his care amounted almost to fussiness, and it was only afterwards that we understood the supreme importance of his ceaseless watchfulness. (The Endurance, pages 193-194).
Alexander goes on to say, "Behind every calculated word and gesture lay the single-minded determination to do what was best for his men. At the core of Shackleton's gift for leadership in crisis was...the fact that he elicited from his men strength and endurance they had never imagined they possessed; he ennobled them."
I think the most interesting passages with respect to his leadership are those that deal with the obvious INCREASED strain that Shackleton experienced after HE was safe but 22 of his men remained stranded on Elephant Island, even after 2 attempts to reach them. Again, Worsley's insight is revealing: "The wear and tear of this period was dreadful. To Shackleton it was little less than maddening. Lines scored themselves on his face more deeply day by day; his thick, dark, wavy hair was becoming silver. He had not had a grey hair when we started out to rescue our men the first time. Now on the third journey, he was grey-haired."
When Shackleton finally reached Elephant Island and realized that all his men had survived, Worsley writes, "He put his glasses back in their case and turned to me, his face showing more emotion than I had ever known it show before...we were all unable to speak. It sounds trite, but years literally seemed to drop from him as he stood before us."
In my estimation, this is the true quality of a leader: he leads his people, but more than anything, he leads FOR his people.

0 of 0 people found the following review helpful.
Shackleton and his men are one of my favorite TRUE stories of bravery and endurance
By Patricia D.Foss
Shackleton and his men are one of my favorite TRUE stories of bravery and endurance. First, it was fortunate that the photographer was allowed to preserve some of his plates of the ship on the ice. Second, I read recently that within this last decade some people replicated the search party gong to find the Russian fishing camp to get help for the rest of the men. These recent heroes were outfitted in the garb of skiers today with snowshoes and the best in warm clothing and, as I recall, Shackleton's men made it faster, because it was a matter of life or death. I many have heard it incorrectly, but I don't think so. It makes a good story.

13 of 14 people found the following review helpful.
Your human spirit will live with this book
By A Customer
Caroline Alexander's book touches something deep within our human spirit; challenge, hope, survival and love of life. For those who love to challenge themselves by the outdoors with the hope of great rewards these experiences can bring, read this book to understand how these pursuits can also provide very real dangers, except in this book the dangers go beyond one's imagination - twenty-two months in wet, sub-freezing conditions on ice, frozen lands and the Antartic's violent oceans.
If you have read or enjoy reading books and adventures like Krakauer's "Into Thin Air," this book is a MUST read.
Frank Hurley's photographs are excellent. Frank Hurley's committment to taking these pictures is unbelievable when considering the environmental conditions of this part of the world.
My emotions rose and fell with the reading of "The Endurance." The book is a well-written tribute to the 28 men of the expedition. These men are adventurers and heroes beyond description. I was pleased with Ms. Alexander's afterword, which described what became of each of them after their rescue, this completed the story.

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Friday, July 25, 2014

! Ebook Download Poems (English and German Edition), by Hermann Hesse

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Poems (English and German Edition), by Hermann Hesse

Few American readers seem to be aware that Hermann Hesse, author of the epic novels Steppenwolf and Siddhartha, among many others, also wrote poetry, the best of which the poet James Wright has translated and included in this book. This is a special volume―filled with short, direct poems about love, death, loneliness, the seasons―that is imbued with some of the imagery and feeling of Hesse's novels but that has a clarity and resonance all its own, a sense of longing for love and for home that is both deceptively simple and deeply moving.

  • Sales Rank: #627150 in Books
  • Color: White
  • Brand: Hesse, Hermann
  • Published on: 2008-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .26" w x 5.50" l, .33 pounds
  • Binding: Paperback
  • 96 pages

Review

“Rilke, T. S. Eliot, Gide, Thomas Mann rightly called Hesse a master… His fiction achieves the glorious anachronism of art: created in the past, it speaks to us in the present. It glorifies the strategies of attempting to become a full human being and it celebrates the nobility of failure.” ―Webster Schott, Life

“Hesse is a writer of suggestion, of nuance, of spiritual intimation.” ―Christian Science Monitor

“One of the defining spirits of our century.” ―Ralph Freedman, Princeton University

Language Notes
Text: English, German

About the Author

Herman Hesse (1877-1962) was a German poet and novelist. He received the Nobel Prize in Literature in 1962.

Most helpful customer reviews

27 of 27 people found the following review helpful.
Poems of longing and seperation
By matt
This is one of my favorite anthologies of poetry, worth reading repeatedly. It captures the spirit of a man, so much like us all, who longs for that something beyond the next hill or behind the wistful smile. How many of us sense intuitively that life is wrapped in a mystery, the veil of separation thin? Hesse's poetry, like his novels, reminds me that even though the inner meaning to life often seems just beyond my reach, it is none the less to be found in the quotidian activities of breathing the fresh air, cutting the finger on the edge of a dish, or listening to Bach as I clean the garage. Written almost 90 years ago, his poetry still rings true to the wandering steppenwolfe in each one of us. "The Gate of Heaven is everywhere."
You may also be captivated by another moving anthology of poetry, "Against Forgetting". It is an anthology of 20th century poems of witness, suffering, and hope.

20 of 21 people found the following review helpful.
A Fascinating Glimpse into Hesse's Poetic Mind
By Patrick
It is unfortunate, though Hesse always thought of himself first as a poet, readers who are not fluent in German rarely get to read any of his poetry. Highly lyrical and Romantic, Hesse's poems remind his readers that the world he was most comfortable in was the creation of the German poets in the century which preceded him. Highly reminiscent of Holderin with a bit of Goethe thrown in for style, all of the poems selected are eminently readable. James Wright has gone for a literal translation, and in many cases causes the poems to loose the musical charm his words have in German. For those who, like me, are critical of translations, the German text for each poem is also included. Anyone with an interest in Hesse or in the twentieth century canon should defintely read this book.

8 of 8 people found the following review helpful.
Short & Sweet
By Space
It shows the excellent ability of Hesse in mastering both styles of writing. His style in writing poems is magnificant, and very clear. I am sure the translation is still weaker than the original german language, but nevertheless it is a highly recommended book to read.
If you are a Hesse fan, you will enjoy this even more.

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Thursday, July 24, 2014

! Download PDF Hughes: Poems (Everyman's Library Pocket Poets), by Langston Hughes

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Hughes: Poems (Everyman's Library Pocket Poets), by Langston Hughes

From the publication of his first book in 1926, Langston Hughes was hailed as the poet laureate of black America, the first to commemorate the experience of African Americans in a voice that no reader, black or white, could fail to hear. Lyrical and pungent, passionate and polemical, this volume is a treasure-an essential collection of the work of a poet whose words have entered our common language.

  • Sales Rank: #299434 in Books
  • Published on: 1999-03-23
  • Released on: 1999-03-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.50" h x .70" w x 4.40" l, .51 pounds
  • Binding: Hardcover
  • 256 pages

Review
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Sister
Situation
Sliver
Sliver Of Sermon
So Long
Soledad: A Cuban Portrait
Song For A Banjo Dance
Spirituals
Still Here
Street Song
Subway Rush Hour
Summer Night
Sunday By The Combination
Sunset In Dixie
Sweet Words On Race
Tag
Tell Me
Testimonial
Theme For English B
Third Degree
Three Songs About Lynching: Silhouette
To Certain Negro Leaders
To Midnight Nan At Leroy's
Tomorrow
Trumpet Player
Ultimatum
Up-beat
Visitors To The Black Belt
Warning
Warning: Augmented
The Weary Blues
What? So Soon!
When Sue Wears Red
Wine-o
Wonder
Words Like Freedom
World War Ii
Young Gal's Blues
Youth
-- Table of Poems from Poem Finder®

About the Author
Langston Hughes was born in Joplin, Missouri, in 1902. After graduation from high school, he spent a year in Mexico with his father, then a year studying at Columbia University. His first poem in a nationally known magazine was "The Negro Speaks of Rivers," which appeared in Crisis in 1921. In 1925, he was awarded the First Prize for Poetry of the magazine Opportunity, the winning poem being "The Weary Blues," which gave its title to his first book of poems, published in 1926. As a result of his poetry, Mr. Hughes received a scholarship at Lincoln University in Pennsylvania, where he won his B.A. in 1929. In 1943, he was awarded an honorary Litt.D. by his alma mater; he has also been awarded a Guggenheim Fellowship (1935), a Rosenwald Fellowship (1940), and an American Academy of Arts and Letters Grant (1947). From 1926 until his death in 1967, Langston Hughes devoted his time to writing and lecturing. He wrote poetry, short stories, autobiography, song lyrics, essays, humor, and plays. A cross section of his work was published in 1958 as The Langston Hughes Reader.

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5 of 6 people found the following review helpful.
A P0CKET FULL OF INSPIRATION
By Bonita L. Davis
Everyman's Library of Pocket Poets presents an accessible collection of Langston Hughes' poems right before our finger tips. Culled from Hughes', "The Collected Poems of Langston Hughes", you are able to read and reflect upon some of the best of Hughes' work during a fifty year period.
Whether he's writing in the jazz or blues idiom, your soul will be touched by the magnificence of one of America's great poets. Some of his memorable poems are at your service. Deal with "The Weary Blues". Laugh at his critique in "To Certain Negro Leaders" and meditate on "The Negro Speaks of Rivers". Hughes will reach you intellectually and emotionally with his work.
I enjoyed this volume because of the poet, the format of the book (it is easy to carry around) and the broad range of poems it contains. It is indeed a pocket full of inspiration that you need to have and share with others.

1 of 1 people found the following review helpful.
For the pocket poet
By Aiyana Cooper
This is a wonderful compilation of some of Hughes' most loved poems. Its a perfect size for taking on the go and enjoying wonderful literature wherever you are. I suggest this item to anyone interested.

1 of 1 people found the following review helpful.
Five Stars
By T-Bone
Excellent collection of an Anerican Master

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Wednesday, July 23, 2014

~~ Free PDF The Silence of Animals: On Progress and Other Modern Myths, by John Gray

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The Silence of Animals: On Progress and Other Modern Myths, by John Gray

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The Silence of Animals: On Progress and Other Modern Myths, by John Gray

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The Silence of Animals: On Progress and Other Modern Myths, by John Gray

A searching, captivating look at the persistence of myth in our modern world

"By nature volatile and discordant, the human animal looks to silence for relief from being itself while other creatures enjoy silence as their birthright."

In a book by turns chilling and beautiful, John Gray continues the thinking that made his Straw Dogs such a cult classic.
Gray draws on an extraordinary array of memoirs, poems, fiction, and philosophy to re-imagine our place in the world. Writers as varied as Ballard, Borges, Conrad, and Freud have been mesmerized by forms of human extremity―experiences that are on the outer edge of the possible or that tip into fantasy and myth. What happens to us when we starve, when we fight, when we are imprisoned? And how do our imaginations leap into worlds way beyond our real experiences?
The Silence of Animals is consistently fascinating, filled with unforgettable images and a delight in the conundrum of human existence―an existence that we decorate with countless myths and ideas, where we twist and turn to avoid acknowledging that we too are animals, separated from the others perhaps only by our self-conceit. In the Babel we have created for ourselves, it is the silence of animals that both reproaches and bewitches us.

  • Sales Rank: #126928 in Books
  • Published on: 2014-06-24
  • Released on: 2014-06-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .63" w x 5.46" l, .39 pounds
  • Binding: Paperback
  • 240 pages

Review

“Gray's godless mysticism asks us to look outside ourselves and simply see. This is a lot more difficult than it sounds . . . Sometimes I think John Gray is the great Schopenhauerian European Buddhist of our age. What he offers is a gloriously pessimistic cultural analysis, which rightly reduces to rubble the false idols of the cave of liberal humanism.” ―Simon Critchley, The Los Angeles Review of Books

“[Gray's is] a powerful message, and not without elements of profundity. And it is conveyed with eloquence of language and dignity of thought.” ―Robert W. Merry, The National Interest

“Gray's fans should find much here to please them. The range of literary, historical and philosophical extracts--from Conrad and Zweig to Borges and John Ashbery, and from Nietzsche and Freud to Robinson Jeffers and Czeslaw Milosz, to name only a few--is broad and deep. Gray's own utterances are by turns characteristically dark, audacious and outrageous.” ―Caspar Henderson, The Telegraph

“Silence of Animals is a beautifully written book, the product of a strongly questioning mind. It is effectively an anthology with detailed commentary, setting out one rich and suggestive episode after another, each of which becomes only more suggestive by the juxtaposition.” ―Philip Hensher, The Spectator

About the Author
John Gray is the author of many critically acclaimed books, including The Immortalization Commission, Black Mass, and Straw Dogs. A regular contributor to The New York Review of Books, he is the emeritus professor of European thought at the London School of Economics.

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46 of 47 people found the following review helpful.
What to do when faith deserts us?
By Acorn
This new book by John Gray is a meditation on how we deal with the world when our faith in progress and human betterment deserts us. It explores the theme through the prisms of literature, art, philosophy, and to a lesser extent, psychology rather than being a scientific or historical study. As with all of Gray's work, it has some telling insights and observations, and ranges over a fascinating mix of the familiar and obscure to give depth and substance to his ideas.

The Silence of Animals is arranged in three parts. The first looks at the idea of progress and how people's belief in it has disintegrated when faced with human barbarity. The two world wars left ruin in their wake and Gray looks at the reactions of writers such as J G Ballard, Norman Lewis and Stefan Zweig to the rapid disappearance of civilised behaviour in the brutality of war. Barbarism can also emerge from economic crisis: the Great Depression and the inflation in inter-war Germany, and the financial crash of 2008, each destroyed the wealth of countless families. They rendered years of faith in saving and building a future utterly meaningless, even as the alchemists of finance breathed a sigh of relief over their canapés at finding their own fortunes unscathed.

Gray was previously an academic political theorist and he sees authoritarian politics, whether of the left or right, as an attempt to deny the chaos of reality and to fake a sense of order. People like certainty and the dream of a better day to come, and therein perhaps lies the appeal of those charlatans who would have us believe that they can plan and control our future.

In the end, progress is a myth because evolution is about survival, not about constant improvement. Gray characterises evolution as a process of drift rather than a rise to ever greater heights of rationality, peace and order.

In the second part of the book Gray looks at the ideas of Sigmund Freud and in particular his views on myth creation. Freud saw the internal self as forever at war between the forces of Eros (love, creativity) and Thanatos (hatred, destruction). Psychoanalysis can be seen as a process of coming to terms with this perpetual disorder. We might be driven by unconscious forces over which we have no control, but by accepting and trying to recognise them we can attain some degree of autonomy in our lives.

All our constructions of the world are myths of one kind or another. Gray rejects Jung's idea of universal myths and notes that museums are full of old gods that people once thought were eternal and immortal. Our stories about the world change all the time, as do we, and part of Freud's work was to reconcile us with our ever-emergent selves.

Science appears to be different and Gray makes a neat distinction between scientific method, which tests our beliefs against facts, and the way we usually operate which is to select the facts that reinforce our beliefs. We are an incorrigibly irrational lot. But even science is myth-like: any scientific theory only works for a certain period of time before being replaced by another or being rendered irrelevant by a new paradigm. Our understanding of the world is thus made up of changing theories and stories, often inconsistent and sometimes plain barmy, and none of them ever fully explains everything. Spending your days searching for a theory of everything? Get a life.

Given that the world is chaotic and that our stories and theories about it are patchy and ephemeral, how can we best engage with the world? This is the theme of the final section of the book. Here Gray investigates how people have sought to look at the world from different perspectives and analyses two extraordinary books by J A Baker, who tried to see the world through the eyes of animals. He also looks at how people have pursued silence and used meditation, exercises that try to take us out of the hubbub of the world and the manic chatter in our heads. The value of these activities is that they change us and our perceptions of (and enjoyment of) the world.

The world view depicted by Gray might seem to presume pessimism and often Gray's thoughts appear this way, but accepting the chaos of the world and our inability to fully grasp it can also be refreshing and liberating, and can heighten our enjoyment of ourselves, other people and the world about us. Being alive becomes interesting in itself.

There is no discussion of the French existentialist philosophers, and surprisingly no discussion of Buddhism, even though these two have a lot in common with Gray's perspective. The final section of the book felt incomplete as a result. There is also far too little about the human need for certainty in life and how this blinds us to the greater joys of the world. In the first part of the book he consigns the progress myth to the rubbish bin, but if we have to live by myths is the progress one so bad? Public policy, education systems and charitable aid are all built on the lie of progress but they have produced some positive social results. Gray never considers whether some myths might be preferable to others and how we might decide that.

There is a wealth of engrossing detail in this book, supplemented by extensive notes. His exploration of some of the lesser known byways in literature whetted my appetite to pursue them further. Even if you find Gray's views unconvincing, the journey with him is well informed and never dull. This work will inspire you to reflect on how you understand yourself and the world in which you have randomly arrived.

48 of 52 people found the following review helpful.
Gray's Anatomy of Civilizationj
By Cotton Mather
That Gray puts to bed the rationalist's love affair with humanism is less important than the fact that he euthanizes what is left of faith as well.

Ignore Thomas Nagel's NY Times book review. As much as I like Nagel's work, his review is off considerably. He claims that Gray inserts far too much secondary quotation from other books. This is not really even a matter of opinion. It is simply false. Gray uses what is necessary to convey his ideas within an intellectual's context. Nagel also claims that Gray hammers away for no reason as there are many examples of progress available. Well, Nagel just walks into the trap here as Gray explains why such examples are part of a greater myth.

Gray has carefully explained the nature of our wishful thinking and, without ideological bias or academic rancor, he has done his part for disenchantment. Yet, he has not, in any way, attempted to create a nihilist's playbook. He allows much for the advance of meaning.

Really--a marvelous book. It deserves much more attention than it seems to be getting.

19 of 19 people found the following review helpful.
"The surface is everything, below that there is nothing."
By VampireCowboy
That's a quote from Llewellyn Powys, younger brother of better known writer John Cowper Powys (Porius, which is on my 2014 reading list). Llewellyn is just one of the many writers and thinkers, most of them obscure (oh, to spend some time in John Gray's library), profiled and sampled and pressed into something new and original and wonderful: The Silence of Animals, on Progress and other Modern Myths.

I love this book. To be fair, I'm a huge John Gray fan, so I pretty much knew I was going to love it from the outset. I was right. By using the lives and words of others to build his arguments and illuminate his world view, Gray creates a haunting, moving dreamscape of thought, a ghostly fortress of logic, that carries readers along to his inescapable conclusions: progress is a myth, humans are animals (and unexceptional animals at that) and we do ourselves a disservice by hiding behind religion and other myths which prevent us from just being ... and therefore being happy.

It's not for everyone. If you enjoy having your belief systems shaken like a martini, or relish in seeing atheism called into question for falling short of the mark, or wonder if faith in science and progress is really just the recycled and misguided faith of the religious, this short, epic, sad, funny, tragic, exasperating, ultimately uplifting book is for you.

Some of my favorite lines:

"According to some historians, inequality in America at the start of the twenty-first century is greater than in the slave-based economy of imperial Rome in the second century. Of course there are differences. Contemporary America is probably less stable than imperial Rome."

"Denying reality in order to preserve a view of the world is not a practice confined to cults. Cognitive dissonance is the normal human condition."

"If there is anything unique about the human animal it is that it has the ability to grow knowledge at an accelerating rate while being chronically incapable of learning from experience."

"A type of atheism that refused to revere humanity would be a genuine advance."

"If you admit your need for silence, you accept that much of your life has been an exercise in distraction."

"Every sentient being is a world-maker."

Don't be fooled by the slender nature of the book, it's packed with enough insights and a-ha moments to remake a dozen worlds, but certainly (hopefully) not in our own image. After all, "there is no redemption from being human. But no redemption is needed."

Gray urges us to look past our mistaken belief in exceptionalism, and past our mistaken certainty that things will get better in some mythical afterlife or in some mythical, distant and never-realized point in the future when science and society finally amend away the bad habits that prevent a utopian existence. The secret, he thinks -- and I agree -- is that those bad habits, and the good ones, ARE us. Always looking to the future prevents us from living fully here and now. Better to understand who we are than to dream impotently about who we could or should be.

A side note: for someone who so ably and vigorously denies the existence of meaning outside of our own existence, his use of and reliance on literature stretching back to early Greek philosophers creates a sort of enveloping sense of meaning that exists outside of and above our own miserable, glorious meaningless lives -- art.

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Tuesday, July 22, 2014

? Download Hollywood Animal: A Memoir, by Joe Eszterhas

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Hollywood Animal: A Memoir, by Joe Eszterhas

He spent his earliest years in post WWII–refugee camps. He came to America and grew up in Cleveland—stealing cars, rolling drunks, battling priests, nearly going to jail. He became the screenwriter of the worldwide hits Basic Instinct, Jagged Edge, and Flashdance. He also wrote the legendary disasters Showgirls and Jade. The rebellion never ended, even as his films went on to gross more than a billion dollars at the box office and he became the most famous—or infamous—screenwriter in Hollywood.

Joe Eszterhas is a complex and paradoxical figure: part outlaw and outsider combined with equal parts romantic and moralist. More than one person has called him “the devil.” He has been referred to as “the most reviled man in America.” But Time asked, “If Shakespeare were alive today, would his name be Joe Eszterhas?” and he was the first screenwriter picked as one of the movie industry’s 100 Most Powerful People. Although he is often accused of sexism and misogyny, his wife is his best friend and equal partner. Considered an apostle of sex and violence, he is a churchgoer who believes in the power of prayer. For many years the ultimate symbol of Hollywood excess, he has moved his family to Ohio and immersed himself in the midwestern lifestyle he so values.

Controversial, fearless, extremely talented, and totally unpredictable, the author of the best-selling American Rhapsody and National Book Award nominee Charlie Simpson’s Apocalypse has surprised us yet again: he has written a memoir like no other.

On one level, Hollywood Animal is a shocking and often devastating look inside the movie business. It intimately explores the concept of fame and gives us a never-before-seen look at the famous. Eszterhas reveals the fights, the deals, the extortions, the backstabbing, and the sex, drugs, and rock’n’roll world that is Hollywood.

But there are many more levels to this extraordinary work. It is the story of a street kid who survives a life filled with obstacles and pain . . . a chronicle of a love affair that is sensual, glorious, and unending . . . an excruciatingly detailed look at a man facing down the greatest enemy he’s ever fought: the cancer inside him . . . and perhaps most important, Hollywood Animal is the heartbreaking story of a father and son that defines the concepts of love and betrayal.

This is a book that will shock you and make you laugh, anger you and move you to tears. It is pure Joe Eszterhas—a raw, spine-chilling celebration of the human spirit.

  • Sales Rank: #876846 in Books
  • Published on: 2004-01-27
  • Released on: 2004-01-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.83" w x 6.63" l,
  • Binding: Hardcover
  • 752 pages

From Publishers Weekly
Author/screenwriter Eszterhas introduces readers to the ultimate in Hollywood animal thinking when he quotes an unnamed Oscar-winning producer as saying, "the only time I’ll root for anybody to be a success is if he or she has cancer, and I know for certain that the cancer is terminal." Eszterhas’s book is unabashedly vulgar, a brutally revealing blend of sex and greed that goes much further than Peter Biskind’s Down and Dirty Pictures (Forecasts, Jan. 5) in exposing Hollywood’s dark side. Eszterhas refers to himself as "insufferable" for coveting success and money, but as the horrifying anecdotes unfold, he mounts a dynamic defense of screenwriters who have been treated like "discarded hookers... not invited to premieres of their own movies, cheated of residual payments." Salacious details mingle with explosions of temper, and Eszterhas isn’t afraid to take potshots at William Goldman, Ron Bass, Robert Towne and other screenwriters he believes have compromised too heavily with the system. A particularly absorbing story centers on Sylvester Stallone, who starred in F.I.S.T. and then tried to take credit for Eszterhas’s script. Even more shocking is producer Marty Ransohoff’s relentless criticism of Glenn Close during the filming of Jagged Edge, which made the actress throw Ransohoff and his daughter (who was not involved in the movie) off the set. Just as readers begin to drown in an ocean of gossip, Eszterhas introduces two dramatic plots: his battle with throat cancer and the discovery that his father was an outspokenly anti-Semitic former Nazi. This electrifying section overshadows the Hollywood material and deserves a book of its own. It makes an argument readers will immediately pick up on: that animalistic behavior is just as savagely prevalent outside Hollywood studio gates.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Sleaze and more sleaze. But don't we love it? Hollywood insider stuff par excellence, from a well-known and contentious screenwriter. Brad Hooper
Copyright © American Library Association. All rights reserved

Review
"Incendiary" Arena "Compelling ... As gripping as it is harrowing" Sunday Times "Monstrously entertaining ... you turn the pages faster and faster, with guilty admiration" Evening Standard "I laughed like a hyena reading Hollywood Animal ... I couldn't put it down" -- Christopher Bray Literary Review "Eszterhas is a wonderful storyteller, and Hollywood Animal is irresistibly entertaining. The gods look down, and we look up, dazzled by the light" Guardian

Most helpful customer reviews

4 of 4 people found the following review helpful.
So much more than I bargained for....
By A. Marbach
I will be the first to admit that I bought this book because it was touted as "THE MUST READ Hollywood TELL-ALL." Then I started reading it...and at first I decided that this book was probably not going to be one I finished because it was just about Joe and the not-so-nice (animal) man that he is in Hollywood...But then I started to get wrapped up into his childhood, being an young immigrant in the USA and his experiences growing up and an immigrant and a child whose mother suffered from mental illness.

This book is telling, but so much more than that - it is an honest view of a life lived hard and fast, in the not-so-honest world of Hollywood. You will get more information about Hollywood than you ever wanted to know...and throughout this book you will see Joe Eszterhas not as a "Hollywood person" or a writer but as a person- a person who readily admits he made mistakes in his professional and personal life...but a man who stuck up not only for himself but for the written word and his creative process.
This book was so much more than I bargained for but I loved it all the same.

1 of 2 people found the following review helpful.
Rebel With A Cause...
By Lynne Berry
to destroy himself, but he finally stopped his smoking and drinking. Joe is a one of a kind, rebellious Hungarian who is truly a self-made man. I enjoy his writing immensely. He is good looking in a sinister sort of way. This book covers his life from childhood to the present. His conflict in leaving his first wife for his present wife, Naomi, is a book in itself. The screenplays he has written were excellent movies: Sliver, Basic Instinct, Jagged Edge, Showgirls, Flashdance...how can you beat that. He was an intimate of Sharon Stone and has had his fair share of women. He is now a father of 6 children and a faithful husband. This book reads like fiction it is so good. The stories of his Hollywood escapades and his opinions are worth reading. I loved the book and couldn't put it down. Joe is recovering from throat cancer and so far he has won the battle. I wish him well.

27 of 28 people found the following review helpful.
Don't stop for commercial break-- addictive read!
By Gwen Orel
This book is so much more than a Hollwyood tell-all. For one thing, it's just terrifically written-- not "terrifically written for a Hollywood hack," but "terrifically written," period. Eszterhas' style is succinct, surprising and vivid. Some think he's boasting that he admires Salinger, Faulkner and Hemingway-- but Eszterhas writes terrific prose. He seems to be speaking directly, but his details are surprising and vivid. I haven't read his journalism, but I bet his articles were great.
He alternates chapters about Hollywood (which are yes, fascinating and appalling) with chapters called "flashback" about his dirt-poor and often difficult childhood as Hungarian immigrant in Cleveland, and brief, italicized sections called "close-ups" that are portraits of unnamed Hollywood personalities (a poolcleaner, a vice president, an actress).
It's a long book, but because of the way it's structured, it's a quick read (well, it took me a few weeks to get through it, but each time I'd pick it up I'd read 60-70 pages before I could bear to put it down). Ezsterhas includes verbatim hatchet-letters he's written to agents and producers who've offended him-- including one hilarious letter to Mike Ovitz that sets off a feud that is a running theme throughout the book. And while Ezsterhas is articulate and hilarious, any reader-- including apparently Ezsterhas himself-- can see that he's also defensive, arrogant and difficult as hell.
You can't help liking him anyway.
Even as he recounts episodes of cheating on his first wife. Even as he recounts painful alienations from friends and family that he is at least partially responsible for. Even when he shows a less than forgiving heart not only to his father but, in one of the sections that shows him in a rather petty light, to old high school classmates (he carries a grudge after 20 years and seems to take some glee in it).
In part that's because Joe is onto himself. He's deeply critical of himself and the book is long and full enough to show him actually reversing earlier actions that might raise an eyebrow. His portraits are sometimes cruel, but he doesn't spare himself either-- and there's as much love as contempt. Well, nearly. You get the sense that even when he was most a "hollywood animal"-- the guy was FUN. With a kind of fairness and honesty that is rare, threatening and delightful.
In the end, the book praises "flyover" values (the states in between the coasts)--prayer, family, changing seasons, hard work. Joe moves to Ohio with his family, and stays.
I found it inspiring on a lot of levels. Yes, I'm in entertainment and picked up the book for the "hollywood gossip"-- and there's lots of it here. One of the most admirable qualities Joe has is his sheer output. He doesn't write a whole lot about his process (though there is one section detailing his work on one of the screenplays). But many times throughout the book he writes of pitching this or that spec-- here is a man who didn't wait for assignments to just get to work.
But the book is inspiring too as an American Dream/Nightmare story, complete with pitfalls and rewards. finally Joe battles with cancer-- and goes on to become an anti-smoking activist. Go, Joe!
I rarely want to read a memoir more than once. But this one is so rich and full I know I'll be referring to it often. A great treat, easy going down but good for you too. Bravo!

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Sunday, July 20, 2014

^^ Ebook Free Slouching Towards Bethlehem: Essays (FSG Classics), by Joan Didion

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Slouching Towards Bethlehem: Essays (FSG Classics), by Joan Didion

The first nonfiction work by one of the most distinctive prose stylists of our era, Slouching Towards Bethlehem remains, forty years after its first publication, the essential portrait of America― particularly California―in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.

  • Sales Rank: #7294 in Books
  • Brand: Didion, Joan
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.22" h x .66" w x 5.50" l, .54 pounds
  • Binding: Paperback
  • 256 pages

Review
“In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country.” ―Dan Wakefield, The New York Times Book Review

From the Inside Flap
Upon its publication in 1968, Slouching Towards Bethlehem confirmed Joan Didion as one of the most prominent writers on the literary scene. Her unblinking vision and deadpan tone have influenced subsequent generations of reporters and essayists, changing our expectations of style, voice, and the artistic possibilities of nonfiction.
"In her portraits of people," "The New York Times Book Review wrote, "Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left-wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful. . . . A rare display of some of the best prose written today in this country."
In essay after essay, Didion captures the dislocation of the 1960s, the disorientation of a country shredding itself apart with social change. Her essays not only describe the subject at hand--the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion--but also offer a broader vision of America, one that is both terrifying and tender, ominous and uniquely her own.
Joyce Carol Oates has written, "Joan Didion is one of the very few writers of our time who approaches her terrible subject with absolute seriousness, with fear and humility and awe. Her powerful irony is often sorrowful rather than clever. . . . She has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control."

From the Back Cover
"A slant vision that is arresting and unique . . . Didion might be an observer from another planet--one so edgy and alert that she ends up knowing more about our own world than we know ourselves."
        --Anne Tyler

"The story between the lines of Slouching Towards Bethlehem is surely not so much 'California' as it is [Didion's] ability to make us share her passionate sense of it."
        --Alfred Kazin

Most helpful customer reviews

77 of 82 people found the following review helpful.
excellent example of the essay form
By J. Jacobs
Didion's collection of essays was recommended to me by writing instructors as an example of excellent essay writing. I found it to be just that. In the first third, she writes a series of remarkable essays about California in the late 1960s. The middle third contains personal essays. And the book finishes with a collection of essays about different places she's been - New York, Hartford, Hawaii, Sacramento.

What makes her writing most impressive is her masterful presentation of portraits, inserting herself just occasionally to remind the reader of who the photographer was, to inject humanity. She does an excellent job combining place and character and shows that long sentences can work. This book is useful both an as example to those who aspire to writing better essays and as a memorable voice from the 1960s.

0 of 0 people found the following review helpful.
Masterful, magical, genius
By A. C. Wilson
There aren't really words to describe Didion's work - she writes and her words leave the page, enter the air...and then enter the soul. A master truth teller.

0 of 0 people found the following review helpful.
Exquisite craft, but dated out of its context
By explainer guy
The quality of writing on display cannot be argued with, but much of the material is well outside of its time, with little modern relevancy.

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Saturday, July 19, 2014

** Free PDF Palm-of-the-Hand Stories (FSG Classics), by Yasunari Kawabata

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Palm-of-the-Hand Stories (FSG Classics), by Yasunari Kawabata

Recipient of the Nobel Prize in Literature in 1968, the novelist Yasunari Kawabata felt the essence of his art was to be found not in his longer works but in a series of short stories―which he called "Palm-of-the-Hand Stories"―written over the span of his career. In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

  • Sales Rank: #488945 in Books
  • Brand: Kawabata, Yasunari/ Dunlop, Lane (TRN)/ Holman, J. Martin (TRN)
  • Published on: 2006-11-14
  • Released on: 2006-11-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .63" w x 5.50" l,
  • Binding: Paperback
  • 288 pages

From Publishers Weekly
Nobel laureate Kawabata is best known in the West for such novels as Snow Country and Thousand Cranes, yet his short stories, written over 50 years, seem to contain his essence as a writer. Here sensitively translated are 70 of them, most written in Kawabata's youth and usually no more than a page or two in length, though the last one, "Gleanings from Snow Country," is somewhat longer and was written just before Kawabata's suicide in 1972; it is a miniaturization of the highly praised novel of the same name. The tales are variously realistic, allegorical and fantastic; and, as in the novels, the principal themes are love, loneliness, social change, man's relation with nature and death. Each story exhibits some sharp and often subtle perception of life (in Kawabata's world, stillness can "resound" and men listening to a woman's laugh can experience "a strange kind of aural jealousy"); and each, like a haiku or classic Zen painting, suggests far more than it states.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
These 60 stories by 1968 Nobel laureate Kawabata are engagingly and sensitively translated. The stories, never more than three pages long and often only a page, were written from 1923 to 1972, the year of Kawabata's suicide. Some are cryptic, permitting only guessed-at meanings, others whimsically humorous; some express poignant emotions, others epiphanies; some deal with everyday life, others with ghosts; some with samurais, others with peasants. Though they all take place in 20th-century Japan, these stories are timeless and essentially universal. Kawabata is a master storyteller reminiscent of James Joyce, but with a smaller, sharper, more incisive vision. Highly recommended. Kitty Chen Dean, Nassau Coll., Garden City, N.Y.
Copyright 1988 Reed Business Information, Inc.

Review
"Kawabata does for the short story what Paul Klee did for painting and Webern for music, showing how to get the profoundest experience and the surest sense of artistic form into an extremely small work. These stories inspire and go on inspiring. They make writing a story seem-and it may be-as natural a result of deep excited feeling as writing a poem."--Kenneth Koch

"These stories are jewels, indeed, each one has a soul, a life, or a whole work distilled to palm-sized proportions."--Chicago Tribune

"There are few other writers who could invoke such a lasting memory of a single image with so few words."--San Francisco Chronicle

Most helpful customer reviews

18 of 19 people found the following review helpful.
No Generic Syrup
By Boz Hubris
If you like Sudden Fiction as a genre but not the usual silliness which accompanies it, this is the perfect union of very short fiction, craftsmanship and seriousness. Not always serious in tone but in effort. For the most part they are tender stories of rememberance, loss and the betterments of life. They are brief and dream-worthy, almost as if they were prose acting as poetry:
"Startled by a sharp pain, as if her hair were being pulled out, she woke up three or four times. But when she realized that a skein of her black hair was wound around the neck of her lover, she smiled to herself. In the morning, she would say, "My hair is this long now. When we sleep together, it truly grows longer."
Quietly she closed her eyes.
"I don't want to sleep. Why do we have to sleep? Even though we are lovers, to have to go to sleep, of all things!" On nights when it was all right for her to stay with him, she would say this, as if it were a mystery to her." from Sleeping Habit
Even when the stories are harsh they aren't beleagured with excess, but consequential life and its misgivings with some ironic humor interjected amongst the living ghosts. The same can be said for the norm: lush stories that are kindly felt but never over-sentimentalizations and mush. A great bed-side companion to make you dream better and wake a little more human.

14 of 16 people found the following review helpful.
Haiku as a short story
By Zack Davisson
This book is filled with over 100 short stories, most between 1 and 3 pages long. Each story is somewhat plotless, but is more of a brief character study. A quick sketch, at the most, that captures the essence of the character rather than the details. Each character and situation is a glimpse into the past, of Japan at that time. The stories have the quiet patience of a haiku, and the miniature perfection of a well-tended bonsai tree.
Like a haiku, the limitation of form requires that each sentence be important. There are no throw-away lines in any of the "Palm-of-the-Hand Stories." The sparse loveliness of the English language as used is interesting because the book is translated from Japanese. The book was translated by two translators, and each story is signed so you know who translated what. This allows for subtle variance in the stories.
Kawabata is Japan's first Nobel prize winner. This is the first book by Kawabata that I have read, and I will be sure to seek other's out. A final recommendation, because of the length of the stories, I have found this to be one of the best bedside books I own. I can read a quick story before going to sleep.

6 of 8 people found the following review helpful.
The ideal coffee table book
By Nathan
When I read my first of Kawabata's palm of the hand stories I can't admit that I was hooked, but I was definately intrigued. On the edition I own there is an entire story on the back cover, and after reading it I could pull NO MEANING from it what so ever. I thought, like one of the other reviewers put it, that the story was pointless. I have come to learn a harsh lession however. If there is one thing that Kawabata's works are not it is pointless. Every part of every word is overflowing with meaning. The truly pitiful part about his work is that to someone ignorant of Japan and Japanese culture it is sometimes hard to grasp what the meaning is. The simple enjoyment I received from reading the stories helped to inspire me to learn more about the country. I am by no means saying that you can't realish every word of this collection without knowing Japan, but I am saying to attempt to fully UNDERSTAND some of them it is truely a desireable asset.

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