Sunday, September 28, 2014

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Chagall: A Biography, by Jackie Wullschlager

“When Matisse dies,” Pablo Picasso remarked in the 1950s, “Chagall will be the only painter left who understands what color really is.” As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known and most-loved paintings of our time. Yet behind this triumph lay struggle, heartbreak, bitterness, frustration, lost love, exile—and above all the miracle of survival.

Born into near poverty in Russia in 1887, the son of a Jewish herring merchant, Chagall fled the repressive “potato-colored” tsarist empire in 1911 for Paris. There he worked alongside Modigliani and Léger in the tumbledown tenement called La Ruche, where “one either died or came out famous.” But turmoil lay ahead—war and revolution; a period as an improbable artistic commissar in the young Soviet Union; a difficult existence in Weimar Germany, occupied France, and eventually the United States. Throughout, as Jackie Wullschlager makes plain in this groundbreaking biography, he never ceased giving form on canvas to his dreams, longings, and memories.

His subject, more often than not, was the shtetl life of his childhood, the wooden huts and synagogues, the goatherds, rabbis, and violinists—the whole lost world of Eastern European Jewry. Wullschlager brilliantly describes this world and evokes the characters who peopled it: Chagall’s passionate, energetic mother, Feiga-Ita; his eccentric fellow painter and teacher Bakst; his clever, intense first wife, Bella; their glamorous daughter, Ida; his tough-minded final companion and wife, Vava; and the colorful, tragic array of artist, actor, and writer friends who perished under the Stalinist regime.

Wullschlager explores in detail Chagall’s complex relationship with Russia and makes clear the Russian dimension he brought to Western modernism. She shows how, as André Breton put it, “under his sole impulse, metaphor made its triumphal entry into modern painting,” and helped shape the new surrealist movement. As art critic of the Financial Times, she provides a breadth of knowledge on Chagall’s work, and at the same time as an experienced biographer she brings Chagall the man fully to life—ambitious, charming, suspicious, funny, contradictory, dependent, but above all obsessively determined to produce art of singular beauty and emotional depth.

Drawing upon hitherto unseen archival material, including numerous letters from the family collection in Paris, and illustrated with nearly two hundred paintings, drawings, and photographs, Chagall is a landmark biography to rank with Hilary Spurling’s Matisse and John Richardson’s Picasso.

  • Sales Rank: #943315 in Books
  • Published on: 2008-10-21
  • Released on: 2008-10-21
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.80" w x 7.10" l, 2.67 pounds
  • Binding: Hardcover
  • 608 pages

From Publishers Weekly
This thorough exploration of celebrated postmodernist painter Chagall begins with his 1887 birth in Vitebsk, a small Jewish town in Russia that he would repeatedly return to, both literally and artistically. He immigrated to Paris in 1911, where he soaked up Impressionism and identified immediately with Gauguin and Picasso's Cubism. Returning to Vitebsk in 1914, moments before the beginning of the Russian Revolution, Chagall was initially prized by the Bolsheviks, who wanted to put him in charge of the visual arts department in the Soviet education agency. Chagall declined, helping instead to establish the Vitebsk People's Art College, but the Bolshevik obsession with "peasant art" and the increasingly ominous political climate sent Chagall, along with his wife Thea and daughter Ida, back to Paris. Though the move proved to be Chagall's big break, the transformation of Vitebsk and general ruin of Russia weighed heavily on him. Chagall's life, talent and times are documented meticulously by biographer Wullschlager (author of 2001's Hans Christian Andersen), producing a complete portrait of an inspiring, complicated artist who merged French and Russian sensibilities, invoked "the concrete village disposition... of Vitebsk and the global cosmic one of Russian abstraction," and suffered as both victim and survivor of Fascism's first wave. 32 pages color illustrations, 155 b&w illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Thanks in large part to her access to a formally closed cache of Chagall's letters and papers, now belonging to his granddaughter Meret Meyer Graber, Wullschlager offers a thorough, fair, and intriguing look at the life and work of an artist who never really left home, despite permanently leaving Russia in 1922. Wullschlager writes that he "transformed the cramped, dull backstreets of his childhood to a vision of beauty and harmony on canvas." Chagall, a paradoxical figure in modern art, never quite fit into a particular movement, as Wullschlager's detailed examination of his paintings shows. A few critics seemed to search hard for flaws, and what emerged was the book's length and, as the reviewer from the New York Times Book Review claimed, a rather too-complete exploration of Chagall's dreamlike works. This is an excellent biography.
Copyright 2008 Bookmarks Publishing LLC

Review
Jackie Wullschlager's wonderful biography moves with sure speed and precise drama -- A.S. Byatt Financial Times This is a masterly biography. Jackie Wullschlager has a painter's eye, a historian's grasp of context and a novelist's pace and momentum. She gives back to Chagall's paintings the sharpness and strangeness that they had for his contemporaries ... so gripping that I couldn't put the book down -- Hilary Spurling

Most helpful customer reviews

12 of 12 people found the following review helpful.
Fine biography
By drkhimxz
A fine biography, the best from the generation which did not know Chagall personally. To what extent the weakness of relying on the perceptions and judgments of others is offset by the objectivity of having had no contact positive or negative with the subject is a matter for experts on Chagall and historiographers, not the lay reader. Most should find this as detailed and objective-seeming as the lay reader needs. Her interweaving of social, psychological and aesthetic observations are quite satisfying.
To take up an issue raised by one of the previous reviewers, this is not meant to be a monograph with picture by picture analysis. One should look elsewhere for that. However, it may prove legitimately annoying, even to a reader with appropriate expectations, that so many pictures are discussed which either are omitted from the volume or appear distant from the text in which they are mentioned with no easy way to reference them while reading.
For me that was a minor annoyance since I do have volumes of his pictures; others may find it more frustrating. As I have said, I think the lay reader will easily take it in stride in view of the quality of the book.
I should add that some people may find disturbing even this discreet treatment of what life for an artist, actor, writer, in Russia and the later Soviet Union, could be like, for persons born of Jewish heritage, in the twentieth century, where discrimination, torture and murder were the order of the day, particularly in the era of the Russian Stalin and the German-Austrian Hitler. Yet without some such knowledge, the artistic responses of the survivors, like Chagall, can never be understood.

5 of 5 people found the following review helpful.
Life, work and times brought vividly to life
By Ralph Blumenau
A splendid book. The portrayal of Chagall the man and of his family life are excellent, and the author has of course been helped by Chagall's own fascinating autobiographical writings. The interpretations of his paintings and etchings are very good - especially on the tension between and/or fusion of Russian and French, Jewish and Christian influences. The cultural and political background and how Chagall responded to them are very well described, particularly the artistic-cum-ideological struggle with Malevich on the one hand and socialist realism on the other during his years in the Soviet Union. We get vivid pictures of the Russian émigré communities in Berlin, Paris and New York. There is a good deal on what happened to other artists, especially Russian ones, during those terrible years.

The allocation of pages is about right also and reflects the importance of his art at various stages of his life: 245 pages on the 22 years - his most creative ones - of his career in pre-war Russia, his first stay in Paris, and his time in war-time and then Soviet Russia; 100 pages on the 21 years of his second stay in France; 50 pages on his seven years in the United States; and about 60 pages on his last 37 years back in Europe during which his art tended to be rather formulaic, with little that was new or creative. Wullschlager dates this deterioration to the death of Chagall's wife and muse Bella in 1944, who, in particular, represented his link with his Russian past; and in this last section she concentrates heavily and interestingly on Chagall's private life, devotes relatively little space to his paintings and then tends to comment on how inferior (though "enduringly popular") many of them were. But he was ready to work in new media - ceramics, tapestries, lithographs and, above all, stained glass.

Chagall was immensely prolific, and it is understandable, if frustrating, that only a relatively few of the very many paintings the author discusses can be illustrated in the book. Many of them are not even illustrated in the massive tome written by Franz Meyer about his father-in-law. With patience many of the missing ones - but certainly far from all - can be found on Google Images. There are 32 colour plates and 159 black and white illustrations (74 of Chagall's works and 85 photographs of people and places).

5 of 6 people found the following review helpful.
Out of Vitebsk
By Christian Schlect
People who enjoy the art created by Marc Chagall certainly will appreciate this fine biography. (However, it is neither an in-depth review of all his individual works of art nor, indeed, of his lasting place in the greater world of art history.)

The informed author, Jackie Wullschlager, helps the reader to understand Chagall by explaining his trying start in the backwater Russian town of Vitebsk, his deep Jewish heritage, and his darting amongst and away from the horrific European upheavals of the first half of the last century.

Ms.Wullschlager is especially informative about the four women who are vital to an understanding of Chagall's adult life: Bella, Virginia, Vava, and his daughter Ida.

Like many great artists, Chagall's family life and politics were often a mess. He was a flawed person. But his early paintings and late stained-glass windows remain, and they continue to speak for themselves.

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Saturday, September 27, 2014

!! Download Spare Parts: Four Undocumented Teenagers, One Ugly Robot, and the Battle for the American Dream, by Joshua Davis

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Spare Parts: Four Undocumented Teenagers, One Ugly Robot, and the Battle for the American Dream, by Joshua Davis

Finalist for the J. Anthony Lukas Book Prize

Four undocumented Mexican American students, two great teachers, one robot-building contest . . . and a major motion picture

In 2004, four Latino teenagers arrived at the Marine Advanced Technology Education Robotics Competition at the University of California, Santa Barbara. They were born in Mexico but raised in Phoenix, Arizona, where they attended an underfunded public high school. No one had ever suggested to Oscar, Cristian, Luis, or Lorenzo that they might amount to much―but two inspiring science teachers had convinced these impoverished, undocumented kids from the desert who had never even seen the ocean that they should try to build an underwater robot.

And build a robot they did. Their robot wasn't pretty, especially compared to those of the competition. They were going up against some of the best collegiate engineers in the country, including a team from MIT backed by a $10,000 grant from ExxonMobil. The Phoenix teenagers had scraped together less than $1,000 and built their robot out of scavenged parts. This was never a level competition―and yet, against all odds . . . they won!

But this is just the beginning for these four, whose story―which became a key inspiration to the DREAMers movement―will go on to include first-generation college graduations, deportation, bean-picking in Mexico, and service in Afghanistan.

Joshua Davis's Spare Parts is a story about overcoming insurmountable odds and four young men who proved they were among the most patriotic and talented Americans in this country―even as the country tried to kick them out.

  • Sales Rank: #9754 in Books
  • Published on: 2014-12-02
  • Released on: 2014-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.28" h x .66" w x 5.48" l, 1.00 pounds
  • Binding: Paperback
  • 240 pages

Amazon.com Review

An Amazon Best Book of the Month, December 2014: Spare Parts is the fantastic story of four Mexican-American teenagers struggling to find their place. An unlikely robotics competition becomes the focus of the narrative, but the story covers a lot of ground. By describing how these teens came together, author Joshua Davis gives us a succinct history of immigration and a micro-lesson in Arizona politics. It all leads to the a scene in a pool in Santa Barbara, CA—with each team member realizing how they fit on the team, and in their adopted homeland. – Amy Huff

Review

“Perhaps the most gripping popular-science book I have read.” ―Noel Sharkey, Nature

“A great feel-good tale of scrappy underdogs beating long odds. But there's more to the story, and Spare Parts illuminates the human side of two polarizing political issues: immigration and education . . . Spare Parts is a delightful book . . . A great American story.” ―Peter Carlson, The Washington Post

“Spare Parts is an unforgettable tale of hope and human ingenuity. Against a backdrop of urban desert decay, a faltering school system, and our country's cutthroat immigration policies, Joshua Davis offers a moving testament to how teamwork, perseverance, and a few good teachers can lift up and empower even the humblest among us.” ―Héctor Tobar, author of Deep Down Dark

“It's the most American of stories: how determination and ingenuity can bring triumph over long odds. There are too few stories like these written about Latino students. Poignant and beautifully told, Spare Parts makes you feel their frustration at the obstacles and indignities faced by Cristian, Lorenzo, Luis, and Oscar--and to cheer as they rise to overcome each one of them. ” ―Sonia Nazario, author of Enrique's Journey

“Spare Parts is one of those rare stories that grabs hold and doesn't let go. It's hilarious, sad, and beautifully told. It will make you think hard about what it means to be American and where we will find the next generation of talent.” ―Chris Anderson, author of The Long Tail

“This is hands down my favorite kind of story: underdogs plus ingenuity plus pluck and dedication equals a deeply moving and touching narraitive. I love these kids!” ―Adam Savage, cohost of MythBusterst

“This is important reading.” ―Booklist (starred review)

From the Inside Flap

In 2004, four Latino teenagers arrived at a national underwater robotics championship at
the University of California, Santa Barbara.

Oscar, Lorenzo, Cristian, and Luis were all born in Mexico but raised in Phoenix,
Arizona, where they grew up in constant fear of deportation. Their high school―
hundreds of miles from the nearest ocean, no pool, little money to spare, and more than
80 percent of students below the poverty line―was the last place you'd expect to find
kids building an underwater robot. But two bighearted teachers believed that four unusual
students―a disciplined ROTC cadet, a rebellious would-be gang member, a brainy nerd,
and a quiet towering giant―needed something different in their lives.

Their robot, which they dubbed Stinky, wasn't much to look at, especially
compared to the competition. They were up against some of the best student engineers in
the country, including a team from MIT backed by a $10,000 grant from ExxonMobil.
The Phoenix teenagers had scraped together less than $1,000 and built their robot out of
scavenged parts, donations from bemused strangers, and, when Stinky sprang a leak just
moments before the competition, a handful of tampons.

But this contest is just the beginning for these four young men, whose story
takes us from the unpaved roads of West Phoenix to the halls of Congress and from the
battlefields of Afghanistan to vigilante-style murders in the American Southwest. It is a
story whose impact is still being felt today. It is the story of a fight for the new American
Dream.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Should be required reading
By T. Corson
The DVD movie of the same name is an entertaining feel good story. However, this book reveals all the details and the true reality of these young men's lives. After reading this, it's plain to me that we need a more realistic plan for handling immigrants who came to this country illegally. The largely conservative voices on this matter would paint all illegal immigrants with a broad brush as criminals and undesirable. When some of those same illegal immigrants prove to be talented engineers who could contribute much to the U.S., yet they still have no path to becoming productive U.S. citizens, something is seriously wrong with our laws. Joshua Davis has written both a great story and an eye-opening view into our immigration laws. For those who think that illegal immigration is a black and white matter, I think this book will show you the shades of gray.

I highly recommend this inspiring, thoughtfully told story of going against the odds. I hope it inspires people to be kinder to each other and reach out a hand to help a fellow human being.

2 of 2 people found the following review helpful.
Non-fiction PAGE TURNER!
By L.B.
Great book - a total page turner! That is unusual for a non-fiction. Wonderful story about a couple of kids who were really unlikely to be successful in a robotics competition. The most meaningful part to me is the very real story of what happened to them after they won. You won't see that in the movie.

8 of 11 people found the following review helpful.
Inspirational Read
By Harry A Spitzer
This was a truly inspirational read about the present day realities of the American dream. Although the book deals with themes that affect millions of Americans, it still manages to paint an intimate portrait of the lives, struggles, and accomplishments of four particularly impressive Mexican-American high schoolers. Never preachy or dogmatic, this book is a must-read for anyone inspired by stories about underdogs struggling against adversity in their community and society at large to make something of themselves.

See all 157 customer reviews...

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** Download Ebook The Last Bohemia: Scenes from the Life of Williamsburg, Brooklyn, by Robert Anasi

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A firsthand account of the swift transformation of Williamsburg, from factory backwater to artists' district to trendy hub and high-rise colony

Williamsburg, Brooklyn, is now so synonymous with hipster culture and the very idea of urban revitalization―so well-known from Chicago to Cambodia as the playground for the game of ironized status-seeking and lifestyle one-upmanship―that it's easy to forget how just a few years ago it was a very different neighborhood: a spread of factories, mean streets and ratty apartments that the rest of New York City feared and everyone but artists with nowhere else to go left alone.
Robert Anasi hasn't forgotten. He moved to a $300-a-month apartment in Williamsburg in 1994, and watched as the area went through a series of surreal transformations: the warehouses became lofts, secret cocaine bars became sylized absinthe parlors, barrooms became stage sets for inde-rock careers and rents rose and rose―until the local artists found that their ideal of personal creativity had served the aims of global commerce, and that their neighborhood now belonged to someone else.
Tight, passionate, and provocative, The Last Bohemia is at once a celebration of the fever dream of bohemia, a lament for what Williamsburg has become and a cautionary tale about the lurching transformations of city neighborhoods throughout the United States.

  • Sales Rank: #391933 in Books
  • Published on: 2012-08-07
  • Released on: 2012-08-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.60" h x .61" w x 5.49" l, .39 pounds
  • Binding: Paperback
  • 240 pages

Review

"His clear-eyed, heartfelt elegy shows why a Williamsburg―free, fecund, gloriously threadbare―is so vital to the culture."―Publishers Weekly

"With a fine ear for dialogue and a nonjudgmental eye, Anasi conjures the pre-9/11 atmosphere of the place, in which the beer flowed like water and there was always a place to crash after a night of pub crawling. An impressive bit of literary journalism and a sympathetic look at a vanished era."―Kirkus Reviews

About the Author

Robert Anasi is the author of The Gloves: A Boxing Chronicle (North Point Press, 2002). He teaches literary journalism at the University of California, Irvine, where he is a Schaeffer and Chancellor's Club fellow. He is also a founding editor of the literary journal Entasis.

Excerpt. © Reprinted by permission. All rights reserved.
1
 
Dark City
1988–1994

The explosion cracked the summer evening. Light flash and then smoke rising. Another crack and flash, and another, four in all, shredding air and reverberating in the basin of the empty pool. The two camera people watched, transfixed as the sound claps faded and smoke billowed around them. From somewhere in the cloud, a voice emerged.
You guys shot all that? Great. Let’s get out of here.
The artist stepped out of the cloud.
Pack up your cameras, he said. Come on! We’ve got to move!

In 1990, a young filmmaker named Esther Bell made her first trip to Williamsburg. She’d been hired for a shoot by an artist named Stephen Bennett. All Bennett told her was that he had an art installation in the neighborhood, that it was at a local pool and that they’d need to be careful there. He also paid cash, half in advance. This was more than enough for Esther—for a twenty-year-old scraping by in New York City on odd (sometimes very odd) jobs, any chance to make money with her Super 8 was progress.
Esther had come to New York for the same reason we all did—to get away from somewhere else. For Esther those somewheres were Columbia and Charleston, South Carolina. Even though she’d spent most of her life in South Carolina, she never thought of herself as a Southerner. Her mother, Sharon, was an army brat who grew up at Mark Twain Village in Germany. Sharon was twenty-two and working as a window dresser in Heidelberg when she got pregnant on a romantic Paris trip that didn’t include prophylactics (her eighteen-year-old boyfriend was another window dresser). In a pre–sexual revolution romantic saga, Sharon’s high school sweetheart, Randy Bell, who’d also grown up on the base, found out that Sharon was pregnant. Randy returned to Germany from Harvard Law School and the three young people decided that Sharon should marry Randy and go to America. When Esther was born, Randy put his name on the birth certificate. Nineteen years would pass before she met her biological father, when he visited her in New York with his boyfriend.
Randy Bell’s career took him to South Carolina, where he became legal counsel for the governor and then, at age forty, a justice on the state supreme court. He also suffered from Fabry disease, which killed him at forty-nine. His social standing and his illness, along with his brimstone Southern Baptist heritage, made the household a stifling place. When Esther was fourteen her parents divorced and Sharon moved to Charleston. Esther lived a divided life over the next few years—sharing a rowdy adolescence with her mother in a condemned house in Folly Beach, Charleston, while in Columbia, Anglophile, seersucker-wearing Randy and his new wife tried to mold Esther into a belle.
Esther picked rebellion. Putting out a zine brought her into the indie rock world, and she got to know the bands that passed through Charleston (and managed to keep her cool when Mike Ness from Social Distortion started sucking his own dick during an interview). Music led her to feminism and a style of her own. In her senior year of high school, Judge Bell agreed to pay her college tuition, but there were caveats—it had to be a religious institution, less than $2,000 a year, not in a city, and he would select all her classes. Being a lawyer, he drew up a contract and Esther spent her freshman year at Iona College, a small Catholic school in the Westchester town of New Rochelle. (‘Idiots on North Avenue,’ Esther says. ‘They really were.’) When Randy didn’t hold up his side of the contract and pay the tuition, Esther was set free. She dropped out of Iona and enrolled in City College, smack in the middle of Harlem.
Williamsburg didn’t look anything like New York to Esther, as Bennett led her and a second photographer—this one shooting video—down Bedford Avenue, past a shabby park to a brick castle surrounded by razor wire. Brush brambled the fences and graffiti covered every span of brick. Bennett had carved a way through the obstacles. ‘What he’d done,’ Esther says, ‘was he’d taken a torch and made a hole in the fence.’
They crawled through and Bennett sealed the breach, then hurried them away from the eyes of the street. Inside the walls was a pool like no other Esther had ever seen before. Three regulation Olympic pools laid side by side would have sunk into the McCarren basin, which had a capacity for sixty-eight hundred dripping souls. Neglect had drained the pale blue interior. Debris and filth littered the cracked concrete and a copse grew out of the diving pool.
Six years earlier the Northside fathers had solved their integration woes by breaking the toy rather than sharing it. In Williamsburg, Poles and the Irish, Jews and Italians, could swim together, but when brown people wanted in, the water was drained and the pool closed for good.
This was pre–cell phones, Esther says. And I started thinking about how nobody in the world knew I was there with this strange artist guy.
As she waited near the deep end, she didn’t see anything that looked like an art installation. You couldn’t spook Esther easily—she was fit and brave and German solid, with a defiant mane of bright red hair. Still, she wondered what she would do if something went wrong.
Her anxieties didn’t ease when two disheveled men approached her and the video guy (Bennett had disappeared). They all started talking. The men told Esther that they were Vietnam vets and on their way home from work. Home? Home was under the pool, in a subterranean maze of corridors and pipes. And they weren’t the only people who found the catacombs useful. ‘Sure,’ the vets told Esther. ‘The Mafia dumps bodies down there.’ They claimed to have seen the corpses.
As the sun set the vets moved on and Bennett was still missing. Esther wondered if she would have enough light to shoot the art, whatever it was. She didn’t plan to stick around after dark.
Just then Bennett came running toward them, shouting, ‘Turn your cameras on! Turn your cameras on!’
Before he reached them, there was an explosion. And then another one. Four powerful blasts from the top of the keep that guarded the entrance, brilliant flashes and the smell of powder and gray smoke flowing over them.
Thankfully I had kept my finger on the trigger, Esther says, because it was a huge explosion and scared the shit out of us. The other guy didn’t keep his finger on the trigger, so I was the only one who actually documented it. These weren’t M-80s or firecrackers—the explosions were huge.
When the smoke cleared, Bennett pushed them toward the street. ‘Let’s go! Let’s go! Let’s go!’ They ran to the fence and Bennett closed the gap behind them. As they walked away, angling for invisibility, Esther expected sirens, police cars, fire engines to confront the swimming-pool Armageddon. Instead, there was silence.
It was as if four explosions going off was normal, Esther says. Just another day in Williamsburg.
Bennett would use Esther’s footage in a performance piece at ABC No Rio, a Lower East Side art space. On the train ride back to Manhattan, Esther worried about the effect of the explosions on the vets making dinner in the catacombs.
How decadent, Esther says. That was what I was thinking. How decadent. Here are these guys who need a real home and they’re probably having flashbacks while this guy is making his art show.
*   *   *
Getting off the L at the Bedford stop put you on guard. From First Avenue the train took forever to pass under the tidal strait, too much time to worry about the tons of seawater and mud waiting overhead to crush you. The Bedford station was a bleak hole. The shit-brown paint was cracked and peeling. Rats scurried between the rails and dashed across the platform. Foul water dripped. Upstairs, Bedford Avenue wasn’t any better. At seven p.m. you felt fear in the gloom and rightly so. Old New York hands donned their city armor. The street was quiet but not with the sprinkler hiss of summer lawns: no, Williamsburg was a ghost town. The other folks who got off the subway with you, most of them blue-collar men, hurried down the street, slipped around corners, disappeared. If you were curious, though, if you couldn’t help yourself, you slowed down. You liked the jolt, the city edge; you wanted to see the ruins. Except for the flashing Christmas lights of the Greenpoint Tavern, Bedford Avenue was dark. Shutters masked the storefronts. Some had folding lattice gates instead of metal shutters so you could look inside. Behind the shutters, dust coagulated on display platforms. Merchants had locked their shop doors one day and never come back.
Three guys I knew moved to a Williamsburg loft in the summer of 1988: Stephan Schwinges, Kai Mitchell and Andrew Lichtenstein. They were perfect fodder for a rough neighborhood—young and cocky and willing to live on scraps. Drew and Kai had graduated that spring from Sarah Lawrence College just outside the city, and Stephan was a louche German expat who’d left his homeland under a cloud and bounced from Berlin to London and then to the East Village.
A Mexican American illustrator told Stephan that he was giving up the loft he shared with his wife in Williamsburg, a big space, two thousand–plus square feet for a thousand bucks a month, if Stephan was interested.
Stephan’s response: ‘Where the fuck is Williamsburg?’
But he went out and looked at the loft: two floors on the west side of a warehouse at the corner of Metropolitan and Driggs, right on the border between Northside and South. The back windows looked out onto an even bigger warehouse and a weed-strangled lot. Catty-corner on Driggs was a stoneyard with winches and cables to hoist blocks of marble and granite. An Italian m...

Most helpful customer reviews

11 of 12 people found the following review helpful.
I Can't Put the Book Down, Stayed up All Night Reading
By Uber Reader
As a person who grew up living in Williamsburg Brooklyn, I can really relate to the way Robert Anasi describes the unique rawness of living in Williamsburg in the 80 & 90's had to offer. It was a hidden gem, extremely affordable, close proximity to Manhattan a haven for future artist, yet dark and dangerous at times making you develop a tough thick skin about you. Now with all these new developments and high priced real estate moving in like the Edge, Wholefoods, Duane Reade's, and original burg people like me dodging over crowded Bedford Avenue sidewalks with Yuppy outsider types pushing expensive stollers ready to knock me over in a second, I feel as though Williamsburg is sadly losing its charm and what made it so special. If you want to go back in time, see what care fee living was like living in the Burg before all this gentrification happened then I suggest you read Robert Anasi's The Last Bohemia.

3 of 3 people found the following review helpful.
authentic
By robyn
I'm a third generation Greenpoint/Williamsburg resident and reading this book brought back so many memories. Anasi reiterates the same stories my dad and uncles have told me, and recreated the images that shaped my childhood. To those who said this book is all about drugs, you're mistaken. It was happening, I knew exactly what it meant when I dropped a heroin addled uncle off on Bedford and North 7th in the early 90s. But Anasi also describes the character of the old neighborhood as well, from the industrial landscapes that adorned Williamsburg, to the natives who defined and shaped the neighborhood. With Williamsburg losing more and more of its soul every day, it's wonderful to have that little chunk of remembrance.

3 of 3 people found the following review helpful.
An absorbing and complex cultural memoir
By C.F.
Part local history lesson, part cultural study, part memoir, and part savvy street poetry, "The Last Bohemia" covers the neighborhoods and people of Brooklyn's Williamsburg with understanding and generosity without being blind to the dangers and social inequities that author Robert Anasi finds while living there. The author's ear never fails him; Chris, Rebecca, Napoleon, Marcin, and lively fellow cast members are all fully drawn, speaking in cadences that have the ironclad ring of authenticity. Anasi traces roughly twenty years (1988-2008) of urban transition in ways that make you care about (and maybe fear for) the future of US cities.

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Thursday, September 25, 2014

> Download Ebook Break It Down: Stories (FSG Classics), by Lydia Davis

Download Ebook Break It Down: Stories (FSG Classics), by Lydia Davis

It's no any type of mistakes when others with their phone on their hand, as well as you're too. The difference might last on the material to open Break It Down: Stories (FSG Classics), By Lydia Davis When others open up the phone for chatting and also talking all things, you can occasionally open and also review the soft data of the Break It Down: Stories (FSG Classics), By Lydia Davis Obviously, it's unless your phone is available. You could likewise make or wait in your laptop computer or computer that relieves you to review Break It Down: Stories (FSG Classics), By Lydia Davis.

Break It Down: Stories (FSG Classics), by Lydia Davis

Break It Down: Stories (FSG Classics), by Lydia Davis



Break It Down: Stories (FSG Classics), by Lydia Davis

Download Ebook Break It Down: Stories (FSG Classics), by Lydia Davis

Break It Down: Stories (FSG Classics), By Lydia Davis. Negotiating with reviewing habit is no need. Reviewing Break It Down: Stories (FSG Classics), By Lydia Davis is not kind of something sold that you can take or otherwise. It is a thing that will certainly change your life to life much better. It is the important things that will give you lots of things around the globe as well as this cosmos, in the real world and below after. As what will certainly be given by this Break It Down: Stories (FSG Classics), By Lydia Davis, how can you haggle with the important things that has numerous advantages for you?

The reason of why you can get and also get this Break It Down: Stories (FSG Classics), By Lydia Davis faster is that this is the book in soft documents type. You can check out the books Break It Down: Stories (FSG Classics), By Lydia Davis any place you desire also you remain in the bus, office, residence, as well as other places. However, you might not have to relocate or bring guide Break It Down: Stories (FSG Classics), By Lydia Davis print wherever you go. So, you won't have larger bag to lug. This is why your option making much better idea of reading Break It Down: Stories (FSG Classics), By Lydia Davis is actually useful from this case.

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Just attach your device computer or gadget to the internet linking. Get the modern innovation to make your downloading and install Break It Down: Stories (FSG Classics), By Lydia Davis finished. Also you don't wish to review, you could directly shut guide soft documents as well as open Break It Down: Stories (FSG Classics), By Lydia Davis it later on. You can additionally effortlessly get guide anywhere, because Break It Down: Stories (FSG Classics), By Lydia Davis it is in your gadget. Or when remaining in the office, this Break It Down: Stories (FSG Classics), By Lydia Davis is likewise suggested to review in your computer tool.

Break It Down: Stories (FSG Classics), by Lydia Davis

The thirty-four stories in this seminal collection powerfully display what have become Lydia Davis's trademarks―dexterity, brevity, understatement, and surprise. Although the certainty of her prose suggests a world of almost clinical reason and clarity, her characters show us that life, thought, and language are full of disorder. Break It Down is Davis at her best. In the words of Jonathan Franzen, she is "a magician of self-consciousness."

  • Sales Rank: #92834 in Books
  • Brand: Davis, Lydia
  • Published on: 2008-09-16
  • Released on: 2008-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .43" w x 5.50" l,
  • Binding: Paperback
  • 192 pages

Review
“Davis is one of the most precise and economical writers we have.” ―DAVE EGGERS, McSweeney's

About the Author

LYDIA DAVIS has received a MacArthur genius grant among other honors. Her collection Varieties of Disturbance was a finalist for the 2007 National Book Award.

Most helpful customer reviews

29 of 33 people found the following review helpful.
This woman is God.
By A Customer
I have never written an online review, but I just could not help myself this time. "Break It Down" is absolutely exquisite. Not only can Ms. Davis write, she can make you FEEL what she's writing about. There is a pulse to her stories that grabs you and will not let you go. Her exploration of the individual's need for rationalization and order in the world is powerfully conveyed and leaves you aching for her characters. I've read many good short stories by many good authors, but seldom do I come across anything that rocked my world--This rocked my world.

13 of 13 people found the following review helpful.
interior of the mind
By R. Lynne
Break it down by Lydia Davis is a great book of short stories. I appreciate her bare bones approach to each story. She has little staging and dialogue. The way she introduces many of her characters is through interior thoughts using the character, or an authorial voice as she looks from the outside onto the character. The reader gets a full 360 view of each character in this book. There are many themes in the book, but a general theme is self absorption and how it manifests itself in behaviors and thoughts in each character. This book has alot to do with the hidden anxiety in each of us, that we don't necessairly want to think about or discuss. Good stories to study and break down.

6 of 6 people found the following review helpful.
A few things wrong with her
By H. Schneider
Lydia Davis won this year's international Man Booker Prize for her work, not for any special book. She is only the fifth awardee after Kadaré, Achebe, Alice Munro, Ph. Roth. Respectable company.
I had never heard of her. Browsing in a book shop with my daughter, I found LD's 'Collected Stories'. Daughter talked me into buying it, with the hardly hidden agenda that I would leave it with her. Good plan. This book from the 1980s is the first one included in the collection.

I am not much into short stories, but these have a special flavor, which worked for me, to some extent and for a while. Some comments say that Davis invented her own literary form with short texts that are somewhere between traditional short story, poem, aphorism, and whatever else. True.

This is hard to categorize. Psychological vignettes, Kafkaesque grotesques, prose poems, absurd little observations, standing alone on a half page or packaged into a longer contemplation. One suspects at times that the texts are like diary entries, of autobiographical nature, but that is always a dangerous assumption.

Let me describe as an example the story 'Some things wrong with me'. The narrator is a divorcee who had a new relationship and expected it to be stable, but then he broke it off with the summarized explanation that some things were wrong with her and he didn't expect the relationship to last. He didn't say what was wrong. Now she wonders. She feels like a car that is doomed to break down on the highway for no special reason.

Or: 'Cockroaches in autumn', a 3 page series of observations on life with this amazing protein machine, the Blattaria.
Or consider 'City employment', which opens thus: All over the city there are old black women who have been employed to call up people at seven in the morning and ask in a muffled voice to speak to Lisa. This provides work for them that they can do at home.

Not a good idea to try and read this like a novel. A few stories per day should be enough. Like a snack between meals. After reading the first book contained in the collection, I needed a break. More maybe another time.

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Wednesday, September 24, 2014

* Ebook Download The Rock: A Tale of Seventh-Century Jerusalem, by Kanan Makiya

Ebook Download The Rock: A Tale of Seventh-Century Jerusalem, by Kanan Makiya

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The Rock: A Tale of Seventh-Century Jerusalem, by Kanan Makiya

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The Rock: A Tale of Seventh-Century Jerusalem, by Kanan Makiya

Whose rock is enshrined inside the golden Dome of Jerusalem? The rock of Moses or of Muhammad? Kanan Makiya gathers together the stories, legends, and beliefs that define the Rock—the place where Adam landed in his fall from Paradise and where Abraham attempted to sacrifice his first-born; where Solomon’s Temple stood and where Jesus preached; the rock from which Muhammad ascended to heaven—and transforms them into a narrative of novelistic depth and drama. This brilliantly imagined, historically based account of the building of the Dome of the Rock reconstructs the paths of the actual individuals whose spiritual journeys revolved around the seventh-century lore of the Rock.

The chief protagonist is Ka’b al-Ahbar, a learned Jew who accepted the prophecy of Muhammad and who accompanied the caliph Umar ibn al-Khattab during his conquest of the Holy City. The story is narrated by Ka’b’s son, Ishaq, who years later is commissioned to design the first monument of Islam, the Dome of the Rock.

As he imagines the construction of the Dome—and the complex reasons behind its creation—Makiya gives us a meditation on the common terrain of the world’s three great monotheistic religions and a remarkable investigation into what the Rock symbolizes—beyond its various stories and names, beyond even the three faiths at whose heart it sits.

  • Sales Rank: #1047474 in Books
  • Published on: 2001-11-13
  • Released on: 2001-11-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.29" h x 1.19" w x 5.81" l,
  • Binding: Hardcover
  • 368 pages

From Publishers Weekly
Makiya, an award-winning writer and filmmaker, triumphs in this inspired and lyrical book that is equal parts history and novel. His focus is the Rock of Jerusalem, claimed by Judaism, Christianity and Islam alike as the site of Abraham's near-sacrifice of his son. The narrator, Ishaq, relates his father Ka'b's esteem for the Rock and his service to Islam's caliph by designing the Dome of the Rock, the shrine that envelops the rock and commemorates Solomon's temple. Makiya's narrative weaves together centuries-old stories from all three major religious traditions' holy books and other historical accounts. The novelization is pure magic, as Makiya brings history to life for contemporary readers. As Ishaq describes how Jews, Christians and Muslims in unison built and maintained the Dome of the Rock, Makiya presents his thesis that, before Judaism, Christianity, and Islam became the separate religions they are today, they were first different paths on the same road. The Rock itself symbolizes this connection, keeping the peace "by holding the burden of memory [of Abraham's faith] in balance." Conservative Muslims may find elements to dislike: Makiya implies that some hadiths (the sayings of Muhammad) were created as propaganda years after Muhammad's death, and has the narrator express regret that the Rock is encompassed within the Dome. However, most readers will appreciate the overall point, which is that the three major monotheistic religions once coexisted peacefully in a fluid synergy, free of political hatreds.

Copyright 2001 Cahners Business Information, Inc.

From Booklist
*Starred Review* There was a time, impossible as it may seem, when one could be a Muslim and a Jew, simultaneously embracing the Hebrew Scriptures and the prophecy of Muhammad. One such historical figure was K'ab, a seventh-century Jewish convert to Islam who never abandoned Judaism. In history, K'ab was an advisor to the fourth caliph of the Islamic empire. In this wonderful novel, narrated by K'ab's son Ishraq, he is much more. In the wake of the Islamic conquest of Jerusalem, K'ab teaches the Islamic world about the Jewish holy sites, especially the Rock on the mountain from which Muhammad ascended to heaven, on which Jesus overturned the tables, and to which Abraham took Isaac to be sacrificed. Later, Ishraq designs a mosque on that mountain--Mount Zion--the mosque that became the Dome of the Rock, a flashpoint for religious and ethnic tensions ever since. This is historical fiction at its most ambitious and successful. It fully immerses the reader in the world of seventh-century Jerusalem, exploring historical relationships and events with a sensitivity that nonfiction couldn't hope to conjure. Anyone seeking an engaging introduction to early Islamic history would be hard-pressed to make a more compelling and accurate choice than this novel. John Green
Copyright © American Library Association. All rights reserved

Review
At this time, when so much blood is again shed over the famous, or
infamous, Rock in the heart of Jerusalem, and "History" and "Religion"
are relentlessly and superstitiously evoked there and the wars
of religion go on under a different name, Makiya's historical novel is an
important contribution. Let us hope its message does not remain
encapsulated in a work of fiction.
--Amos Elon, author of Jerusalem: City of Mirrors

Most helpful customer reviews

8 of 8 people found the following review helpful.
Entwining Islam, Judaism and Christianity
By hopefulskeptic
'I recommend Makiya's novel to anyone having a serious intent to gain a better understanding of the cultural divide between the "western world" and the middle eastern Islamic world. In spite of being only 261 pages of story telling, it can be a deep read from time to time if you read critically - the notes on the sources he used run 65 pages. Mr Makiya has used the historical fiction approach to connecting Islamic history and religious traditions to Judaic and early Christian history and religious traditions. He used this approach in order to present a comprehensible story to readers who are not scholars in the histories of these religions. For readers raised in a Christian culture, his story provides the connecting links between the three religious traditions and, of course, begs the question "Why have the religions that built on a common base so often been such fierce enemies? Ask the veterans of the US Civil War the same question. Mr Makiya does not directly answer this question, he leaves the answer to the reader, perhaps because each culture involved will have a different answer. It is culture that determines how a people will interpret a given set of religious "facts" to promote its perceived needs and cultures change very, very slowly.

The author's knowledge extends far beyond the Jewish Bible, the Koran and the Christian New Testament into that bewildering morass of traditional lore associated with these religions,

principally that of Islam and Judaism. I am in no position to criticize the details of his construction but it seemed to me to be stronger on Islam and Judaism than on early Christianity,perhaps because I know more about the latter religion. Although centered on the history of Islam from the time of Mohammed to when Islam conquered Jerusalem and built the Dome of the Rock, the story does not shirk telling about the unsavory as well as the uplifting events in the history of Islam.

An obvious labor of love, the author waxes poetic at many points in the narrative, introducing the reader to Islamic and Judaic poetry as well as his own. "Western" readers often do not appreciate how much more the cultures of the eastern and southern shores of the Mediterranean are based on their histories and religions than are the current cultures of the European-derived peoples.

Although one reviewer has criticized the author for not making the characters alive enough, I disagree. He seems to me to have hit a good balance between making his characters live and give the story continuity but not letting their stories obscure the emergence of Islam into a region deeply infused with Judaic and Christian sentiments and histories. One criticism that I do have - the author did not run the religious histories back beyond Abraham to Melchizedek, king of Salem (now known as Jerusalem) and the emergence of the Israelite religion from a more ancient tradition. The seeds of monotheism grew in many places - Akhnaten's Egypt, Melchizedek's Salem, the intellectuals of classical Greece, etc.

One thing in the book was of special interest to me - the history of Jews in Yemen. I knew that Jews were represented in pre-Christian trade in the areas of the Arabian Sea and the Indian Ocean - there are stories of people claiming Jewish descent in Northeastern Africa, Southeastern Africa and India - but I did not know that there was a series of Judean kings of Yemen. One of the main characters of the book is K'ab who was a Yemenite Jew converted to Islam. Happy history hunting.

12 of 14 people found the following review helpful.
Crossing the Bridge of Intolerance
By nizar alshubaily
Kanan Makiya succeeds where many other authors failed. A historical novel about the interplay of religions. Like Amin Maalouf, Kanan writes eloquently and with great authority about a subject difficult to most readers. He destroys long held views about identity and shows the human underneath the religious dogma.
A truly wonderful work, I felt I was there and close to the characters, I had a difficulty in putting the book down, and I was upset at having finished it. I reread many segments.
Please keep writing kanan, please keep enlightening us, so that more people can cross the bridge of intolerance.

17 of 22 people found the following review helpful.
A "novel" which educates, rather than entertains.,
By Mary Whipple
Theologians and serious religious scholars may be fascinated by this academic study of the seventh century interrelationships of Islam, Judaism, and Christianity (Coptic, Orthodox, and Roman) and the holy sites in Medina, Mecca, and Jerusalem. Less a novel than a thesis, the book uses the characters as mouthpieces for historical research rather than as living humans: they remain flat and lacking in those unique personal characteristics which make fictional characters come alive and communicate with the reader.

In prose which is as archaic and poetic as the Bible, the Torah, and/or the Koran, the author uses Ka'b, a Jew who becomes a trusted advisor of the Muslim Caliph Umar, to tell the early religious stories and legends, sometimes common to all three religions, which infuse the Holy Land, its religious sites, and shrines. Because Ka'b is a teacher, he can preach to his subjects, including the reader, with impunity. While this is effective in conveying a great deal of information about the history of these sites, it perpetuates the distance between the reader and the subject matter and does not allow for the kind of identification with a character which can make this information come alive and remain with the reader.

The formality of the style and the enormous amount of abstraction in the story-telling sometimes make the actual sequence of events difficult to follow. Events affecting these sites are described, but the reasons behind them are not always clear--unless, of course, you already have a great deal of knowledge of the people and places important to all three religions and understand their historical practices and traditions. This scholarly work succeeds in showing the common threads of the three major religions and their common interests in the holy sites as they existed in the seventh century. It is less successful in providing keys to the disputes which surround these sites in the present day. Mary Whipple

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Sunday, September 21, 2014

!! Download Ebook Love in the Time of Cholera (Everyman's Library Classics), by Gabriel García Márquez

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Love in the Time of Cholera (Everyman's Library Classics), by Gabriel García Márquez

From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds three people's lives together for more than fifty years. In the story of Florentino Ariza, who waits more than half a century to declare his undying love to the beautiful Fermina Daza, whom he lost to Dr. Juvenal Urbino so many years before, García Márquez has created a vividly absorbing fictional world, as lush and dazzling as a dream and as real and immediate as our own deepest longings. Now available for the first time in the Contemporary Classics series!

  • Sales Rank: #698911 in Books
  • Published on: 1997-09-16
  • Released on: 1997-09-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.26" h x 1.17" w x 5.25" l, 1.22 pounds
  • Binding: Hardcover
  • 464 pages

From Publishers Weekly
The ironic vision and luminous evocation of South America that have distinguished Garcia Marquez's Nobel Prize-winning fiction since his landmark work, One Hundred Years of Solitude, persist in this turn-of-the-century chronicle of a unique love triangle. It is a fully mature novel in scope and perspective, flawlessly translated, as rich in ideas as in humanity. The illustrious and meticulous Dr. Juvenal Urbino and his proud, stately wife Fermina Daza, respectively past 80 and 70, are in the autumn of their solid marriage as the drama opens on the suicide of the doctor's chess partner. Jeremiah de Saint-Amour, a disabled photographer of children, chooses death over the indignities of old age, revealing in a letter a clandestine love affair, on the "fringes of a closed society's prejudices." This scenario not only heralds Urbino's demise soon afterwhen he falls out of a mango tree in an attempt to catch an escaped parrotbut brilliantly presages the novel's central themes, which are as concerned with the renewing capacity of age as with an anatomy of love. We meet Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing, when he seizes the memorably unseemly occasion of Urbino's funeral to reiterate to Fermina the vow of love he first uttered more than 50 years before. With the fine detailing of a Victorian novel, the narrative plunges backward in time to reenact their earlier, youthful courtship of furtive letters and glances, frustrated when Fermina, in the light of awaking maturity, realizes Florentino is an adolescent obsession, and rejects him. With his uncanny ability to unearth the extraordinary in the commonplace, Garcia Marquez smoothly interweaves Fermina's and Florentino's subsequent histories. Enmeshed in a bizarre string of affairs with ill-fated widows while vicariously conducting the liaisons of others via love poems composed on request, Florentino feverishly tries to fill the void of his unrequited passion. Meanwhile, Fermina's marriage suffers vicissitudes but endures, affirming that marital love can be as much the product of art as is romantic love. When circumstances both comic and mystical offer Fermina and Florentino a second chance, during a time in their lives that is often regarded as promising only inevitable degeneration toward death, Garcia Marquez beautifully reveals true love's soil not in the convention of marriage but in the simple, timeless rituals that are its cement. 100,000 first printing; first serial to the New Yorker; BOMC main selection.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
While delivering a message to her father, Florentino Ariza spots the barely pubescent Fermina Daza and immediately falls in love. What follows is the story of a passion that extends over 50 years, as Fermina is courted solely by letter, decisively rejects her suitor when he first speaks, and then joins the urbane Dr. Juvenal Urbino, much above her station, in a marriage initially loveless but ultimately remarkable in its strength. Florentino remains faithful in his fashion; paralleling the tale of the marriage is that of his numerous liaisons, all ultimately without the depth of love he again declares at Urbino's death. In substance and style not as fantastical, as mythologizing, as the previous works, this is a compelling exploration of the myths we make of love. Highly recommended. Barbara Hoffert, "Library Journal"
Copyright 1988 Reed Business Information, Inc.

Review
"A rich, commodious novel whose narrative power is matched only by its generosity of vision."
—The New York Times

"A love story of astonishing power and delicious comedy . . . humane, richly comic, almost unbearably touching and altogether extraordinary." —Newsweek

"It's spellbinding—a luminous novel by a master of storytelling."
—Joseph Heller

"The greatest luxury, as in all of García Márquez’s books, is the eerie, entirely convincing suspension of the laws of reality . . . the agelessness of the human story as told by one of this century’s most evocative writers."
—Anne Tyler, Chicago Sun-Times Book Week

"Revolutionary in daring to suggest that vows of love made under a presumption of immortality--youthful idiocy, to some--may yet be honored, much later in life when we ought to know better, in the face of the undeniable. . . . A shining and heartbreaking book."
—Thomas Pynchon, The New York Times Book Review

"Thoroughly engrossing on the highest artistic level. It is easily his best work since One Hundred Years of Solitude . . . His vision is exalting."
—Cleveland Plain Dealer

"Mr. García Márquez displays a wise benevolence, an ability to see both the tragedy and humor of [his characters'] situations; and this tone burnishes the novel with the warm, soft glow of redemption . . . The result is a rich, commodious novel whose narrative power is matched only by its generosity of vision."
—Michiko Kakutani, New York Times

Most helpful customer reviews

0 of 0 people found the following review helpful.
The writing in this book is beautiful, detailed and evocative
By maura mulcahy
The writing in this book is beautiful, detailed and evocative. The plot ...boy meets girl...falls in love...but fate keeps them apart and 50 years of watching her and waiting for her to be free again (while conducting numerous affairs) he then sets out to woo her all over again.The main character Florentino is a rather creepy and obsessive character but the style is so conversational you feel you understand him . The story is masterfully told with rich prose full of detail and description. I loved it !

35 of 37 people found the following review helpful.
Beautifully written, but problematic.
By Jason Argentum
This is a difficult book for me to review, because there are two factors at work here that for me are at very much at odds.

On the one hand, Love in the Time of Cholera is a beautifully written book, rich with imagery and emotive language. This is all the more impressive when you consider how difficult it must be to translate any work from one language to another and still manage to evoke the feelings that the original author intended, and for that I must give high praise to Edith Grossman, the translator for the English edition that I read.

On the other hand, there is a very real difficulty in sympathizing with Florentino Ariza, the protagonist of the novel. In his youth, he courts Fermina Daza, the daughter of a wealthy businessman from a poor family who is obsessed with social climbing. Because her father disapproves of Ariza (a poor boy who would not improve his family's social standing), their relationship consists almost entirely of love letters sent back and forth. After a long while, though, Fermina finally rejects him. Later she marries Juvenal Urbino, a doctor and a member of one of the most respected families in the city, and has a relatively happy marriage. Florentino, however, never gets over her, and continues to desire her from afar, even after fifty years, and when her husband dies, Ariza is ready to pick things right back up from where they left off.

Here is where the novel falls apart for me, though: I can believe a man could be so hopelessly in love with a woman that he obsesses over her for the rest of his life. However, Florentino's actions do not befit a lovelorn man pining for his sweetheart. Over the course of his life he has sexual relationships with literally hundreds of women, many of them married. After one woman is murdered by her husband after he discovers her unfaithfulness -- due to Ariza writing on her stomach with some body paint -- Ariza's only concern seems to be the fear that the husband will find out who his cuckolder is and come after him. At one point he rapes one of his servants and, when she gets pregnant, compels one of her suitors to marry her. In his old age, he is made guardian of a 14-year-old girl who is described as a "blood relative", and almost immediately begins an affair with her, which ultimately results in her suicide.

Even the things he does with relation to Fermina are questionable. He hangs around her neighborhood constantly, hoping to catch a glimpse of her. He attends balls and ceremonies and celebrations for no other reason than that he knows she'll be there. He writes daily letters to her for months while receiving no reply. He calls her on the telephone just to listen to her answer, saying nothing until she hangs up. These are more the actions of a stalker than a suitor.

And the most outrageous part of all this is that, in the end, he gets the girl. What lesson is the reader supposed to take from this? That being a womanizing, cuckolding, creepy-ass stalker who dabbles in rape and pederasty will win the heart of your one true love?

(Incidentally, Fermina knows absolutely nothing of any of his sexual shenanigans. Florentino even has the gall to tell her he's a virgin at the age of 76, though she's not stupid enough to believe it.)

While the story is interesting and well-told, this dissonance regarding the protagonist left me somewhat at a loss. In the end, my score is more for the richness of the prose than anything else.

2 of 2 people found the following review helpful.
One great love story
By Ernest Boehm
I was so suprised by this book. A love story that is realistic because of the lover's imperfection. Love is not a stagent idea in this book. One sees both the pragmatism of rejected love and devotion to the idea of love. The characters are unpredictable and complex. The main love triange in the story is suported by the richness of supporting characters. The supporting characters take on short main story line roles. This book is about all the aspects and degree of love. Devotion,regection, love, lust, fidelity and infidelity are all mixed. The characters struggle with their relationship, which are fluid and unpredictable as life is. The only love story that is as realistic and challenges the reader as much is the Elornor Gehrigs My Luke and I. This is some of the best fiction that exist!
Florinto is in love with Fermina, and is rejected by her after their initial infatutation. Florintio will not give up he is waiting for Fermina husband to die to recindle the romance. Florintino is a man with need who while being faithful in spirit has affair after affair with other women as he waits. Fermina has to deal with a series of marital strife and bliss as Floritino waits out her marriage. Marquez gets to examine a great deal of love relationships in this book. It is excitingand changing as love and life. This is my first Marquez book but it will not be my last. The text is rich in details and may drag a little at times but preserver it is worththe read.

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Saturday, September 20, 2014

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Poems, by Elizabeth Bishop

A Boston Globe Best Poetry Book of 2011

This is the definitive edition of the work of one of America's greatest poets, increasingly recognized as one of the greatest English-language poets of the twentieth century, loved by readers and poets alike. Bishop's poems combine humor and sadness, pain and acceptance, and observe nature and lives in perfect miniaturist close-up. The themes central to her poetry are geography and landscape―from New England, where she grew up, to Brazil and Florida, where she later lived―human connection with the natural world, questions of knowledge and perception, and the ability or inability of form to control chaos.

This new edition offers readers the opportunity to take in, entire, one of the great careers in twentiethcentury poetry.

  • Sales Rank: #60979 in Books
  • Brand: Bishop, Elizabeth
  • Published on: 2011-02-01
  • Released on: 2011-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.93" h x 1.07" w x 5.96" l, 1.17 pounds
  • Binding: Paperback
  • 368 pages

From Publishers Weekly
To celebrate the centennial of the birth of Bishop (1911–1979), FSG is releasing three landmark volumes of her writing in one month—new editions of her poems and prose, plus her complete correspondence with her editors at the New Yorker. Poems includes the complete text of what is for many a lifelong bedside companion, the 1983 Complete Poems, plus selections from the drafts and poems in progress from Bishop's archive, first published as Edgar Allan Poe and the Jukebox. Especially in the years since her death, Bishop has become one of America's most beloved poets, known for her careful and deceptively layered descriptions ("I looked into his eyes/ which were far larger than mine/ but shallower, and yellowed,/ the irises backed and packed/ with tarnished tinfoil," she famously says of a just-caught fish), and this new edition is the most loving treatment of her poetic output, the best place to start and perhaps all one needs in the end. (This title is also available with Prose as a hardcover boxed set, , ISBN 978-0-374-12558-5.) (Feb.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review
“Bishop was not just a good poet but a great one. Bishop accomplished a magical illumination of the ordinary, forcing us to examine our surroundings with the freshness of a friendly alien.” ―DAVID LEHMAN, Newsweek

About the Author

Elizabeth Bishop (1911–79) won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award.

Most helpful customer reviews

28 of 32 people found the following review helpful.
Bishop's poems are essential for every poetry collection
By Jamie S.
Elizabeth Bishop is one of the greatest American poets. Her work is essential for anyone interested in poetry from the 20th Century. This edition includes her complete works, translations she did by other poets and her uncollected works. It also includes her original handwritten or typed drafts of some of her later poems. It's fascinating to see her how she worked and the changes she made. This book is essential for every poetry collection.

1 of 1 people found the following review helpful.
A magnificent collection
By galaxysurfer
Elizabeth Bishop could be called the poet's poet; she remains one of the most vastly underrated writers of the 20th century. This is a wonderful collection of her work showcasing both the breadth and depth of her output and is recommended to all lovers of poetry.

0 of 0 people found the following review helpful.
Four Stars
By H.G.
Fine poet, fine poems...definitely worth keeping indefinitely....H. G.

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