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The award-winning translation of Dostoevsky's last and greatest novel.
- Sales Rank: #7007 in Books
- Brand: Farrar, Straus and Giroux
- Published on: 2002-06-14
- Released on: 2002-06-14
- Original language: English
- Number of items: 1
- Dimensions: 8.17" h x 1.48" w x 6.19" l, 1.38 pounds
- Binding: Paperback
- 824 pages
- Great product!
Review
“[Dostoevsky is] at once the most literary and compulsively readable of novelists we continue to regard as great . . . The Brothers Karamazov stands as the culmination of his art--his last, longest, richest and most capacious book. [This] scrupulous rendition can only be welcomed. It returns to us a work we thought we knew, subtly altered and so made new again.” ―Donald Fanger, Washington Post Book World
“It may well be that Dostoevsky's [world], with all its resourceful energies of life and language, is only now--and through the medium of this translation--beginning to come home to the English-speaking reader.” ―John Bayley, The New York Review of Books
“Heartily recommended to any reader who wishes to come as close to Dostoevsky's Russian as it is possible.” ―Joseph Frank, Princeton University
“Far and away the best translation of Dostoevsky into English that I have seen . . . faithful . . . extremely readable . . . gripping.” ―Sidney Monas, University of Texas
Language Notes
Text: English (translation)
Original Language: Russian
From the Inside Flap
A new translation by Richard Pevear and Larissa Volokhonsky. This acclaimed new English version of Dostoevsky's last novel does justice to all its levels of artistry and intention.
Most helpful customer reviews
506 of 527 people found the following review helpful.
This translation is too awkward for most readers
By Christopher L. Kawaja
Before you dedicate many hours to reading this masterpiece, you must be sure you select the appropriate translation for your reading style. The Pevear translation - although highly acclaimed - may make it difficult for most readers to grasp the essence of this beautiful story, and therefore I would almost always recommend the McDuff version ahead of the Pevear.
The Brothers Karamazov presents the same challenge for every English translator; namely, Dostoevsky took pride in creating distinct voices and syntax for each of his characters, and most translations have sacrificed the syntax and voicing to make it more readable - in the process losing much of the tone of each character. Pevear's translation is known for being the truest to the original, as it replicates the syntax with an almost academic precision. However, in being so true to the syntax and voicing, Pevear leaves sentence structures that are so unfamiliar-sounding to the native English speaker as to be disruptive. Many times as I read this translation I found myself jolted out of the flow of reading because the phrasing felt so awkward. As an example of a difficult sentence:
Pevear: "These occasions were almost morbid: most depraved, and, in his sensuality, often as cruel as a wicked insect, Fyodor Pavlovich at times suddenly felt in himself, in his drunken moments, a spiritual fear, a moral shock, that almost, so to speak, resounded physically in his soul." Compare that to
McDuff "These were instances that almost seemed to involve some morbid condition: most depraved, and in his voluptuous lust often brutal, like an evil insect, Fyodor Pavlovich would on occasion suddenly experience within himself, in his drunken moments, a sense of spiritual terror and moral concussion that echoed almost physically, as it were, within his soul".
This is a good example of the tradeoffs each translator makes. Generally: Pevear's is tight, precise, uses simple language and is truest to the original and punchy sentence structure. It requires a high tolerance for odd syntax. McDuff's uses a broader vocabulary (e.g. "moral concussion"), but his flow/ear is much more natural to most English speakers. The sacrifice is that McDuff uses probably 5%-10% more words, but I personally believe these additions make it far more readable. It is still generally true to the sentence structure, but by taking a quarter step away from the purist version, he sheds much more light on the underlying text than Pevear.
Based on research, other reviewers and my own experience: if you are familiar with Russian, Pevear is for you. If you value precision, read for words instead of flow, or are better able to tolerate difficult phrasing than difficult vocabulary, then Pevear is for you. If you are more comfortable with a wider repertoire of words, and typically read with a background sense of the "flow" of each sentence, I believe McDuff will be far more readable while maintaining all the essence of the original work.
140 of 154 people found the following review helpful.
Six stars? Please?
By Jason Cigan
If a greater novel than THE BROTHERS KARAMAZOV has ever been written, I haven't found it yet.
Fyodor Dostoevsky, unquestionably among the greatest novelists of all time, finished his literary career on an emphatic note, publishing KARAMAZOV only a few months before his death. Herein are all of the masterful themes, motifs, and devices of Dostoevsky's earlier works, all converging in one culminating masterpiece: the chilling, penetrating introspection and gut-wrenching humanity of CRIME AND PUNISHMENT; the contrary depiction of man's capability to do good of THE IDIOT; the intrigue and dark satire of DEMONS; and the existentialistic inquisitiveness and philosophical investigation patent to NOTES FROM UNDERGROUND. Throw in an impeccably diverse and symbolic cast of characters; a gripping plot; and an inumberable quantity of subplots, moral struggles, and ideological discussion, and the end result is an epic tragedy that will evoke, throughout its course, the full range of emotions of its reader.
KARAMAZOV prominently features the most thoroughly unsympathetic literary character since... well, does Satan from THE BIBLE count? This character is the patriarch of the eponymous siblings, Fyodor Pavlovich Karamazov, and he is everything that is detestable and despicable about human nature: a liar, an adulterer, a penny-pincher, an absent father, a womanizer, and possibly worse. He has fathered four children (presumably; the novel accounts for three and hints at a fourth), and raised none of them. But that's not the worst of what he's done. What is? Well, I won't spoil it for you now.
The four brothers of the title each represent a different embodiment of the Russian spirit and, by extension, the human spirit. The eldest, Mitya, is a materialist, a sensualist, or whatever other euphemism you choose to use in place of "playboy". Ivan, the next oldest, is an intellectual, an atheist, and an idealist--he is the most prosperous and practical of the brothers. Alyosha, the half-brother of Mitya and Ivan, is the kindly, spiritual, and caring Karamazov; Dostoevsky considers Alyosha to be the novel's protagonist. Smerdyakov, the suspected fourth brother, is sly, meddling, and cruel. Everyone should be able to find all of the chief traits of his or her self amongst these four brothers--they are a brilliant microcosm of all mankind.
KARAMAZOV will keep you riveted and engaged despite its notable length and density. It is at once a murder mystery, a psychological thriller, a courtroom drama, a philosophical journey, and an intellectual masterwork. From the haunting religious criticism of Ivan's prose poem "The Grand Inquistor" to the satirical brilliance of "The Devil" to the ambiguously concise, emotionally overwhelming finale, this is pure genius. It's just a shame that Dostoevsky died before he could complete the trilogy of which KARAMAZOV was meant to only be the beginning.
I can hardly begin to describe how profoundly this novel affected me. I completed it at the age of 16, just as I began my senior year of high school. In the mere six months since, I have devoted the majority of my free time to reading and studying literature--largely thanks to the influence of Dostoevsky. The influence of this novel has been felt in all facets of world culture: KARAMAZOV has earned accolades from Sigmund Freud, Albert Einstein, and Pope Benedict XVI, among millions of others--myself just one of them. I can't emphasize strongly enough how outstanding THE BROTHERS KARAMAZOV is.
2 of 2 people found the following review helpful.
No Novel Will Ever Change You As Profoundly for the Better
By Daniel & Kara Jordan
I do not know what my review can add to the Brothers Karamazov, but I will put in a few of my words. I have now read this book six times through and every time I am simply amazed at the complexity of vision that Dostoevsky brought to the page. My copy of the book is littered with page numbers written in the margins that connect the dots between all of the recurring scenes, ideas, images, phrases, and philosophies. It has taken years of sustained thought to be able to draw all of these connections, which makes it somewhat unbelievable that Dostoevsky was able to write it in the time frame that he did. Because of this, though, I have found this translation to be the only reasonable choice for the serious student. Many earlier translations ironed out potentially awkward phrasings, and thereby destroyed the parallelism that was being masterfully established.
I have shed so many tears on the pages of my copy of this book that I am surprised it is still holding up as well as it is. There is a sensitivity and beauty to this text that I have never been able to find anywhere else, even in other works by Dostoevsky. It is, quite simply, the most masterful examination of agape (active love), faith, and justice, and redemption that I have ever encountered in my life, in philosophy, history, literature, film, or otherwise. There are no words to offer that can capture how profoundly this book has changed me for the better.
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