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In Conversations with Wilder, Hollywood's legendary and famously elusive director Billy Wilder agrees for the first time to talk extensively about his life and work.
Here, in an extraordinary book with more than 650 black-and-white photographs -- including film posters, stills, grabs, and never-before-seen pictures from Wilder's own collection -- the ninety-three-year-old icon talks to Cameron Crowe, one of today's best-known writer-directors, about thirty years at the very heart of Hollywood, and about screenwriting and camera work, set design and stars, his peers and their movies, the studio system and films today. In his distinct voice we hear Wilder's inside view on his collaborations with such stars as Barbara Stanwyck, Gary Cooper, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, Audrey Hepburn, and Greta Garbo (he was a writer at MGM during the making of Ninotchka. Here are Wilder's sharp and funny behind-the-scenes stories about the making of A Foreign Affair, Double Indemnity, Sunset Boulevard, Love in the Afternoon, Some Like It Hot, The Apartment, and Ace in the Hole, among many others. Wilder is ever mysterious, but Crowe gets him to speak candidly on Stanwyck: "She knew the script, everybody's lines, never a fault, never a mistake"; on Cary Grant: "I had Cary Grant in mind for four of my pictures . . . slipped through my net every time"; on the "Lubitsch Touch": "It was the elegant use of the super-joke." Wilder also remembers his early years in Vienna, working as a journalist in Berlin, rooming with Peter Lorre at the Chateau Marmont -- always with the same dry wit, tough-minded romanticism, and elegance that are the hallmarks of Wilder's films. This book is a classic of Hollywood history and lore.
- Sales Rank: #461179 in Books
- Published on: 1999-11-02
- Released on: 1999-11-02
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.26" h x 8.36" w x 10.35" l,
- Binding: Hardcover
- 400 pages
Amazon.com Review
Conversations with Wilder, an invaluable, photo-intensive volume, is a kind of remake of Truffaut's must-read interview book Hitchcock, with Cameron Crowe in the inquisitive Truffaut role and wily 93-year-old Billy Wilder as the crafty master director. Drawing on his experience interviewing the monsters of rock and his deep, shot-by-shot knowledge of Wilder's work, Crowe gently and cunningly coaxes answers from Wilder--arguably today's most influential living director--on what made his hits tick and his flops suck, along with glimpses of what might have been. Did you know Mae West and Mary Pickford spurned Sunset Boulevard and Wilder spurned Marilyn Monroe for Irma la Douce? That The Apartment was inspired by Brief Encounter and the look of Double Indemnity was based on M? The gossipy insights are great too. Bogart spat when he talked, so Wilder couldn't back-light him in Sabrina, and Audrey Hepburn's wardrobe woman had to towel her off after each take--discreetly! Wilder loathed Raymond Chandler (partly because Chandler disdained James M. Cain when adapting Double Indemnity) but gives him his due as a screenwriter: Chandler could do dialogue and descriptions, but he couldn't construct a scene. "He was a mess, but he could write a beautiful sentence," says Wilder. Agatha Christie was the opposite: "She had structure, but she lacked poetry."
Some critics scoff at Crowe (who cried while directing emotional scenes in Jerry Maguire) for taking on the cynic Wilder. But they're brothers under the skin. Both leaped from popular music journalism to directing. Both incorporate actual events in their films. Wilder keenly regrets not filming this scene in The Spirit of St. Louis, which he claims really happened: the night before his historic flight, Lindbergh's handlers talked a pretty waitress into having sex with him. They claimed he was a virgin, and likely to die on his voyage. In the hero's parade upon his return, she waves at him through the ticker-tape, but he doesn't see her. "Would have been a good scene," mourns Wilder. Without this book, we'd never have known about it. --Tim Appelo
Review
"A world-class director interviews the Master, and every line is fascinating. As with Zen and the Art of Archery and other texts about mastery, the shock of pleasure in reading this enlightened and affectionate conversation is the utter simplicity that comes with true mastery. There is laughter too, as with anything first-rate in this form. Wilder and Crowe don't waste time on theory or generalities, and the result -- as in their film work -- is truth, pure and simple." -- Mike Nichols
"It's always best to hear straight from the director about his own work. This book of interviews is just that: rich in information and autobiographical detail, filled with wonderful anecdotes and observations, often irreverent and hilarious, and sometimes surprisingly moving. Cameron Crowe's book is like Wilder's best films: sharply observed, absolutely succinct and precise, funny but always with a very strong, serious foundation. Billy Wilder is one of the few genuine masters we have left, from a period in film history that is now gone. Which makes Conversations with Wilder all the more precious and valuable." -- Martin Scorsese
From the Inside Flap
In Conversations with Wilder, Hollywood's legendary and famously elusive director Billy Wilder agrees for the first time to talk extensively about his life and work.
Here, in an extraordinary book with more than 650 black-and-white photographs -- including film posters, stills, grabs, and never-before-seen pictures from Wilder's own collection -- the ninety-three-year-old icon talks to Cameron Crowe, one of today's best-known writer-directors, about thirty years at the very heart of Hollywood, and about screenwriting and camera work, set design and stars, his peers and their movies, the studio system and films today. In his distinct voice we hear Wilder's inside view on his collaborations with such stars as Barbara Stanwyck, Gary Cooper, Marilyn Monroe, Jack Lemmon, Tony Curtis, William Holden, Audrey Hepburn, and Greta Garbo (he was a writer at MGM during the making of Ninotchka. Here are Wilder's sharp and funny behind-the-scenes stories about the making of A Foreign Affair, Double Indemnity, Sunset Boulevard, Love in the Afternoon, Some Like It Hot, The Apartment, and Ace in the Hole, among many others. Wilder is ever mysterious, but Crowe gets him to speak candidly on Stanwyck: "She knew the script, everybody's lines, never a fault, never a mistake"; on Cary Grant: "I had Cary Grant in mind for four of my pictures . . . slipped through my net every time"; on the "Lubitsch Touch": "It was the elegant use of the super-joke." Wilder also remembers his early years in Vienna, working as a journalist in Berlin, rooming with Peter Lorre at the Chateau Marmont -- always with the same dry wit, tough-minded romanticism, and elegance that are the hallmarks of Wilder's films. This book is a classic of Hollywood history and lore.
Most helpful customer reviews
4 of 4 people found the following review helpful.
If You Love Movies,You'll Eventually Have To Read It.....
By John McElwee
...and if you've read the fairly extensive backlog of available Billy Wilder bios and interviews(two other books were out within the past ten years, I think)---you won't mind plowing through the familiar ,oft-told Wilder anecdotes in search of fresh material.It's there because Cameron Crowe asks a number of very specific questions,and Billy's obliged to search his memory,rather than falling back on the glib stories that have made up his(admittedly entertaining)reportory for lo these many years.Crowe's observations of Wilder's daily routines are illuminating----there is a downside to being the oldest living legend in town.The guy's obviously had about all the accolades and fawning attention he can reasonably endure.Reading this book cured me of my one-time desire to actually meet the great man--- I think we'd both be dissappointed,but hell,I don't blame him.How many times do you want to hear how great you are when you're 96 and all you want to do is cross the street to the corner lunch counter unmolested?Crowe gives us a vivid picture of a Hollywood luminary who has outlived virtually everyone he ever worked with----must be quite a sensation--- I only hope I live long enough to experience a similar one.
13 of 16 people found the following review helpful.
For the hardcore Wilder fan...perhaps obscure for others
By Brendon Macaraeg
I picked this up since I was familiar with Cameron Crowe's work both as a writer and filmmaker. While I was somewhat aware of Wilder's work (I've only seen "The Lost Weekend" and "Sunset Boulevard"), I'd recommend this book only to hardcore Wilder fans; much of the book Crowe spends time asking Wilder about why/how he got a certain shot, or how certain actors did or did not fit a certain role of a certain film (Wilder reiterates on several occasions that he always wanted Cary Grant in his pictures but couldn't get him) - this is all minutiae that the casual reader will not care much about. Still, Crowe makes ample use of his journalism expertise to get Wilder to open up (alas, we don't learn much about his life save for how he met his second wife and a bit about his time as a writer in Berlin before he immigrated to the U.S.) and it was nice to see how the Fan and Master became friends over the course of these interviews. Also, very nice graphic design, layout and photographs that complement the subject matter throughout the book. I plan to revisit "Converstaions with Wilder" once I've rented some more of Wilder's films, and I'm sure it will be a better read next time around.
10 of 10 people found the following review helpful.
Super, Moving, Funny History of Movies in US
By MOVIE MAVEN
Cameron Crowe, the author of this terrific book, knows not only what questions to ask but WHY he is asking those questions. Crowe has done his homework and knows almost as much about Billy Wilder as Wilder does, himself. Crowe reminds him and prods and teases and the result is one of the most interesting books I've ever read about Hollywood movies and the "system" that used to control them. The reader becomes so "friendly" with Wilder and Crowe throughout the book, that the ending becomes very moving. I recommend this book to any student of film of any age & anyone who just loves movies.
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