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From the Nobel Prize-winning author of One Hundred Years of Solitude comes a masterly evocation of an unrequited passion so strong that it binds three people's lives together for more than fifty years. In the story of Florentino Ariza, who waits more than half a century to declare his undying love to the beautiful Fermina Daza, whom he lost to Dr. Juvenal Urbino so many years before, García Márquez has created a vividly absorbing fictional world, as lush and dazzling as a dream and as real and immediate as our own deepest longings. Now available for the first time in the Contemporary Classics series!
- Sales Rank: #698911 in Books
- Published on: 1997-09-16
- Released on: 1997-09-16
- Original language: English
- Number of items: 1
- Dimensions: 8.26" h x 1.17" w x 5.25" l, 1.22 pounds
- Binding: Hardcover
- 464 pages
From Publishers Weekly
The ironic vision and luminous evocation of South America that have distinguished Garcia Marquez's Nobel Prize-winning fiction since his landmark work, One Hundred Years of Solitude, persist in this turn-of-the-century chronicle of a unique love triangle. It is a fully mature novel in scope and perspective, flawlessly translated, as rich in ideas as in humanity. The illustrious and meticulous Dr. Juvenal Urbino and his proud, stately wife Fermina Daza, respectively past 80 and 70, are in the autumn of their solid marriage as the drama opens on the suicide of the doctor's chess partner. Jeremiah de Saint-Amour, a disabled photographer of children, chooses death over the indignities of old age, revealing in a letter a clandestine love affair, on the "fringes of a closed society's prejudices." This scenario not only heralds Urbino's demise soon afterwhen he falls out of a mango tree in an attempt to catch an escaped parrotbut brilliantly presages the novel's central themes, which are as concerned with the renewing capacity of age as with an anatomy of love. We meet Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing, when he seizes the memorably unseemly occasion of Urbino's funeral to reiterate to Fermina the vow of love he first uttered more than 50 years before. With the fine detailing of a Victorian novel, the narrative plunges backward in time to reenact their earlier, youthful courtship of furtive letters and glances, frustrated when Fermina, in the light of awaking maturity, realizes Florentino is an adolescent obsession, and rejects him. With his uncanny ability to unearth the extraordinary in the commonplace, Garcia Marquez smoothly interweaves Fermina's and Florentino's subsequent histories. Enmeshed in a bizarre string of affairs with ill-fated widows while vicariously conducting the liaisons of others via love poems composed on request, Florentino feverishly tries to fill the void of his unrequited passion. Meanwhile, Fermina's marriage suffers vicissitudes but endures, affirming that marital love can be as much the product of art as is romantic love. When circumstances both comic and mystical offer Fermina and Florentino a second chance, during a time in their lives that is often regarded as promising only inevitable degeneration toward death, Garcia Marquez beautifully reveals true love's soil not in the convention of marriage but in the simple, timeless rituals that are its cement. 100,000 first printing; first serial to the New Yorker; BOMC main selection.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
While delivering a message to her father, Florentino Ariza spots the barely pubescent Fermina Daza and immediately falls in love. What follows is the story of a passion that extends over 50 years, as Fermina is courted solely by letter, decisively rejects her suitor when he first speaks, and then joins the urbane Dr. Juvenal Urbino, much above her station, in a marriage initially loveless but ultimately remarkable in its strength. Florentino remains faithful in his fashion; paralleling the tale of the marriage is that of his numerous liaisons, all ultimately without the depth of love he again declares at Urbino's death. In substance and style not as fantastical, as mythologizing, as the previous works, this is a compelling exploration of the myths we make of love. Highly recommended. Barbara Hoffert, "Library Journal"
Copyright 1988 Reed Business Information, Inc.
Review
"A rich, commodious novel whose narrative power is matched only by its generosity of vision."
—The New York Times
"A love story of astonishing power and delicious comedy . . . humane, richly comic, almost unbearably touching and altogether extraordinary." —Newsweek
"It's spellbinding—a luminous novel by a master of storytelling."
—Joseph Heller
"The greatest luxury, as in all of García Márquez’s books, is the eerie, entirely convincing suspension of the laws of reality . . . the agelessness of the human story as told by one of this century’s most evocative writers."
—Anne Tyler, Chicago Sun-Times Book Week
"Revolutionary in daring to suggest that vows of love made under a presumption of immortality--youthful idiocy, to some--may yet be honored, much later in life when we ought to know better, in the face of the undeniable. . . . A shining and heartbreaking book."
—Thomas Pynchon, The New York Times Book Review
"Thoroughly engrossing on the highest artistic level. It is easily his best work since One Hundred Years of Solitude . . . His vision is exalting."
—Cleveland Plain Dealer
"Mr. García Márquez displays a wise benevolence, an ability to see both the tragedy and humor of [his characters'] situations; and this tone burnishes the novel with the warm, soft glow of redemption . . . The result is a rich, commodious novel whose narrative power is matched only by its generosity of vision."
—Michiko Kakutani, New York Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
The writing in this book is beautiful, detailed and evocative
By maura mulcahy
The writing in this book is beautiful, detailed and evocative. The plot ...boy meets girl...falls in love...but fate keeps them apart and 50 years of watching her and waiting for her to be free again (while conducting numerous affairs) he then sets out to woo her all over again.The main character Florentino is a rather creepy and obsessive character but the style is so conversational you feel you understand him . The story is masterfully told with rich prose full of detail and description. I loved it !
35 of 37 people found the following review helpful.
Beautifully written, but problematic.
By Jason Argentum
This is a difficult book for me to review, because there are two factors at work here that for me are at very much at odds.
On the one hand, Love in the Time of Cholera is a beautifully written book, rich with imagery and emotive language. This is all the more impressive when you consider how difficult it must be to translate any work from one language to another and still manage to evoke the feelings that the original author intended, and for that I must give high praise to Edith Grossman, the translator for the English edition that I read.
On the other hand, there is a very real difficulty in sympathizing with Florentino Ariza, the protagonist of the novel. In his youth, he courts Fermina Daza, the daughter of a wealthy businessman from a poor family who is obsessed with social climbing. Because her father disapproves of Ariza (a poor boy who would not improve his family's social standing), their relationship consists almost entirely of love letters sent back and forth. After a long while, though, Fermina finally rejects him. Later she marries Juvenal Urbino, a doctor and a member of one of the most respected families in the city, and has a relatively happy marriage. Florentino, however, never gets over her, and continues to desire her from afar, even after fifty years, and when her husband dies, Ariza is ready to pick things right back up from where they left off.
Here is where the novel falls apart for me, though: I can believe a man could be so hopelessly in love with a woman that he obsesses over her for the rest of his life. However, Florentino's actions do not befit a lovelorn man pining for his sweetheart. Over the course of his life he has sexual relationships with literally hundreds of women, many of them married. After one woman is murdered by her husband after he discovers her unfaithfulness -- due to Ariza writing on her stomach with some body paint -- Ariza's only concern seems to be the fear that the husband will find out who his cuckolder is and come after him. At one point he rapes one of his servants and, when she gets pregnant, compels one of her suitors to marry her. In his old age, he is made guardian of a 14-year-old girl who is described as a "blood relative", and almost immediately begins an affair with her, which ultimately results in her suicide.
Even the things he does with relation to Fermina are questionable. He hangs around her neighborhood constantly, hoping to catch a glimpse of her. He attends balls and ceremonies and celebrations for no other reason than that he knows she'll be there. He writes daily letters to her for months while receiving no reply. He calls her on the telephone just to listen to her answer, saying nothing until she hangs up. These are more the actions of a stalker than a suitor.
And the most outrageous part of all this is that, in the end, he gets the girl. What lesson is the reader supposed to take from this? That being a womanizing, cuckolding, creepy-ass stalker who dabbles in rape and pederasty will win the heart of your one true love?
(Incidentally, Fermina knows absolutely nothing of any of his sexual shenanigans. Florentino even has the gall to tell her he's a virgin at the age of 76, though she's not stupid enough to believe it.)
While the story is interesting and well-told, this dissonance regarding the protagonist left me somewhat at a loss. In the end, my score is more for the richness of the prose than anything else.
2 of 2 people found the following review helpful.
One great love story
By Ernest Boehm
I was so suprised by this book. A love story that is realistic because of the lover's imperfection. Love is not a stagent idea in this book. One sees both the pragmatism of rejected love and devotion to the idea of love. The characters are unpredictable and complex. The main love triange in the story is suported by the richness of supporting characters. The supporting characters take on short main story line roles. This book is about all the aspects and degree of love. Devotion,regection, love, lust, fidelity and infidelity are all mixed. The characters struggle with their relationship, which are fluid and unpredictable as life is. The only love story that is as realistic and challenges the reader as much is the Elornor Gehrigs My Luke and I. This is some of the best fiction that exist!
Florinto is in love with Fermina, and is rejected by her after their initial infatutation. Florintio will not give up he is waiting for Fermina husband to die to recindle the romance. Florintino is a man with need who while being faithful in spirit has affair after affair with other women as he waits. Fermina has to deal with a series of marital strife and bliss as Floritino waits out her marriage. Marquez gets to examine a great deal of love relationships in this book. It is excitingand changing as love and life. This is my first Marquez book but it will not be my last. The text is rich in details and may drag a little at times but preserver it is worththe read.
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