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Published in 1931, Axel's Castle was Edmund Wilson's first book of literary criticism--a landmark book that explores the evolution of the French Symbolist movement and considers its influence on six major twentieth-century writers: William Butler Yeats, Paul Valéry, T. S. Eliot, Marcel Proust, James Joyce, and Gertrude Stein. As Alfred Kazin later wrote, "Wilson was an original, an extraordinary literary artist . . . He could turn any literary subject back into the personal drama it had been for the writer."
- Sales Rank: #1107317 in Books
- Published on: 2004-09-15
- Released on: 2004-08-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .61" w x 5.50" l, .60 pounds
- Binding: Paperback
- 272 pages
Amazon.com Review
If great writers are hard to find, then it's safe to say great literary critics are as rare as wild white tigers who can juggle plates. Edmund Wilson (1895-1972) was one of America's most important critics, and Axel's Castle was the book that put him on the map. Few people outside graduate school read serious literary criticism, but a look into Wilson's intense thought and clear prose makes you wonder why the genre has been neglected. If you're a lover of the Modernist writers--Wilson looks specifically at Joyce, Proust, Yeats, Valery, Eliot, Stein, and Rimbaud here--then you'll enjoy Axel's Castle.
Review
Book of critical essays by Edmund Wilson, published in 1931. Subtitled "A Study in the Imaginative Literature of 1870-1930," the book traced the origins of specific trends in contemporary literature, which, Wilson held, was largely concerned with Symbolism and its relationship to naturalism. Wilson followed his introductory essay on Symbolism with essays that trace the development of these trends in the works of W.B. Yeats, Paul Valery, T.S. Eliot, Marcel Proust, James Joyce, Gertrude Stein, and Arthur Rimbaud and Auguste Villiers de l'Isle-Adam. -- The Merriam-Webster Encylopedia of Literature
About the Author
Edmund Wilson (1895-1972) was a novelist, memoirist, playwright, journalist, poet, and editor but it is as a literary critic that he is most highly regarded.
Mary Gordon's most recent novel is Spending.
Most helpful customer reviews
22 of 24 people found the following review helpful.
An Introduction to Modern Literature via Symbolism
By Sherringford Clark
_Axel's Castle_ provides a wonderful introduction to modern literature and its sources in the Symbolist movement. However, the book is a bit uneven, and some writers garner more attention than others; Stein gets only about ten pages. It is clear that Wilson views Joyce and Proust as the two most significant modern writers, and those two chapters are accordingly the most insightful of the book and worth the price of the entire volume. In addition, the book will introduce most readers to the deservedly obscure Villiers de L'Isle Adam and may impel them to read _Axel_. Perhaps the latter volume will someday return to print now that Wilson's first work of literary criticism has finally done so. If you are at all interested in any of these authors or the Symbolist movement, this book is essential as Wilson is one of the foremost literary critics of the century, and this is perhaps his most representative and greatest work.
10 of 11 people found the following review helpful.
A major statement defining 'modern Literature'
By Shalom Freedman
To find in modern Literature a motion toward the idealistic and aesthetic, towards what Wilson calls the Symbolic is a unifying theme of this work. In the words of the critic William Troy the technique of Symbolism means for Wilson , "
"Symbolism represents the effort to communicate, by means of a unique personal language, ideas, feelings and sensations more faithfully than they are rendered through the conventional and universal language of ordinary literature. The function of this language is "to intimate things rather than state them plainly"; it depends on suggestion rather than statement. "
Wilson analyzes the symbolic work of Yeats, Paul Valery, Gertrude Stein, T.S. Eliot, Proust and Joyce.
He brings together the names which brought about the great modernist revolution in Literature, the new way of seeing things which in some sense corresponded with the Cubist revolution of Braque - Picasso and the non- total revolution of Schoenberg.
Wilson is a great reader and provides the first real guide to many of the works which today are considered 'classics'.
One may not always agree with him, but he is always interesting, provocative, alive.
And in his ability to make us see works in a new way he is one of the supreme literary critics of the twentieth century.
3 of 3 people found the following review helpful.
Concise and to the Point
By William K. Dearth
It is so refreshing to read literary criticism where the writing is concise and to the point. Edmund Wilson has done a masterful job on the essays on symbolism, Marcel Proust, James Joyce and Gertrude Stein. The summary portion of Proust's A la Recherche du Temps Perdu is the best I have read. I am not as familiar with the some of the authors covered in this book, so I will reserve comment.
Nothing is more disheartening than to read a great piece of literature, delve into some of the criticism and find that the novel in question was much easier to understand than the criticism. You should not need a copy of Cliff's Notes to weed through literary criticism. Personally, I believe that an overblown academic approach is responsible for this. More than one literary criticism, see Eugen Weber's work on France: Fin de Siècle, has suffered from this overblown technique of proving your educational worth by talking down to the reader. I realize that I myself was guilty of this technique when I was writing critical papers in graduate school. I wish I could go back and do it over again. It isn't necessary if your goal is really trying to be understood.
Another issue I have with some contemporary criticism goes like this: "What the author said was..... What he really meant was......." It is possible isn't it that the writer meant exactly what he originally said.
I can't help but feel that the "times" are somewhat responsible for this. Axel's Castle was written in 1931. Perhaps in those days some were not as compelled to demonstrate their "expertise" in the same ways as today. My hat is off to Edmund Wilson for the effort and result that went into this work.
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