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Silverchest: Poems, by Carl Phillips
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A bracingly beautiful new collection from the author of Double Shadow
"After the afterlife, there's an afterlife."
In Silverchest, his twelfth book, Carl Phillips considers how our fears and excesses, the damage we cause both to others and to ourselves, intentional and not, can lead not only to a kind of wisdom but also to renewal, maybe even joy, if we're willing to commit fully to a life in which "I love you / means what exactly?" In poems shot through with his signature mix of eros, restless energy, and moral scrutiny, Phillips argues for the particular courage it takes to look at the self squarely―not with judgment but with understanding―and extend that self more honestly toward others: It's a risk, there's a lot to lose, but if it's true that "we'll drown anyway―why not in color?"
- Sales Rank: #652103 in Books
- Published on: 2014-04-01
- Released on: 2014-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.16" h x .36" w x 5.75" l, .20 pounds
- Binding: Paperback
- 80 pages
From Booklist
Since 1991, Phillips has published, on average, one collection of poetry every other year, from the enigmatic metaphysics of The Rest of Love (2004) to the refractive couplings of Double Shadow (2011). Less concerned with lofty philosophy than previous books, as interested in eros as ever, the poems Phillips gathers in Silverchest are composed in spare blocks of speech, hushed breath, soft expressions of quietude. He seems focused on stripping the work down to singular principles, as in “Surrounded As We Are, Unlit, Unshadowed,” in which broken syntax mimics the heavy exhalations of a momentary pause: “you are still, black stars / black / scars, crossing a field that you’ve / crossed before.” Even what remains of Phillips’ impulse to push a thing into its shadow, into its opposite, is transmuted. “After the Afterlife” ends with the lines: “Any shadows / that break break randomly across these waters.” Most of the poems end with this kind of sensory impression, more sigh than exclamation, like a barn door open to an empty pasture, or wet leaves after rain. --Diego Báez
Review
“I have a candidate for the author of the most interesting contemporary English sentences and it is not primarily a prose writer: the American poet Carl Phillips . . . Phillip's style has been remarkably consistent from volume to volume, upsetting our easy assumption that great artists evolve from phase to phase.” ―Dan Chiasson, The New Yorker
“Bruised past ripeness, all the action offstage, overwhelmed with beauty and always threatening to dissolve, Carl Phillips' Silverchest is an unlikely candidate for my favorite book of the year. Yet I doubt any new poetry collection has given me as much pleasure as this unusually--generously--slender, wintering tome. Part of that comes down to abundance: Phillips just writes so damned well, a rich ear interlocking his phenomenal powers of perception and imagination . . . The providence, here, when there is provision, is not so much in the world that Phillips describes as it is in the challenged art of description itself. Phillips' humility brings him to beauty. And his inability to account for his place among the living has allowed him to make the interplay between illusion and awareness into the one book this year that most richly and persuasively, at least for me, reinstates the possibility of finding meaning in a world that is forever ready to revoke the sources of meaning in our lives.” ―Jonathan Farmer, Slate
“Phillips is a great poet of morality and desire and the complicated relationship between the two.” ―Jared Bland, The Globe and Mail
“Silverchest is Carl Phillips's twelfth book of poems, and while it is a book only Carl Phillips could have written (which I mean as praise and not as a claim of redundancy), it breaks away into a new territory and, at times, new voice, as it deals directly with landscapes informed by the natural world as much as by the sexual imagination . . . And while Phillips is arguably at his most personal, and therefore revelatory, with Silverchest, he is also at his most spare, while still keeping close to the strong lyric dialectic line that informs all of his other books. It's a book that feels in tone and suppleness haunted not only by the past, but by what the present is trying to tell the future and beyond the future . . . Most of the poems are raw and short and thrilling the way shortness of breath is thrilling.” ―Michael Klein, Coldfront
“Silverchest displays the gifts of an exceptional talent with palpable staying power. The lyrics often manage to combine a disarming speaker, elegant syntax and startling titles that index powerful acts of mind.” ―Joseph Campana, The Houston Chronicle
“In these gorgeous, meticulously constructed lyric poems, nature and music--motifs Phillips returns to often--take on the role of correlatives, evoking the mind's own cadence, its certainty and thaw. ” ―Publishers Weekly
About the Author
Carl Phillips is the author of eleven books of poetry, including Speak Low (FSG, 2009), which was a finalist for the National Book Award, and Double Shadow (FSG, 2011), winner of the Los Angeles Times Book Prize. He teaches at Washington University in St. Louis and lives in St. Louis, Missouri.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A standard met
By Allen Hagar
Meant to be read as a whole, the poetry of Carl Phillips' latest book, Silverchest: Poems reveal and conceal. Taking his advice not to expose all that one knows about a poem, I will say that his latest work heeds his own advice. Not pinned down to any one theme, Mr. Phillips continues to explore relationships between the poet and his acquaintances and environment.
I shall quote from the conclusion of a poem, "My Meadow, my Twilight". "... you look again, down the steep corridor of what's just another late winter afternoon, dark as night already, dark the leaves and, darker still, the door that, each night, you keep meaning to find again, having lost it, you had only to touch it, just once, and it bloomed wide open...".
Allen Hagar
1 of 1 people found the following review helpful.
Excellent.
By NY Reader/writer
One of our best poets writing today. Always beautiful, meaningful, and inventive.
0 of 0 people found the following review helpful.
Awesome poet
By hapaxlegomena
Carl Phillips is a great poet. This is the first book of his that I had ever read, and I thought it was well-done. The way he combines Classical imagery with modern emotional experience is really something. Bought this book at the suggestion of a friend, and I'm really glad I did. I'd definitely recommend reading this, or any of his other collections.
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