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(Book Jacket Status: Jacketed)
The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century.
A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In The Maltese Falcon, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. The Thin Man introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in Red Harvest, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption.
"Dashiell Hammett is a master of the detective novel, yes, but also one hell of a writer."—Boston Globe
”Hammett was spare, hard-boiled, but he did over and over what only the best writers can ever do. He wrote scenes that seemed never to have been written before.”—Raymond Chandler
”Hammett’s prose was clean and entirely unique. His characters were as sharply and economically defined as any in American fiction.”—The New York Times
”As a novelist of realistic intrigue, Hammett was unsurpassed in his own or any time.”—Ross Macdonald
”Dashiell Hammett’s dialogues can be compared only with the best in Hemingway.”—André Gide
”Hammett is one of the best contemporary American writers.”—Gertrude Stein
- Sales Rank: #558863 in Books
- Published on: 2000-12-05
- Released on: 2000-12-05
- Original language: English
- Number of items: 1
- Dimensions: 8.26" h x 1.45" w x 5.39" l, 1.57 pounds
- Binding: Hardcover
- 696 pages
From the Inside Flap
The three classic novels published here in one volume are rich with the crisp prose, subtle characters, and intricate plots that made Dashiell Hammett one of the most admired writers of the twentieth century.
A one-time detective and a master of deft understatement, Hammett virtually invented the hard-boiled crime novel. In "THE MALTESE FALCON, Sam Spade, a private eye with his own solitary code of ethics, tangles with a beautiful and treacherous woman whose loyalties shift at the drop of a dime. "THE THIN MAN introduces Hammett's wittiest creations, Nick and Nora Charles, who solve homicides in between wisecracks and martinis. And in "RED HARVEST, Hammett's anonymous tough-guy detective, the Continental Op, takes on the entire town of Poisonville in a deadly war against corruption.
About the Author
Dashiell Samuel Hammett was born in St. Mary’s County. He grew up in Philadelphia and Baltimore. Hammett left school at the age of fourteen and held several kinds of jobs thereafter—messenger boy, newsboy, clerk, operator, and stevedore, finally becoming an operative for Pinkerton’s Detective Agency. Sleuthing suited young Hammett, but World War I intervened, interrupting his work and injuring his health. When Sergeant Hammett was discharged from the last of several hospitals, he resumed detective work. He soon turned to writing, and in the late 1920s Hammett became the unquestioned master of detective-story fiction in America. In The Maltese Falcon (1930) he first introduced his famous private eye, Sam Spade. The Thin Man (1932) offered another immortal sleuth, Nick Charles. Red Harvest (1929), The Dain Curse (1929), and The Glass Key (1931) are among his most successful novels. During World War II, Hammett again served as sergeant in the Army, this time for more than two years, most of which he spent in the Aleutians. Hammett’s later life was marked in part by ill health, alcoholism, a period of imprisonment related to his alleged membership in the Communist Party, and by his long-time companion, the author Lillian Hellman, with whom he had a very volatile relationship. His attempt at autobiographical fiction survives in the story “Tulip,” which is contained in the posthumous collection The Big Knockover (1966, edited by Lillian Hellman). Another volume of his stories, The Continental Op (1974, edited by Stephen Marcus), introduced the final Hammett character: the “Op,” a nameless detective (or “operative”) who displays little of his personality, making him a classic tough guy in the hard-boiled mold—a bit like Hammett himself.
Most helpful customer reviews
63 of 68 people found the following review helpful.
As good as the movie, which is saying a great deal
By Robert James
"The Maltese Falcon" is better known to most of the public these days from the movie -- which is as close to a perfect adaptation as any movie has ever gotten. The novel is just as wonderful, if not more. There is a certain muscular quality to Hammett's prose that is mirrored by Huston's graphics, but Hammett has to be read to see what marvelous sentences he constructed. There are a few significant differences from the movie: Sam Spade in the book is described as a "blond Satan," and the heroic quality that Humphrey Bogart projected is darker in the novel. There is a long story, told while Brigid and Sam wait, about a man named Flitcraft who disappears; the story is central to understanding Sam's view of humanity. And there is Gutman's daughter, who is cut completely from the film. There are other minor differences, but taken all in all, the movie served the book well. Fans of the movie will love the novel, and fans of the mystery and detective genre who haven't read Dashiell Hammett are missing the genesis of the hard-boiled detective. An outstanding read!
0 of 0 people found the following review helpful.
For those that don't know ,considered the best crime story of the 20th century
By Alan
What can one say that has not already been said ,it's voted the greatest detective story of the 20th century.short ,crisp dialogue(note,it should be writing,not dialogue,but Hammet wrote in such a style that it's as if he's writing for talking pictures,before talking pictures were even made).in the continental op stories(which for some insane reason no one has ever put together the complete stories into 1book, or,Canon, like father Brown, or Sherlock Holmes which to this day, I will never,never understand why!) Hammett speaks to the reader "I did this","this happened to me"style ,so the reader gets caught up and identifies him/her self with the op, in the falcon "Sam (his name is dashiell Samuel Hammett ,we know him as Dashiell ,or Dash Hammett ,when he was a detective ,his friends called him Sam) did this,or that, so you can't get into his head and anticipate his plans or moves at all! It's interesting that Bogart, or Coburn look nothing like the characters in the books,but become impossible to believe that anyone else could be those characters,that's fascinating to me! Line's like "the gunsel (slang at the time,for passive homosexual)and "the boy in Cairo" that Bridget(a woman ) "could not make" implying that Joel could,quite daring at the time and amazingly snuck past the censorship of the time when the movie was released. Bogart was on a roll with the falcon and (possibly the next best crime story of the 20th century) the big sleep! I still wonder how much influence Hammetts style had on the Dragnet radio show in its own way...
3 of 3 people found the following review helpful.
A True Classic
By mrliteral
What makes a classic? Perhaps that in itself is more of a discussion than is allowed in the Amazon word allotment, so I will limit myself to my personal definition: a classic has to be (a) good, (b) a work that has withstood the test of time and (c) make a mark in its genre. By this definition, the Maltese Falcon is a classic and I think few would disagree.
This is the story of Sam Spade, who is hired along with his partner Miles Archer, for what should be a routine tailing job. When Archer winds up dead, followed shortly afterwards by his supposed killer, Spade himself winds up under intense police scrutiny, and that's only part of his problems. He is also entangled with a series of criminals after the black bird of the title.
What makes the book special is Spade, the original tough-guy private eye. Spade is not so much tough physically - although he can hold his own - but in attitude. Spade's healthy belligerence towards the world is not the façade of a cowardly bully but rather a reflection of his strengths. He handles his problems with a mix of stoicism and faint amusement and presents an air of amorality that may be more pretense than reality. In brief, he is a well-developed character who moves the story along.
Hammett is not a perfect writer but this book is good enough and significant enough to rate an easy five stars. Although it may seem tame or routine to modern readers, in the context of its time, this book was groundbreaking. This is a classic of not only mysteries but also American literature.
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