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Quiver of Arrows: Selected Poems, 1986-2006, by Carl Phillips
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Quiver of Arrows is a generous gathering from Carl Phillips's work that showcases the twenty-year evolution of one of America's most distinctive―and one of poetry's most essential―contemporary voices. Hailed from the beginning of his career for a poetry provocative in its candor, uncompromising in its inquiry, and at once rigorous and innovative in its attention to craft, Phillips has in the course of eight critically acclaimed collections generated a sustained meditation on the restless and ever-shifting myth of human identity. Desire and loss, mastery and subjugation, belief and doubt, sex, animal instinct, human reason: these are among the lenses through which Phillips examines what it means to be that most bewildering, irresolvable conundrum, a human being in the world.
Phillips's sensibility as he questions morality, psychology, and our notions of responsibility is as startlingly original as the poems themselves, whose exacting standards for the line's flexibility and whose argument for a versatile, more muscular syntax bring to American poetry "something not unlike a new musical scale" (The Miami Herald). Quiver of Arrows is the record of a powerful vision that, in its illumination of the human condition, has established itself as a necessary step toward our understanding of who we are in the twenty-first century.
- Sales Rank: #476851 in Books
- Published on: 2007-05-01
- Released on: 2007-05-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .51" w x 6.00" l, .66 pounds
- Binding: Paperback
- 224 pages
From Publishers Weekly
Phillips is a scholar and translator of classical Greek and a writer of syntactically complex, desire-drenched love poems that subtly, and beautifully, reinvent classical tropes and forms. Phillips has published eight books of his own poetry: this selection pares down a rapidly expanding oeuvre to its sharp essentials. Phillips's first three books, published by Graywolf, show him working out his relation to the tradition—from the Famous Black Poet to Yeats (I recognized/ something more/ than swan to Sappho (My tongue still remembers)—and to AIDS and its aftermath: I watched as each boat fell to flame:/ Vincent and Matthew and, last, what bore your name. Pastoral (2000) finds Phillips confidently making the tercet into a representation of the lover's body, a practice that has culminated in four subsequent books rapidly published in the '00s—including The Tether and The Rest of Love—that contain extraordinary and strange examples of Phillips's trademark writing about the bonds and bounds of sex and couplehood: —Singing inside the mirror,/ to no one, to// itself, the body folding, and/ unfolding, as if map/ then shroud, its song. (May)
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Review
Praise for Carl Phillips: "Singing the music of mythology, history and philosophy, [Phillips's] poems are delicately crafted to sound like common speech even though there is nothing pedestrian about them. Because of their dexterity, they are approachable without sacrificing their loftier aspirations." --Dionisio Martinez, "The Miami Herald""" Praise for "Riding Westward: """ "The poems in "Riding Westward "ring like peals of a bell--recognizable, separate and yet merging together, radiating from a single source . . . Again Phillips strikes the theme of radiating realities, this time working inward from the largest darkness of all, which is implied, to the darkness of night, to the smaller darkness of one person's remembered life. The cowboy's song--as all the poems in "Riding Westward"--is a comforting lament." -Aaron Belz, "St. Louis"" Post-Dispatch"
" "
"This is a tidal collection with poems that are wavelike in their formation, breaking and falling ab
Praise for Carl Phillips: "Singing the music of mythology, history and philosophy, [Phillips's] poems are delicately crafted to sound like common speech even though there is nothing pedestrian about them. Because of their dexterity, they are approachable without sacrificing their loftier aspirations." --Dionisio Martinez, "The Miami Herald""" Praise for "Riding Westward: """ "The poems in "Riding Westward "ring like peals of a bell--recognizable, separate and yet merging together, radiating from a single source . . . Again Phillips strikes the theme of radiating realities, this time working inward from the largest darkness of all, which is implied, to the darkness of night, to the smaller darkness of one person's remembered life. The cowboy's song--as all the poems in "Riding Westward"--is a comforting lament." -Aaron Belz, "St. Louis"" Post-Dispatch"
" "
"This is a tidal collection with poems that are wavelike in their formation, breaking and falling abruptly or gently rinsing the shore, all in a dance of creation and erasure . . . "Riding Westward "offers an expansion of mind that can only be compared to riding out into the boundary-less field of vision our Western plains offer." -Janet St. John, "Booklist"""
From the Inside Flap
Praise for author Carl Phillips:
"Singing the music of mythology, history and philosophy, [Phillips's] poems are delicately crafted to sound like common speech even though there is nothing pedestrian about them. Because of their dexterity, they are approachable without sacrificing their loftier aspirations." --Dionisio Martinez, The Miami Herald
Most helpful customer reviews
4 of 4 people found the following review helpful.
On Target
By Allen Hagar
Carl Phillips is becoming a favorite poet of mine. His collection Quiver of Arrows: Selected Poems 1986-2006 is a find. Prose verse with lyrical cadences, a generous vocabulary of significance of French thinking, an English logic to the poetry's language, and a music that reminds us of the Romantics. Thoroughly modern works. And modernity works!
Several books are included, including Cortege and Pastoral my two favorites, yet to be fair, they all excel. The poems "A Kind of Meadow" and "Cortege" ring a bell. Excellent!
Allen Hagar
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