Monday, May 19, 2014

~~ PDF Ebook Quesadillas: A Novel, by Juan Pablo Villalobos

PDF Ebook Quesadillas: A Novel, by Juan Pablo Villalobos

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Quesadillas: A Novel, by Juan Pablo Villalobos

Quesadillas: A Novel, by Juan Pablo Villalobos



Quesadillas: A Novel, by Juan Pablo Villalobos

PDF Ebook Quesadillas: A Novel, by Juan Pablo Villalobos

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Quesadillas: A Novel, by Juan Pablo Villalobos

A brilliant new comic novel from "a linguistic virtuoso" (José Antonio Aguado, Diari de Terrassa)

It's the 1980s in Lagos de Moreno―a town where there are more cows than people, and more priests than cows―and a poor family struggles to overcome the bizarre dangers of living in Mexico. The father, a high-school civics teacher, insists on practicing and teaching the art of the insult, while the mother prepares hundreds of quesadillas to serve to their numerous progeny: Aristotle, Orestes, Archilochus, Callimachus, Electra, Castor, and Pollux. Confined to their home, the family bears witness to the revolt against the Institutional Revolutionary Party and their umpteenth electoral fraud. This political upheaval is only the beginning of Orestes's adventures and his uproarious crusade against the boredom of rustic life and the tyranny of his older brother.
Both profoundly moving and wildly funny, Mexican author Juan Pablo Villalobos's Quesadillas is a satiric masterpiece, chock-full of inseminated cows, Polish immigrants, religious pilgrims, alien spacecraft, psychedelic watermelons, and many, many "your mama" insults.

  • Sales Rank: #390246 in Books
  • Published on: 2014-02-11
  • Released on: 2014-02-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.45" h x .54" w x 5.14" l, .30 pounds
  • Binding: Paperback
  • 192 pages

From Booklist
Orestes, the irreverent adolescent narrator of this surrealist sociopolitical satire, struggles to come to terms with his Mexican family’s poverty. His father is a civics teacher (and has given all of his many children classical Greek names), but the family lives, perhaps illegally, in a shack at the “Cerro de la Chingada” outside of town. Orestes describes the microeconomy of his Mexican family in terms of the fluctuating thickness of the quesadillas rationed by his mother: inflationary quesadillas, devaluation quesadillas, and, of course, poor man’s quesadillas, in which the word “cheese” replaces actual cheese. When two of his younger siblings go missing, Orestes and his fascist-leaning older brother go looking for them, but they also understand that the childrens’ absence means more quesadillas for the rest of the family. Orestes veers toward profanity and hyperbole, and the story’s plot pivots upon comic absurdities, including invading extraterrestrials and the sexual proclivities of cows; at times, the entire narrative seems in danger of spiraling out of control. But in the end such devices underscore, rather than distract from, this novel’s caustic critique of Mexican politics under the Carlos Salinas regime. --Brendan Driscoll

Review

“Villalobos is one tablespoon Eugene Ionesco, desperately but hopefully advocating nihilism; a dash of Harold Pinter, catapulting his characters into oblivion; and a pinch of Suzan Lori-Parks, igniting political allegory with sibling rivalry . . . Pure fantastical rapture.” ―Julie Morse, The Rumpus

“Quesadillas is fast-paced and colloquial; it is troubling and funny all at once . . . Quesadillas is an unusual and important novel that deserves to be read.” ―Arthur Dixon, World Literature Today

“Mr. Villalobos's novels are short, dark, comic, ribald and surreal. They aren't so much manic-depressive as they are, to borrow Delmore Schwartz's phrasing, manic-impressive. This writer stares down serious issues--poverty, class, systemic violence--and doesn't analyze them so much as sneeze all over them . . . It's all delicious, and resonant.” ―Dwight Garner, The New York Times Book Review

“[A] vibrant, comic novel.” ―Leigh Newman, Oprah.com

“A wildly funny farce that's also surprisingly moving.” ―BookPage

“Wonderful . . . This is a rich book--an inflationary quesadilla, overflowing with cheese.” ―Benjamin Rybeck, Three Guys One Book

“It's a trick to use the f-word three times in a novel's first sentence and still be as charming and disarming as Juan Pablo Villalobos manages to be in the delightful Quesadillas. . . Quesadillas is frequently laugh-out-loud funny.” ―Nick DiMartino, Shelf Awareness

“If you haven't expanded your horizons by reading literature from around the globe in 2014, Juan Pablo Villalobos, the Mexican-born writer living in Brazil, might be your best place to start.” ―Jason Diamond, Flavorwire

“Quesadillas . . . does for magic realism what Down the Rabbit Hole did for 'narco-literature' . . . The high-keyed domestic comedy is enjoyable for its own sake, but provides cover for a satirical assault on the mendacity of Mexican politics.” ―Alfred Hickling, The Guardian

“Riotous . . . Villalobos has inaugurated a new kind of avant-garde novel, one whose grasp of certain dehumanizing political realities never erodes the power to dream something better.” ―Kirkus (starred review)

About the Author
Juan Pablo Villalobos was born in Guadalajara, Mexico, in 1973, and lives in Brazil, where he writes for various publications and teaches courses in Spanish literature. He has written literary criticism, film criticism, and short stories. Villalobos is the author of Down the Rabbit Hole (FSG, 2012), which has been translated into fifteen languages.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Life in Mexico measured by the rhythm of the quesadillas
By Paul Mastin
In a tiny rural town of Mexico, Orestes, Oreo for short, loves his quesadillas, but knows that every meal is a struggle, trying to get his fair share before his 6 siblings jump ahead of him. In Quesadillas, Oreo tells his story, and the story of his family, as they struggle to survive in the PRI-dominated political climate, as the dairy farms around them become more industrialized (and an industry captain moves in next door, and as Oreo's siblings run off or are abducted by aliens.

Juan Pablo Villalobos writes Quesadillas so much in the style of a memoir that I have to wonder how much of this is fiction, and how much is based on his own experiences. Yet there's enough absurdity to convince me that surely much is made up. And yet. . . . as Oreo says, "Wasnt' everyone always saying we were a surrealist country?"

Quesadillas is a fun read, with a caustic view of late-twentieth-century Mexico. Villalobos, who, incidentally, now lives in Brazil, clearly has some problems with Mexico, a "lousy country" which was "eternally organized around fraud." Oreo wants his father, a high school civics teacher who constantly grumbles about the government, "to survive and carry on living in this country--that was his punishment."

The political themes are strong, but do not overshadow Oreo's coming of age story. He becomes friends with the new wealthy neighbor. When he sees how the neighbors live, he sees his family's poverty in context: "The worst thing wasn't being poor; the worst thing was having no idea of the things you can do when you have money." Oreo tracks the fortunes of his family, and of his mother's perception of economic trends, by the quantity of cheese in the quesadillas. When things got really bad, his mother cooked up "poor man's quesadillas, in which the presence of cheese was literary: you opened one up and instead of adding melted cheese my mother had written the word 'cheese' on the surface of the tortilla." He finally does get away from home and spends some time in the city, but came back "because the class struggle had worn me out and I wanted to eat quesadillas for free."

Oreo's adventures delight and entertain, while giving a window into rural Mexican life and culture. If only my Spanish was good enough to read and enjoy Villalobos in the original.

Thanks to NetGalley and the publisher for the complimentary electronic review copy!

2 of 2 people found the following review helpful.
Life in Mexico measured by the rhythm of the quesadillas
By Paul Mastin
In a tiny rural town of Mexico, Orestes, Oreo for short, loves his quesadillas, but knows that every meal is a struggle, trying to get his fair share before his 6 siblings jump ahead of him. In Quesadillas, Oreo tells his story, and the story of his family, as they struggle to survive in the PRI-dominated political climate, as the dairy farms around them become more industrialized (and an industry captain moves in next door, and as Oreo's siblings run off or are abducted by aliens.

Juan Pablo Villalobos writes Quesadillas so much in the style of a memoir that I have to wonder how much of this is fiction, and how much is based on his own experiences. Yet there's enough absurdity to convince me that surely much is made up. And yet. . . . as Oreo says, "Wasnt' everyone always saying we were a surrealist country?"

Quesadillas is a fun read, with a caustic view of late-twentieth-century Mexico. Villalobos, who, incidentally, now lives in Brazil, clearly has some problems with Mexico, a "lousy country" which was "eternally organized around fraud." Oreo wants his father, a high school civics teacher who constantly grumbles about the government, "to survive and carry on living in this country--that was his punishment."

The political themes are strong, but do not overshadow Oreo's coming of age story. He becomes friends with the new wealthy neighbor. When he sees how the neighbors live, he sees his family's poverty in context: "The worst thing wasn't being poor; the worst thing was having no idea of the things you can do when you have money." Oreo tracks the fortunes of his family, and of his mother's perception of economic trends, by the quantity of cheese in the quesadillas. When things got really bad, his mother cooked up "poor man's quesadillas, in which the presence of cheese was literary: you opened one up and instead of adding melted cheese my mother had written the word 'cheese' on the surface of the tortilla." He finally does get away from home and spends some time in the city, but came back "because the class struggle had worn me out and I wanted to eat quesadillas for free."

Oreo's adventures delight and entertain, while giving a window into rural Mexican life and culture. If only my Spanish was good enough to read and enjoy Villalobos in the original.

Thanks to NetGalley and the publisher for the complimentary electronic review copy!

3 of 3 people found the following review helpful.
The only thing that counts is money
By Jared Smith
This is one of the best dark comedies I have read. I'd rank it with Nathanael West's novel "Miss Lonelyhearts," except Villalobos's novel is more of a political satire (although it has fun with culture and religion as well). The books offers some very funny and memorable passages, including: "The future is like a woman with abrupt mood swings who sometimes says yes, sometimes no, and pretty often hasn't even got a clue."

See all 10 customer reviews...

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