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Common as Air offers a stirring defense of our cultural commons, that vast store of art and ideas we have inherited from the past and continue to enrich in the present. Suspicious of the current idea that all creative work is "intellectual property," Lewis Hyde turns to America's Founding Fathers―men such as Adams, Madison, and Jefferson―in search of other ways to imagine the fruits of human wit and imagination. What he discovers is a rich tradition in which knowledge was assumed to be a commonwealth, not a private preserve.
For the founders, democratic self-governance itself demanded open and easy access to ideas. So did the growth of creative communities such as that of eighteenth-century science. And so did the flourishing of public persons, the very actors whose "civic virtue" brought the nation into being.
In this lively, carefully argued, and well-documented book, Hyde brings the past to bear on present matters, shedding fresh light on everything from the Human Genome Project to Bob Dylan's musical roots. Common as Air allows us to stand on the shoulders of America's revolutionary giants and thus to see beyond today's narrow debates over cultural ownership. What it reveals is nothing less than a vision of how to reclaim the commonwealth of art and ideas that we were meant to inherit.
- Sales Rank: #566711 in Books
- Published on: 2011-10-25
- Released on: 2011-10-25
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .79" w x 5.50" l, .69 pounds
- Binding: Paperback
- 352 pages
From Publishers Weekly
The question of how our cultural commons, our shared store of art and knowledge, might be made compatible with our modern age of stringent copyright laws, intellectual property rights, and restrictive patenting is taken up with considerable brio by Hyde (The Gift). Moving deftly between literary analysis, historiography, biography, and impassioned polemic, the book traces the idea of commonage from its English pastoral manifestations and pays particular attention to the American founding fathers' ideals of self-governance and civic republicanism grounded in the vision of a public realm animated by openly shared knowledge and property rights that functioned for the benefit of society rather than individuals alone. Hyde leaps nimbly, if sometimes too hurriedly, from the Ancient Mariner to the human genome project, ultimately offering a vision of human subjectivity that is fundamentally social, historical, and plural. If the book is perhaps not wholly successful in showing how we might concretely legislate for a cultural commons that would simultaneously allow for financial reward and protection from monopoly, it is nonetheless a fascinating and eminently readable attempt to coordinate commerce and creativity in what he sees as an increasingly restrictive economy of ideas.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
In his seminal book The Gift (1983), Hyde invited us to bridge the chasm between the values of the artist and the pressures of the marketplace by considering traditional economies based on reciprocal gift giving. With his latest selection, the poet–translator–cultural anthropologist–public intellectual again examines the intersection between creativity and commerce, in particular, the question of whether the fruits of creative labor can or should be privately owned. As before, Hyde’s impetus in writing is in part fear of the constraints unrestrained capitalism seems to impose on artists and cultural innovators; a considerable portion of this account is devoted to chronicling the recent corporate land grab of knowledge and the thorny bramble of intellectual property law. But this is less a manifesto of the misleadingly named copy-Left movement than it is a search for cultural consensus on which meaningful rules can be based. Finding inspiration and precedent in the concept of the commons in English land-tenure law (as well as the examples of Benjamin Franklin and Bob Dylan, among others), Hyde argues that art and ideas constitute an inherently public cultural commons that is most fertile when authors have only limited permission to enclose their works from unauthorized use. Deeply researched and powerfully felt, this book presents a compelling case for an alternate paradigm, and showcases the originality that readers cherished in The Gift. --Brendan Driscoll
Review
“Lewis Hyde has written a stunning book. Drawing from science, law, and art, and looking deep into the intentions of the founding fathers, Common as Air is essential reading, no matter where you stand in the ongoing debate about the ownership of art and ideas.” ―Anna Deavere Smith
“Lewis Hyde's Common As Air [is] an eloquent and erudite plea for protecting our cultural patrimony from appropriation by commercial interests . . . Hyde builds his argument by telling stories, and he tells them well. His book brims with vignettes, which may be familiar but complement one another in ways that produce original insights. Instead, he tells stories with a moral. If we reassessed our history, he teaches, we would reassert our citizenship in a Republic of Letters that was crucial to the creation of the American Republic--and that is more important than ever in the age of the Internet.” ―Robert Darnton, The New York Times Book Review
“Lewis Hyde, MacArthur Fellow and professor at Kenyon and Harvard, offers a brilliant and absorbing account of the development of restrictive and enduring private ownership of shared experience . . . His argumentation is dazzling, dense with lucid ideas, erudition, wry humor . . . Like his elegant 1983 underground bestseller, The Gift, about social codes of giving and accepting, Common as Air will surely inspire thoughtful responses for even longer than its own copyright endures.” ―Matt Kramer, Star-Tribune
“Drawing on deep historical research, Common As Air discusses the reasons why Thomas Jefferson, Benjamin Franklin, and their peers were wary of perpetual patents and copyrights. The Founders viewed them as state-sanctioned monopolies that deterred the progress of learning, creativity, and innovation. This is the reason why they carved out room in the U.S. Constitution for intellectual property, the first country to do so.” ―Kembrew McLeod, The Atlantic
“In [Common As Air], Hyde discusses the property we once held in common--from land to books to certain kinds of scientific discoveries--and demonstrates how this arena has steadily eroded.” ―Bill Eichenberger, The Plain Dealer (Cleveland)
“Deeply researched and powerfully felt, this book presents a compelling case for an alternate paradigm, and showcases the originality that readers cherished in The Gift.” ―Brendan Driscoll, Booklist
Most helpful customer reviews
15 of 18 people found the following review helpful.
Finally, making the Commons Clear!
By Brad Lichtenstein
I've been working on a film about our commons, working with people who care about seeds, cultural commons, intellectual property and its limits on sharing, the water, our air....and it is hard to make a clear argument for why these commons are related and worth fighting for. Hyde is a magician with words, and he's pulled a winner out of his hat. The topic is vital, and the read is a pleasure.
5 of 5 people found the following review helpful.
Engaging & original critique of the cultural commons
By David A. Bollier
The great virtue of Common as Air is the originality of Lewis Hyde's engaging historical exploration of the cultural commons. Contrary to the claims of one reviewer here, the commons has not been swept into the dustbin of history by capitalism. It lives a quite vibrant contemporary life in such commons as open source software, Wikipedia and Creative Commons-licensed music, images and books. The point is to understand the social dynamics of such commons (quite apart from the role of markets and government). Copyright law clearly does not appreciate these dimensions of creativity. Why exactly is so much creativity incubated in social communities, and how do property rights and markets sometimes stifle culture?
Don't be mistaken into thinking that this book is a dry policy analysis. It's a lush, provocative and highly readable meditation on human creativity, culture and property rights, especially in the context of American history. Who knew that Benjamin Franklin was not just an iconic entrepreneur, but also America's "founding pirate," an innovator deeply committed to collaborative invention and the open sharing of knowledge? Hyde tells a largely untold story about the Founders' commitment to open, shareable culture and innovation. Highly recommended.
3 of 3 people found the following review helpful.
Terrific
By Amazon Customer
This book explains the true meaning "commons" in the context of the public good. This is critical to an understanding of the development of copyright, both in terms of the law and also in terms of critical thinking about this complex subject. Further, the writing style is excellent. The writing is readable, clear, and direct. I recommend this book highly.
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