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Recipient of the Nobel Prize in Literature in 1968, the novelist Yasunari Kawabata felt the essence of his art was to be found not in his longer works but in a series of short stories―which he called "Palm-of-the-Hand Stories"―written over the span of his career. In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.
- Sales Rank: #488945 in Books
- Brand: Kawabata, Yasunari/ Dunlop, Lane (TRN)/ Holman, J. Martin (TRN)
- Published on: 2006-11-14
- Released on: 2006-11-14
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .63" w x 5.50" l,
- Binding: Paperback
- 288 pages
From Publishers Weekly
Nobel laureate Kawabata is best known in the West for such novels as Snow Country and Thousand Cranes, yet his short stories, written over 50 years, seem to contain his essence as a writer. Here sensitively translated are 70 of them, most written in Kawabata's youth and usually no more than a page or two in length, though the last one, "Gleanings from Snow Country," is somewhat longer and was written just before Kawabata's suicide in 1972; it is a miniaturization of the highly praised novel of the same name. The tales are variously realistic, allegorical and fantastic; and, as in the novels, the principal themes are love, loneliness, social change, man's relation with nature and death. Each story exhibits some sharp and often subtle perception of life (in Kawabata's world, stillness can "resound" and men listening to a woman's laugh can experience "a strange kind of aural jealousy"); and each, like a haiku or classic Zen painting, suggests far more than it states.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
These 60 stories by 1968 Nobel laureate Kawabata are engagingly and sensitively translated. The stories, never more than three pages long and often only a page, were written from 1923 to 1972, the year of Kawabata's suicide. Some are cryptic, permitting only guessed-at meanings, others whimsically humorous; some express poignant emotions, others epiphanies; some deal with everyday life, others with ghosts; some with samurais, others with peasants. Though they all take place in 20th-century Japan, these stories are timeless and essentially universal. Kawabata is a master storyteller reminiscent of James Joyce, but with a smaller, sharper, more incisive vision. Highly recommended. Kitty Chen Dean, Nassau Coll., Garden City, N.Y.
Copyright 1988 Reed Business Information, Inc.
Review
"Kawabata does for the short story what Paul Klee did for painting and Webern for music, showing how to get the profoundest experience and the surest sense of artistic form into an extremely small work. These stories inspire and go on inspiring. They make writing a story seem-and it may be-as natural a result of deep excited feeling as writing a poem."--Kenneth Koch
"These stories are jewels, indeed, each one has a soul, a life, or a whole work distilled to palm-sized proportions."--Chicago Tribune
"There are few other writers who could invoke such a lasting memory of a single image with so few words."--San Francisco Chronicle
Most helpful customer reviews
18 of 19 people found the following review helpful.
No Generic Syrup
By Boz Hubris
If you like Sudden Fiction as a genre but not the usual silliness which accompanies it, this is the perfect union of very short fiction, craftsmanship and seriousness. Not always serious in tone but in effort. For the most part they are tender stories of rememberance, loss and the betterments of life. They are brief and dream-worthy, almost as if they were prose acting as poetry:
"Startled by a sharp pain, as if her hair were being pulled out, she woke up three or four times. But when she realized that a skein of her black hair was wound around the neck of her lover, she smiled to herself. In the morning, she would say, "My hair is this long now. When we sleep together, it truly grows longer."
Quietly she closed her eyes.
"I don't want to sleep. Why do we have to sleep? Even though we are lovers, to have to go to sleep, of all things!" On nights when it was all right for her to stay with him, she would say this, as if it were a mystery to her." from Sleeping Habit
Even when the stories are harsh they aren't beleagured with excess, but consequential life and its misgivings with some ironic humor interjected amongst the living ghosts. The same can be said for the norm: lush stories that are kindly felt but never over-sentimentalizations and mush. A great bed-side companion to make you dream better and wake a little more human.
14 of 16 people found the following review helpful.
Haiku as a short story
By Zack Davisson
This book is filled with over 100 short stories, most between 1 and 3 pages long. Each story is somewhat plotless, but is more of a brief character study. A quick sketch, at the most, that captures the essence of the character rather than the details. Each character and situation is a glimpse into the past, of Japan at that time. The stories have the quiet patience of a haiku, and the miniature perfection of a well-tended bonsai tree.
Like a haiku, the limitation of form requires that each sentence be important. There are no throw-away lines in any of the "Palm-of-the-Hand Stories." The sparse loveliness of the English language as used is interesting because the book is translated from Japanese. The book was translated by two translators, and each story is signed so you know who translated what. This allows for subtle variance in the stories.
Kawabata is Japan's first Nobel prize winner. This is the first book by Kawabata that I have read, and I will be sure to seek other's out. A final recommendation, because of the length of the stories, I have found this to be one of the best bedside books I own. I can read a quick story before going to sleep.
6 of 8 people found the following review helpful.
The ideal coffee table book
By Nathan
When I read my first of Kawabata's palm of the hand stories I can't admit that I was hooked, but I was definately intrigued. On the edition I own there is an entire story on the back cover, and after reading it I could pull NO MEANING from it what so ever. I thought, like one of the other reviewers put it, that the story was pointless. I have come to learn a harsh lession however. If there is one thing that Kawabata's works are not it is pointless. Every part of every word is overflowing with meaning. The truly pitiful part about his work is that to someone ignorant of Japan and Japanese culture it is sometimes hard to grasp what the meaning is. The simple enjoyment I received from reading the stories helped to inspire me to learn more about the country. I am by no means saying that you can't realish every word of this collection without knowing Japan, but I am saying to attempt to fully UNDERSTAND some of them it is truely a desireable asset.
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