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Slouching Towards Bethlehem: Essays (FSG Classics), by Joan Didion
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The first nonfiction work by one of the most distinctive prose stylists of our era, Slouching Towards Bethlehem remains, forty years after its first publication, the essential portrait of America― particularly California―in the sixties. It focuses on such subjects as John Wayne and Howard Hughes, growing up a girl in California, ruminating on the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture.
- Sales Rank: #7294 in Books
- Brand: Didion, Joan
- Published on: 2008-10-28
- Released on: 2008-10-28
- Original language: English
- Number of items: 1
- Dimensions: 8.22" h x .66" w x 5.50" l, .54 pounds
- Binding: Paperback
- 256 pages
Review
“In her portraits of people, Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful . . . A rich display of some of the best prose written today in this country.” ―Dan Wakefield, The New York Times Book Review
From the Inside Flap
Upon its publication in 1968, Slouching Towards Bethlehem confirmed Joan Didion as one of the most prominent writers on the literary scene. Her unblinking vision and deadpan tone have influenced subsequent generations of reporters and essayists, changing our expectations of style, voice, and the artistic possibilities of nonfiction.
"In her portraits of people," "The New York Times Book Review wrote, "Didion is not out to expose but to understand, and she shows us actors and millionaires, doomed brides and naive acid-trippers, left-wing ideologues and snobs of the Hawaiian aristocracy in a way that makes them neither villainous nor glamorous, but alive and botched and often mournfully beautiful. . . . A rare display of some of the best prose written today in this country."
In essay after essay, Didion captures the dislocation of the 1960s, the disorientation of a country shredding itself apart with social change. Her essays not only describe the subject at hand--the murderous housewife, the little girl trailing the rock group, the millionaire bunkered in his mansion--but also offer a broader vision of America, one that is both terrifying and tender, ominous and uniquely her own.
Joyce Carol Oates has written, "Joan Didion is one of the very few writers of our time who approaches her terrible subject with absolute seriousness, with fear and humility and awe. Her powerful irony is often sorrowful rather than clever. . . . She has been an articulate witness to the most stubborn and intractable truths of our time, a memorable voice, partly eulogistic, partly despairing; always in control."
From the Back Cover
"A slant vision that is arresting and unique . . . Didion might be an observer from another planet--one so edgy and alert that she ends up knowing more about our own world than we know ourselves."
--Anne Tyler
"The story between the lines of Slouching Towards Bethlehem is surely not so much 'California' as it is [Didion's] ability to make us share her passionate sense of it."
--Alfred Kazin
Most helpful customer reviews
77 of 82 people found the following review helpful.
excellent example of the essay form
By J. Jacobs
Didion's collection of essays was recommended to me by writing instructors as an example of excellent essay writing. I found it to be just that. In the first third, she writes a series of remarkable essays about California in the late 1960s. The middle third contains personal essays. And the book finishes with a collection of essays about different places she's been - New York, Hartford, Hawaii, Sacramento.
What makes her writing most impressive is her masterful presentation of portraits, inserting herself just occasionally to remind the reader of who the photographer was, to inject humanity. She does an excellent job combining place and character and shows that long sentences can work. This book is useful both an as example to those who aspire to writing better essays and as a memorable voice from the 1960s.
0 of 0 people found the following review helpful.
Masterful, magical, genius
By A. C. Wilson
There aren't really words to describe Didion's work - she writes and her words leave the page, enter the air...and then enter the soul. A master truth teller.
0 of 0 people found the following review helpful.
Exquisite craft, but dated out of its context
By explainer guy
The quality of writing on display cannot be argued with, but much of the material is well outside of its time, with little modern relevancy.
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