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The Throne of Labdacus: A Poem, by Gjertrud Schnackenberg
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Winner of the 2001 Los Angeles Times Book Prize in Poetry.
A New York Times Book Review Notable Book of 2000.
The first warning passing through Thebes--
As small a sound
As a housefly alighting from Persia
And stamping its foot on a mound
Where the palace once was;
As small a moth chewing thread
In the tyrant's robe;
As small as the cresting of red
In the rim of an injured eye; as small
As the sound of a human conceived
A compelling, lyric telling of the story of Oedipus, and of "what happens outside the play," in the experience of the god who is its presiding oracle: Apollo, the god of poetry, music, and healing. Given the task of setting the Sophocles text to music, the god is woven reluctantly into its world of riddles, unanswered questions, partially disclosed objects, and ambiguous second-hand reports--a world where the gods, as much as humans, are subject to the binding claims of fate and necessity.
Gjertrud Schnackenberg draws upon ancient fragments and allusions to Oedipus and upon folk-tales about the origin of the Greek alphabet to present a vision of the tragedy's essential unknowableness, where the destinies of gods and humans secretly mingle in the unfolding of time, and where Zeus's laws, which suffuse the great tragedy's world, are as invisible and as inviolable as physical laws.
- Sales Rank: #2375546 in Books
- Published on: 2001-12-07
- Released on: 2001-12-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .27" w x 5.50" l, .34 pounds
- Binding: Paperback
- 112 pages
- ISBN13: 9780374527969
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Library Journal
Schnackenberg does not write the intimate little odes so dear to the hearts of many of today's current writing instructors. Grand and imposing, her poems storm through civilization, paying homage to art's greatest figures in language that is formal, articulate, and cool and glittering as a knife. Even when she touches on personal issues her neighbors, her father's death she works large. This year, she coupled a fine selected works with a new book-length poem that plunges back into Greek myth, ultimately investigating the tension between art and life. Decidedly different reading.
Copyright 2001 Reed Business Information, Inc.
Review
“Rich, even ornate at times, Schnackenberg's poetry carries its weight as if it were no weight at all, partly by its thematic intensity and partly by the sheer beauty of its imagery.” ―Richard Eder, Los Angeles Times Book Review
“Schnackenberg stands out among younger American poets for her ambition, in the best sense of the word. Her verse is strong, dense, and musical. . . . Behind it are formidable masters, Robert Lowell most notably, but also Yeats and Auden. . . . [Hers] is a very rare achievement in contemporary poetry.” ―Adam Kirsch, The New York Times Book Review
“A profound meditation on the mysteries of feeling and language from a passionate, brilliant poet.” ―Phoebe Pettingell, The New Leader
About the Author
Gertrud Schnackenberg was born in Tacoma, Washington. She graduated from Mount Holyoke, and was awarded an honorary doctorate from that college in 1985. She has also received the Lavan Younger Poets Award (judged by Robert Fitzgerald) from the Academy of American Poets, and the Rome Prize in Literature from the American Academy and Institute of Arts and Letters.
Most helpful customer reviews
6 of 6 people found the following review helpful.
Stunning!
By A Customer
A sad, beautiful meditation on fate, the power of music and poetry to express (even to call into being) the otherwise inexpressible, and the limits on the power of words ("the stunned silence at the heart of the text") and of the gods ("What are the gods, who can't repair such things?"). Schnackenberg somehow makes us forget about Freud, and refocuses our attention on the initial horror of Oedipus' story -- a child conceived in defiance of the oracle, then maimed and left on a hillside to die. Images, sounds and lines of text recur and modulate throughout the book, imitating lyrically the web of fate that binds both Apollo and the children of Labdacus. A stunning achievement!
11 of 13 people found the following review helpful.
DESERVES "THE DIONYSUS ROSETTE" AND ALL THE LAURELS
By Donald A. Newlove
For me THE THRONE OF LABDACUS is the best volume of American poetry this year and deserves our greatest prizes. The editorial description [above] says quite well what the poem is about and I couldn't say it better in a thousand words. Reading this poem I was at first astounded by the orignality and freshness of the images on the first page. Then slowly I came to grips with what at first seemed distant meanings but aren't. Once I adjusted my compass all went well, and I found myself gripped with hunger for the great poetry before me on the page. This is a poem something like one of Yeats's late longer poems which can never be read the same way twice, even by its author, or come to a final meaning. Like a piano sonata, whoever plays it, even its composer, will never find exactly the same music each time it's played. There will always be a spirited new attack, some new depth in the reader's life, a new meaning, a new suprameaning. Like Crane's THE BRIDGE, this is transcendental poetry, never woolly, and actually easier to grasp than Crane or Wallace Stevens at their farther out. The poem that comes most quickly to my mind when reading THE THRONE OF LABDACUS is Shelley's "Ode to the West Wind" which is about a great spirit blowing about the earth, blowing about the poet, blowing about the reader, touchable but unfathomable and not to be cast into words, even Shelley's. Or Schnackenberg's. She is out to flood us with divine forces and does it thrillingly.
4 of 5 people found the following review helpful.
glistening new formalism
By I X Key
Her writing in this book is elegant, elegiac modern formalism. She's such a marvelous poet. Reading this book, every word & every syllable feel so perfect. She's a very careful, brilliant poet you can trust. This book of course is based on the Oedipus which she spent years studying, Labdacus being Oedipus's father; & she uses that firm foundation for her own incredibly beautiful, brilliant, modern/classical writing. This is a book I return to more than almost any other. If you read it I hope it will feel so important to you, too.
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