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Les Miserables (Everyman's Library), by Victor Hugo
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It has been said that Victor Hugo has a street named after him in virtually every town in France. A major reason for the singular celebrity of this most popular and versatile of the great French writers is Les Misérables (1862). In this story of the trials of the peasant Jean Valjean—a man unjustly imprisoned, baffled by destiny, and hounded by his nemesis, the magnificently realized, ambiguously malevolent police detective Javert—Hugo achieves the sort of rare imaginative resonance that allows a work of art to transcend its genre.
Les Misérables is at once a tense thriller that contains one of the most compelling chase scenes in all literature, an epic portrayal of the nineteenth-century French citizenry, and a vital drama—highly particularized and poetic in its rendition but universal in its implications—of the redemption of one human being.
(Book Jacket Status: Jacketed)
- Sales Rank: #146275 in Books
- Published on: 1998-03-31
- Released on: 1998-03-31
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x 2.10" w x 5.40" l, 2.30 pounds
- Binding: Hardcover
- 1480 pages
From Library Journal
Geoffrey Rush, this edition offers a quality hardcover at a reasonable price.
Copyright 1998 Reed Business Information, Inc.
Review
"Hugo's genius was for the creation of simple and recognizable myth. The huge success of Les Misérables as a didactic work on behalf of the poor and oppressed is due to his poetic and myth-enlarged view of human nature." —V. S. Pritchett
"It was Tolstoy who vindicated [Hugo's] early ambition by judging Les Misérables one of the world's great novels, if not the greatest… [His] ability to present the extremes of experience 'as they are' is, in the end, Hugo's great gift." —From the Introduction by Peter Washington
Language Notes
Text: English (translation)
Original Language: French
Most helpful customer reviews
294 of 304 people found the following review helpful.
Norman Denny Translation is Readable
By R. Hill
I have both the original Wilbour translation and the Norman Denny translation of this book, and I'd say that the Denny translation is the more readable of the two. Graham Robb, in his award-winning biography of Hugo has called Denny's translation "swiss cheese" and "translation as censorship." However, it's well-written, and the "excised" sections are included as appendices to which any reader can turn. In places where Denny edits the prose, he captures the spirit of the novel.
But the best comparison is made by reading:
here's Wilbour from the beginning of Part Two, Book Four:
"Forty years ago, the solitary pedestrian who ventured into the unknown region of La Salpetriere and went up along the Boulevard as far as the Barrier d'italie, reached certain points where it might be said that Paris had disappeared. It was no longer a solitude, for there were people passing; it was not the country for there were houses and streets. It was not a city, the streets had ruts in them, like highways, and grass grew along their borders; it was not a village, the houses were too lofty. What was it then? It was an inhabited place where there was nobody. It was a desert place where there was somebody. It was a boulevard of the great city, a street of Paris, wilder at night than a forest and gloomier by day than a graveyard. It was the old quarter of the horse-market."
Denny's version of the same passage
" A stroller forty years ago penetrating beyond the Salpetriere by way of the Boulevard de l'Hopital as far as the Barrierr d'italie, would have come to a region where Paris seemed to disappear. It was not a wilderness, for there were inhabitants; not country, for there were streets and houses; not a town, for the streets were rutted like country roads, and grass grew in them; nor was it a village, for the houses were too high. What was it then? It was an inhabited place where there was no one, a deserted place where there was someone, a city boulevard, a paris street, wilder by night than the forest, more melancholy by day than a graveyard. It was the anciet quarter of the horse-market, the Marche-Aux-Chevaux."
106 of 112 people found the following review helpful.
Excellent classic translation, but other good ones also exist
By L. Givon
Although Wilbour's classic translation of Les Miserables is excellent, readers may also wish to consider the newer unabridged translation by Fahnestock and MacAfee; apart from being somewhat more natural to Anglophone ears, the latter also contains translations of some of the French verses that Wilbour did not translate (e.g., see Saint Denis XII:6).
398 of 437 people found the following review helpful.
Another wretched "translation"...
By rater25
When a publisher announces the first unabridged translation of a world classic in over a hundred years, one has to get excited. But then you see it is by the same Julie Rose who recently mangled Dumas' LE CHEVALIER DE MAISON-ROUGE. Ms. Rose makes so many obvious mistakes in LES MISERABLES that one really doubts her fluency in French. But more seriously (!), it is her approach to the craft of translation that is really the problem. Ms. Rose is of the hip and groovy school. Nineteenth century peasants should of course sound like Paris Hilton. This makes the book less "stuffy" and more palatable to the "general reader". For example Hugo's Tholomyès is "un viveur de trente ans, mal conservé"; that is, a bon vivant of thirty, in bad shape. Rose's is "a wasted high roller of thirty". The MTV phrase "wasted" would be bad enough, but then she has to throw in another anachronistic expression "high roller". This means a serious gambler, not the same thing at all.
Graham Robb, the biographer of Hugo, found numerous serious errors in this translation incl. that the Duke of Clarence was drowned in a butt of malmsey ("une tonne de malvoisie"), rather than Rose's ridiculous "a tun of marsala" and that the "sacre" of Charles X was his coronation not his "consecration". Marius was not "fierce" with pretty girls (Rose) but "shy" ("farouche"). And on and on. An amateur but arrogant production all the way, and a real disgrace.
The original Wilbour translation, which was quite respectable, was revised and corrected by Lee Fahnestock and Norman MacAffe for Signet some years ago. It is still available and is by every standard superior.
August, 2012 note: Penguin has announced a new translation for the fall to be published in an attractive hardcover:
Les Miserables (Penguin Classics).
November, 2012 note: Just received the Penguin hardcover. Although they announced a "new translation", it is merely a reprint of Norman Denny's "free" and abridged adaptation.
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