Monday, December 22, 2014

~~ Download PDF November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

Download PDF November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

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November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn



November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

Download PDF November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

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November 1916: A Novel: The Red Wheel II (FSG Classics), by Aleksandr Solzhenitsyn

In time for the centenary of the beginning of the Russian Revolution, a new edition of the Russian Nobelist's major work

The month of November 1916 in Russia was outwardly quiet―the proverbial calm before the storm―but beneath the placid surface, society seethed fiercely.
In Petrograd, as St. Petersburg was then known, luxury-store windows are still brightly lit; the Duma debates the monarchy, the course of war, and clashing paths to reform; the workers in the miserable munitions factories veer toward sedition.
At the front, all is stalemate, while in the countryside sullen anxiety among hard-pressed farmers is rapidly replacing patriotism.
In Zurich, Lenin, with the smallest of all revolutionary groups, plots his sinister logistical miracle.
With masterly and moving empathy, through the eyes of both historical and fictional protagonists, Solzhenitsyn unforgettably transports us to that time and place―the last of pre-Soviet Russia.
November 1916 is the second volume in Aleksandr Solzhenitsyn's multipart work, The Red Wheel. This volume concentrates on a historical turning point, or "knot," as the wheel rolls inexorably toward revolution.

  • Sales Rank: #413716 in Books
  • Published on: 2014-08-19
  • Released on: 2014-08-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.17" h x 1.85" w x 6.03" l, 3.24 pounds
  • Binding: Paperback
  • 1040 pages

Review

“A superb blend of fact and fiction written in a racy, original style.” ―John Keep, The Times Literary Supplement

“Solzhenitsyn's tremendous gifts as a novelist shine in his creation of characters and his depiction of war on the front line.” ―The New Yorker

“Solzhenitsyn achives something exceedingly rare among novelists dealing with history . . . He gets a sense of the past not as something to be understood in the light of the present, but as a teeming womb of incalculablility and possibility.” ―John Bayley, The New York Book Review

About the Author

Aleksandr Solzhenitsyn was a Russian novelist, historian, and winner of the 1970 Nobel Prize in Literature. He served as a decorated commander in the Red Army during World War II before he was arrested for anti-Soviet propaganda and sentenced to eight years in a labor camp, where he drew inspiration for his controversial novel One Day in the Life of Ivan Denisovich. Exiled in 1974, he returned to Russia after the dissolution of the Soviet Union and died in Moscow in 2008.

Most helpful customer reviews

35 of 37 people found the following review helpful.
Great story slowed down by superfluous research papers
By Anyechka
I was really excited to see this book had finally been translated into English, having just read the old (and terrible) Michael Glenny hack job translation of 'August 1914.' It was a bit slow to pick up, but this is my favourite writer, so I knew that once it got going, it would be as impossible to put down as all of his other books. Unfortunately that was not the case. I abandoned it in frustration midway through the first of the six miniature research papers, on the history of the Kadet movement, and didn't return to it and start all over again till three and a half years later. This time I didn't give up at any point, though it wasn't easy getting through most of the small-print material in the non-fiction chapters. I really believe that he did want to educate his fellow Russians on a period in their history which isn't well-taught or well-understood instead of showing off the mammoth research he did on this book, but surely there could have been a way to convey that same information without interrupting the narrative a total of six times to bring the reader this tedious material, a mixture of non-fiction narrative and long quotes from the historical figures being discussed. Maybe, like in some of his other books I've read, have page references in the back to what was being talked about there, have footnotes, or a general introduction or afterword on the history behind the story. I know this is his life's work, the second of the four books that were the obsession of his writing life (thankfully he's lived long enough to finish them), but the information would have been gotten across just as well had these six chapters been cut out or had the information presented in the course of the fictional story, the way a good historical fiction writer presents historical events and figures important to the story. It was also hard to keep track of who was who, with all of these names, like Markov, Uncle Khvostov, Nephew Khvostov, Maklakov, Rodzyanko, Protopopov, Milyukov, Krivoshein, St?rmer, and Shipov, as well as who had been dismissed by the Tsar, whom Rasputin and the Tsarina were trying to get rid of, who was a Centrist, Rightist, Kadet, Leftist, ultra-Leftist, ultra-Rightist, a Duma member, or one of the Tsar's ministers. I love Russian history, but this was way too much information to process. The only non-fiction chapters I felt belonged there were the final two, the Duma transcripts, which read more like part of a story than a detached research paper.
The scope of this book is far wider than 'August 1914,' and there are far more characters to keep track of. A number of characters from that book also appear here, in varying degrees of importance. The most important recurring character is Colonel Georgiy Vorontyntsev; here we also get to meet his wife Alina, his baby sister Vera, and their childhood nanny. Since the time during which this book takes place, late October to mid November of 1916, was primarily a time of stalemate, the majority of the action takes place on the homefront. The chapters that do involve the characters in the military don't include any battles. It's hard to not see why revolution occurred when it did--everything on the homefront is going to the dogs, what with fixed grain prices for the peasants, rising prices for the people in the cities, anti-German pogroms, men between the ages of 38 and 41 being called into the military, along with boys who were born in 1898, the youngest possible class who can serve, Russia bankrupt, the strange behaviour of the Tsar, the replacement of the popular but ineffective Supreme Commander of the army, Nikolasha, with his great-nephew the Tsar himself, and the world shutting off its banking with Russia. Everyone was humiliated and angry, from the Tsarists to the revolutionaries living in exile abroad. The Tsar was a genuinely nice fellow, but kept making all of the wrong moves and making revolution even more inevitable.
Some people don't like this book because it has so many different characters, but that's the point--it's showing how these events affected all of these different classes of people, at all levels of society, how each of them reacted to it. It's harder to summarise, and very exhausting to read (I read it in two weeks, surprising given the sheer length), but the ending is really beautiful, a classic final thought. It was worth it just to read the end.

12 of 19 people found the following review helpful.
overwhelming
By NURsesRUN
i am a fan of Mr. Solzhenitsyn both as a person and as a writer. and i have read a number of his works, including August 1914 (this book's prologue, as i'm sure you know). however, this volume of 1000 pages was just too much for me. i forced myself to keep reading up to the point where i had covered 300+ pages .... and then i gave up.

i wanted to love this book, but it was too pedantic for me and seemed to lack Mr. Solzhenitsyn's usual desire to make his characters come alive. was it just me or did the characters fade into insignificance? was Mr. Solzhenitsyn so taken with relating facts and foibles that his characters got lost in the shuffle? or was this book intentionally written as a history book and the characters were "necessary evils" ? i don't know.

i seem to recall in other books by Mr. Solzhenitsyn (e.g. Cancer Ward) a "slow start" with multiple characters (here read - this reviewer gets easily confused). however, typically after 100+ pages Mr. Solzhenitsyn begins to focus on one or two related souls and then blends his character development with history & implied comment. that is what i had hoped for and was expecting - work then reward, effort then involvement. i genuinely regret to say that i could never get past feeling as if i were a pinball being bounced from one uninteresting transcript to another.

bottom line - if one is (somewhat ?) knowledgeable of Russian history during this epoch, perhaps he/she will find this book worthy of 4 or 5 stars. otherwise, don't waste your time. by all means read Mr. Solzhenitsyn, but perhaps A Day In The Life Of .... would be a better place to get a taste of his prophetic and literary skills.

13 of 13 people found the following review helpful.
Second Part of an Epic Story
By Kevin M. Derby
This is the second volume of Solzhenitsyn's epic "The Red Wheel" and, unlike "August 1914", this book focuses more on Russian society than the war. A number of the same characters return from the first work and Solzhenitsyn takes them, and the reader, to the parlors of St. Petersburg, the homes of Moscow, the trenches, the schools, the factories, the farms, and the legislative assemblies. It is an astonishing work, capturing the mood in Russia before chaos consumed her and showing the last days of a failing society.

There are some flaws. Solzhenitsyn continues using the "camera eye" technique that he used in the first novel and, again, does not quite succeed with it. He is better in his use of newspaper headlines than he was in "August 1914." Where he truly fails though is in the numerous essays he includes giving the history of political parties, legislative leaders, even transcripts from the Duma debates. It is a bit too much and Solzhenitsyn is not particularly subtle in his contempt for progressives and society.

Where Solzhenitsyn excels is when his characters dominate the narrative. Above all, the powers of redemption and love flow through the book despite the chaos, despite the coming Soviet horror. There are scenes that remain with the reader: a priest and a young officer talking about faith in the trenches; a colonel who comes to St. Petersburg to make a major political impact only to have it undermined by his attraction to a woman, a woman going to confession crying over her dead child, a writer on a train and his assorted notes and musings. This is an epic book to be sure but Solzhenitsyn is truly incredible when he describes the intimate moments of daily life.

Be warned. While the book was translated in English a decade ago, the last two volumes have yet to be translated. Despite the book going on for 1,000 pages and a difficult read, you will want more. "The Red Wheel" is not for everyone but those who pursue it will find one of the greatest novels written in the last half of the twentieth century.

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