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Camera Lucida: Reflections on Photography, by Roland Barthes
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A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on the subject, along with Susan Sontag's On Photography.
- Sales Rank: #10888 in Books
- Brand: Barthes, Roland/ Howard, Richard (TRN)/ Dyer, Geoff (FRW)
- Published on: 2010-10-12
- Released on: 2010-10-12
- Original language: English
- Number of items: 1
- Dimensions: 8.29" h x .43" w x 5.53" l, .32 pounds
- Binding: Paperback
- 144 pages
Review
“[Barthes] has accomplished in this extraordinary book something finer than mere polemic. En route to his last painful discovery, Barthes takes the reader on an exquisitely rendered, lyrical journey into the heart of his own life and the medium he came to love, a medium that flirts constantly with the ‘intractable reality' of the human condition.” ―Newsweek
Language Notes
Text: English, French (translation)
About the Author
ROLAND BARTHES was born in 1915. A French literary theorist, philosopher, and critic, he influenced the development of schools of theory, including structuralism, semiotics, existentialism, social theory, Marxism, and post-structuralism. He died in 1980.
Most helpful customer reviews
11 of 12 people found the following review helpful.
Difficult but well worth it
By T
I got this book for an Art History class (History of Photography). I gave myself exactly one week to read this book. It wasn't enough time; this book is incredibly complex for Undergraduate reading. I had to reread the book several times, but thanks to my teacher, TA and fellow students, we managed to break it down and begin actually seeing what Barthes is saying. He wrote this book as an essay not necessarily to teach but more so to explain why he was attracted to photos more than others while looking for his perfect photo of his recently deceased mother. The first part of the book breaks down and explains the different parts of photography. The most important term to remember is punctum (and studium which goes with it) and enimos, or essence. The Second part breaks down his discovery of the Winter Garden photo (which is never seen in the book) and why he is attracted to it, or other words, he uses the terms from Part One to explain the photo.
As a student I highly dislike this book because of its difficult reading, but as an Art Historian, I find it incredibly useful, especially for any students planning on going into Contemporary art, which is highly dominated by the field of photography.
16 of 20 people found the following review helpful.
Great for a photographers collection, but not for all
By Stephen Pellerine
Quite an interesting documentary of photography by Barthes. I think books like this, and Sontag, are interesting to read as they help us gain perspectives from photography from various approaches. This is simply a nice book to read that happens to reflect on what gifts/memories that images catch and leave behind for society to come.
It is philosophical in the sense that is questions what images do, but again a nice story in that it moves from image to image discussing them. Images of places that make you want to live there, images of people and how these images capture the essence of time, culture, and the gift of being alive.
It's a great read, for me, as a photographer going to my shelf wanting something to read on photography other than about apertures and technical underpinnings. Of course they are related, and unarguably necessary, for good photography - but like Sontag you experience some of the hidden games of photography.
For the deep thinking photographers out there, and admittedly not for all.
4 of 4 people found the following review helpful.
A pivotal text in the discourse.
By Glen Watson
One of the most important books on experience, society, and culture, written in the 20th century. The reflection is on photography, but involves aspects from phenomenology, deconstruction, and critical theory. This book should be read by all, not just artist or art historians. There is a massive amount of information in these short passages that read more as a dialog than a formal text. It is often so accessible that it is taking in passing without a thorough engagement.
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