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One of the best-known and best-loved poets of the English-speaking world, Philip Larkin had only a small number of poems published during his lifetime. Collected Poems brings together not only all his books--The North Ship, The Less Deceived, The Whitsun Weddings, and High Windows--but also his uncollected poems from 1940 to 1984.
This new edition reflects Larkin's own ordering for his poems and is the first collection to present the body of his work with the organization he preferred. Preserving everything he published in his lifetime, the new Collected Poems is an indispensable contribution to the legacy of an icon of twentieth-century poetry.
- Sales Rank: #292363 in Books
- Brand: Larkin, Philip/ Thwaite, Anthony
- Published on: 2004-04-01
- Released on: 2004-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.28" h x .65" w x 5.53" l, .65 pounds
- Binding: Paperback
- 240 pages
From Library Journal
Thwaite has gathered all the poems Larkin wrote between 1946 and 1985, the year of his death; he also includes a generous selection of work written earlier, before Larkin found his characteristic voice. In all, there are some 240 poems, 83 of them never published before. The unpublished work comes from every period of Larkin's career and increases by half the number of poems in his canon. The poet we now have is considerably more prolific than the one who issued only three small, mature collections in his lifetime. With or without the new poems, Larkin is a major postwar British writer, and this is the best available collection of his poetry. An essential addition to both academic and general libraries.
- Michael Hennessy, Southwest Texas State Univ., San Marcos
Copyright 1989 Reed Business Information, Inc.
Review
“More often than any other English poet since the war, Larkin gave us lines that it is unlikely we'll be able to forget.” ―Ian Hamilton, The Times (London)
“Larkin is resolute, forthright, witty, and gloomy. This is the man who famously said that deprivation was for him what daffodils were for Wordsworth. Yet surely the results of this life, in the shape of his poems, are gifts, not deprivations.” ―Donald Hall, The New Criterion
About the Author
Philip Larkin (1922-1985) grew up in Coventry, England. In 1955 he became librarian of the Brynmor Jones Library at the University of Hull, a post he held until his death. He was the recipient of innumerable honors, including the Queen's Gold Medal for Poetry.
Most helpful customer reviews
71 of 72 people found the following review helpful.
Major difference between two editions
By Jeremy Powell
As often happens, Amazon's practice of cross-posting reviews and information specific to _one_ edition of a book on all the webpages for _all_ of that book's editions causes confusion. There are in fact significant differences between the 2004 paperback edition of this superb poet's collected work and the earlier edition of 1989/1993 (hardcover/paperback). Each edition has its merits.
The earlier edition was more comprehensive, including many poems unpublished during Larkin's life. Some of those unpublished poems were inferior to Larkin's previously published work; perhaps half of them were not. (Many of the unpublished poems' states of completion are difficult to determine, a fact acknowledged by the editor.) The poems in the earlier edition are sequenced chronologically in two sections, a primary section of poems written after Larkin began publishing, followed by a smaller section of early poems.
The newer edition eliminates many of the less satisfying of the poems unpublished by Larkin. Strikingly, the newer edition also has been rearranged to reflect the orderings Larkin chose for his few collections. (Notes in the back of the older edition listed by title the order of poems in each prior collection.) These changes make the newer volume better for the casual reader of Larkin, but less useful for the student.
53 of 54 people found the following review helpful.
Larkin will make you love poetry
By Manuel Haas
Philip Larkin once remarked that he felt the poet should take the reader by the hand and lead them right into the poem. Maybe that is just another way of saying that his poems are accessible and will touch you even when reading them for the first time.
Yes, Larkin does embody the somewhat grumpy spirit of post-war Britain, but like all good poetry they are about the something that seems to be missing in our lives. There are some feelings no writer has ever put more precisely. Formally rather conservative (rhyme, no daring metaphors), the vocabulary is utterly down to earth. "Talking in bed should be easiest," Larkin begins, only to find out that with the lengthening of the silence "It becomes stil more difficult to find / Words at once true and kind, / Or not untrue and not unkind."
The feelings expressed may not always be nice, nor is this much of a self-help book, so it is utterly opposed to the spirit of our times, but this "old-type natural fouled up-guy" will make you love poetry if you are not yet sure about whether your do ("to prove our almost-instinct almost true: / What will survive of us is love.") Get this European poet looking at himself as if he were a complete stranger as a contrast to you confessional poets!
7 of 7 people found the following review helpful.
One of the greatest poets of the (past) century
By Amazon Customer
Philip Larkin no longer needs any introduction: he is widely recognised as one of the greatest English poets of the twentieth century.
His poetry may however not be to everyone's taste: there is no place for lace and flowers in Larkin. His work is more often than not dark and reflects the feelings of a man who probably felt everything was wasting away about him: not only his own life, but the world as a whole. Through his poems we discover a man who seems to have skipped childhood and adolescence and who finds himself at fifty having had life pass him by. Larkin's poetry expresses his sourness, his fears, his repressed anger, his spite, his general disgust with society and the modern world. And it does this in the most expressive of ways, never shying away from the words that seem necessary, however crude they might be. There is much beauty in his despair.
If you are sensitive to poetry, then you cannot avoid reading Larkin. Be warned however that you should not read Larkin to brighten up your life: the "happy poems" are few and far between. But read him nonetheless and decide afterwards whether his work is to your liking. He may just hit the spot on one of those lonely evenings when you feel yourself that everything just isn't as it should be. And after that, you will never be able to separate yourself from a copy of Philip Larkin's Collected Poems...
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