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At the Bottom of the River, by Jamaica Kincaid
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Jamaica Kincaid's At the Bottom of the River ... inspired, lyrical short stories
Reading Jamaica Kincaid is to plunge, gently, into another way of seeing both the physical world and its elusive inhabitants. Her voice is, by turns, naively whimsical and biblical in its assurance, and it speaks of what is partially remembered partly divined. The memories often concern a childhood in the Caribbean--family, manners, and landscape--as distilled and transformed by Kincaid's special style and vision.
Kincaid leads her readers to consider, as if for the first time, the powerful ties between mother and child; the beauty and destructiveness of nature; the gulf between the masculine and the feminine; the significance of familiar things--a house, a cup, a pen. Transfiguring our human form and our surroundings--shedding skin, darkening an afternoon, painting a perfect place--these stories tell us something we didn't know, in a way we hadn't expected.
- Sales Rank: #206879 in Books
- Published on: 2000-10-15
- Released on: 2000-10-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .23" w x 5.50" l, .22 pounds
- Binding: Paperback
- 96 pages
From Publishers Weekly
Kincaid's first collection focuses on a nameless, blossoming Caribbean girl. According to PW , "The voice--incantatory, lyric, rhapsodic--is closer to the condition of poetry and music than to fiction in any of its ordinary registers."
Copyright 1991 Reed Business Information, Inc.
Review
“This book will burn on your shelf. It is too choked with love to incite envy, too humble for admiration, and still too stratling to escape astonishment.” ―Derek Walcott
About the Author
Jamaica Kincaid was born in St. John's, Antigua. Her books include At the Bottom of the River, Annie John, Lucy, The Autobiography of My Mother, and My Brother. She lives with her family in Vermont.
Most helpful customer reviews
13 of 13 people found the following review helpful.
Love, sadness, and growing up in the Caribbean
By Debbie Lee Wesselmann
Jamaica Kincaid's AT THE BOTTOM OF THE RIVER is a study of voice and language that first brought the author recognition beyond the pages of literary journals. These ten stories, all but the last extremely short, are set in an intense Caribbean landscape where a girl comes of age in the shadow of her mother; they are hallucinatory, tense, and indirect, leaving much for the reader to interpret. For example, the first story, "Girl", is a monologue spoken by the mother giving advice ("this is how you set a table for dinner") interspersed with comments degrading the daughter. The two italicized, one-sentence responses from the daughter speak volumes about this complicated relationship. "What I Have Been Doing Lately" is a dream-like narrative that lists what the narrator is (probably not) doing and, in the process, illustrates the emotional state of someone so sad that she just wants to lie in bed. "At the Bottom of the River", the final, longest, and most traditional of the stories, implies the past and future of the narrator through visions seen "at the bottom of the river."
Kincaid's style combines the effect of the simple but perfect word with the lilt of Caribbean rhythms. On the surface, these stories are not difficult to read, but they can be challenging to understand for the reader accustomed to more traditional methods of storytelling. The collection is about as short as a book can get, and so the stories can be read in one sitting, back to back, although their absorption can take much longer.
5 of 6 people found the following review helpful.
Breathtaking Lyricism & Abstract Imagery
By SYED-RAFAY AHMED
'At the Bottom of the River' is a lyrical collection of some of Jamaica Kincaid's most provocative writing. Although occasionally confounding in her use of abstract images and construction of abstruse and ethereal narratives, Kincaid's stories nevertheless contain breathtaking lyricism and innovative lines of poetic prose; her words seem to reverberate from the very recesses of metamorphic meaning.
This collection begins innocently enough with one of Kincaid's most impacting writings, Girl. Girl is one of the most severe but accurate depictions of the volatile intensity between mother and daughter. Fueled by a combination of love, fear, and partial loathing, a mother doles out a mantra of life lessons with equal parts concern and venom: "When buying cotton to make yourself a nice blouse, be sure that it doesn't have gum on it, because that way it won't hold up well after a wash. ... Always eat your food in such a way that it won't turn someone else's stomach; on Sundays try to walk like a lady and not like the (...) you are so bent on becoming." The essays that follow are sinewy with sexual, violent, and spiritual themes.
Kincaid's strength lies in her rage. One senses it above all in her amazing control over words, which, while extremely satisfying on the level of literary technique, also comes across as a refusal to be vulnerable and a reply to anyone who would try to keep her down.
Like a journal, 'At the Bottom of the River' matures in content as it proceeds. Kincaid's prose-poetry initially appears whimsical (she describes some pebbles as "not pebbly enough") and that's the mystique of her writing, how it almost capriciously masks cerebral contemplations on living, dying, and the struggle in-between.
1 of 3 people found the following review helpful.
Lovely
By nerdygirl
Kincaid's stories have a distinct voice and accent, which perpetuate the subversion of standard rules prescribed by centres of authority. She appropriates that authority, by indulging in a style of writing which is unique (the two page sentences) and the inversion of punctuation and syntax canons. Her plotless stories describe a state of being which is fractured, which has no beginning or an end, which is struggling to come to terms with its marginalized existence in terms of race, color, gender and economic status. Being an immigrant in USA, the nameless character's struggle for self-definition, identity, and a truncated and oppressed past transfigure powerfully in this collection. The sense of dislocation encountered in her journey to America, the traveling from the Carribean to a new country, a new culture and discourse in which she must chart her own path towards self-discovery, enlightenment out her 'blackness', the assertion of her 'girl'hood, can only be relocated in vague forms 'at the bottom of the river'.
Effectively disruptive, beautiful, introspective and soulful. Read this book if you are colored or an immigrant. Read this book even if your aren't colored or an immigrant. You'll love it.
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