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Crimes in Southern Indiana: Stories, by Frank Bill
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A ferocious debut that puts Frank Bill's southern Indiana on the literary map next to Cormac McCarthy's eastern Tennessee and Daniel Woodrell's Missouri Ozarks
Crimes in Southern Indiana is the most blistering, vivid, flat-out fearless debut to plow into American literature in recent years. Frank Bill delivers what is both a wake-up call and a gut punch. Welcome to heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling.
Bill's people are pressed to the brink―and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for―which doesn't quite explain why he brutally murders her and her doctor and flees, or why, after years of running, he decides to turn himself in. In the title story, a man who has devolved from breeding hounds for hunting to training them for dog-fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. As Crimes in Sourthern Indiana unfolds, we witness the unspeakable, yet are compelled to find sympathy for the depraved.
Bill's southern Indiana is haunted with the deep, authentic sense of place that recalls the best of Southern fiction, but the interconnected stories bristle with the urban energy of a Chuck Palahniuk or a latter-day Nelson Algren and rush with the slam-bang plotting of pulp-noir crime writing à la Jim Thompson. Bill's prose is gritty yet literary, shocking, and impossible to put down. A dark evocation of the survivalist spirit of the working class, this is a brilliant debut by an important new voice.
- Sales Rank: #248670 in Books
- Brand: Bill, Frank
- Published on: 2011-08-30
- Released on: 2011-08-30
- Original language: English
- Number of items: 1
- Dimensions: 7.46" h x .81" w x 5.10" l, .48 pounds
- Binding: Paperback
- 272 pages
Review
“Bill's ever violent and never dull stories [are] a blend of Midwest Gothic and country pulp . . . [They're] over the top, but in a good way, in the way that Quentin Tarantino's first film, Reservoir Dogs, was over the top. Bill never cheats on the smells and sounds of carnage. He doesn't spare the kids and the dogs. But he mixes in a dash of dark humor ("The Accident" being the best example), an occasional nod to love and sentiment ("The Penance of Scoot McCutchen"), and he's adept at holding back, offering reward with a fine twist at story's end . . . [T]his book delivers.” ―The Seattle Times
“The hard- scrabble realism of these 17 stories will bring to mind the Ozark writer Daniel Woodrell and shades of Cormac McCarthy and Dorothy Allison--offering a view of American lives and mores that may as well be from a different planet . . . Rural idyll this is not--but it is as riveting as anything you may read in the near term.” ―The Daily Beast (Best Debuts of the Fall list)
“Flowing like awful mud and written in pulpy style, these stories paint a grisly portrait of the author's homeland. You might want to have your brass knuckles handy when reading.” ―Publishers Weekly
“This gritty, violent debut collection begins rather like pulp genre fiction then deepens into something much more significant and powerful. Set in a dilapidated, seedy, nightmare version of southern Indiana, complete with meth labs, dog-fighting rings, and all manner of substance abuse, the stories are connected by recurring characters. The collection opens with vignettes focused mainly on carnage. But as readers go deeper, the stories lengthen, with Bill turning his attention to psychology and character development and bringing the community to life in fascinating ways … Bill's characters live in a fractured world where there are no good jobs, not much respect for life, and not much hope. It's a bleak, hard-boiled vision of America.” ―Library Journal
“Good Lord, where in the hell did this guy come from? Blasts off like a frigging rocket ship and hits as hard as an ax handle to the side of the head after you've eaten a live rattlesnake for breakfast. One of the wildest damn rides you're ever going to take inside a book.” ―Donald Ray Pollock, author of Knockemstiff
“Frank Bill's characters all seem to be hurtling at ninety miles an hour down dead end streets, and his recounting of their passage is vivid and unforgettable. Like Barry Hannah on amphetamines, but the voice is undeniably Bill's own.” ―William Gay, author of Provinces of Night
“What can I say about this book? This: planning a summer trip north from Mississippi, these stories caused me to reroute to avoid Southern Indiana. Mr. Bill knows his people well, and writes like they live--on the edge of the edge. Just plain unforgettable fiction.” ―Tom Franklin, author of Crooked Letter, Crooked Letter
“When you're composing your hardbitten pantheon--Raymond Chandler, James M. Cain, Patricia Highsmith, Big Jim Thompson, Elmore Leonard--save room for Frank Bill, whose Crimes in Southern Indiana reminded me how thrilling and darkly vital crime fiction used to be and is again.” ―Kyle Minor, author of In the Devil's Territory
“These stories form the ideal nexus between literary art and pulp fiction: beautifully crafted, compulsively readable, and as addictive as crystal meth.” ―Pinckney Benedict, author of Dogs of God and The Wrecking Yard
“Take the bark of a .45, the growl of a rusted-out muffler, and the banshee howl of a methhead on a three-day bender, and you approximate the voice of Frank Bill, a startlingly talented writer whose stories rise from the same dark lyrical well as those of Daniel Woodrell and Dorothy Allison.” ―Benjamin Percy, author of The Wilding and Refresh, Refresh
“How can I not love a writer whose work reminds me in a huge way of some of my favorite writers: Lansdale, Woodrell, Willeford, Thompson, and Faulkner? Crimes in Southern Indiana is a brutal, hilarious, honest, unforgettable book, and Frank Bill is the freshest new voice to emerge on the crime fiction scene in recent years.” ―Jason Starr, author of The Pack
“Say you're driving down a country road, midnight, a beer in your lap, and you corner into a two-car head-on collision that's one of the most horrible things you've ever seen, so horrible that you've just gotta stop, and then, say, when you've gotten out and you're poking around the body parts trying to figure out what's what, you turn your head just right and catch the way the moonlight lays glittering over the twisted metal and bloodslick asphalt, and you're struck breathless by the eerie beauty of it all. That's what Frank Bill's writing is like. It's that stark, that brutal, and just that beautiful.” ―Benjamin Whitmer, author of Pike
“Frank Bill does to crime fiction what a rabid pit bull does to his favorite chew toy. You'll need a neck brace after whipping through these wild, wonderful, whacked-out stories.” ―Derek Nikitas, author of Pyres
“Crimes in Southern Indiana brings to light a major American writer of fiction, the prose equivalent of a performance by Warren Oates or a song by Merle Haggard or a photograph by Walker Evans. Tempting though it is to compare him to other writers, the fact is that five years hence every good new fiction writer to come into view will be compared to Frank Bill.” ―Scott Phillips, author of The Ice Harvest
“The first time I read a story by Frank Bill it was like watching a redneck opera in another language. No idea what was going on, but I was dying to find out. I wanted more, more, more until I finally learned how to speak 'Frank Bill.' He is a completely original voice in the literary arena, and will take on any challengers with his bare hands. I'm continually in awe of the stories he tells and the insane way he tells them.” ―Anthony Neil Smith, author of Yellow Medicine and Hogdoggin'
About the Author
Frank Bill lives and writes in southern Indiana. Crimes in Southern Indiana is his first book.
Most helpful customer reviews
6 of 7 people found the following review helpful.
Dishes Piled in the Sink, Ashtrays Overflowing....America's Dark Side
By Stacy Helton
It's always exciting to discover a terrific new writer, especially when it's an accident. Last year at The Strand I picked up a copy of Frank Bill's collection of short stories, CRIMES IN SOUTHERN INDIANA, because I dug the cover, the title font and the fact that it was a first-time author. Like most books on my too-read shelf it took a while to work its way to the top of the pile, but man, what a rush. This 2011 collection from FSG is a geographically based collection, similar to Oscar Casares' BROWNSVILLE and Tom Franklin's POACHERS. When one thinks of Indiana one may think of the film HOOSIERS, the city of Gary and the vast farms. However, what Bill points out in this staggering, violent collection is Southern Indiana's juxtaposition to rural Kentucky, a sometimes lawless land ran more by clans than politicians. Only the television show JUSTIFIED and the film WINTER'S BONE has seen characters like this. The opening of the seventeen stories, HILL CLAN CROSS takes place in a seedy motel room when a set of brothers realize their sons are skimming off the THC crop. Violence occurs. In ALL THE AWFUL a young girl is sold by her grandfather to sexual slavery while in the poignancy and surprising BEAUTIFUL EVEN IN DEATH a man's murder of his lover is seen by his son. Part of my job often takes me into the more rural, meth-soaked counties in Tennessee and Bill's descriptions of the people, the codes and the places are spot-on, and rarely pretty. Cardboard is placed over the broken windows, dishes are piled in the sink, ashtrays are overflowing. The smell of old food, mold and cigarettes never leave the furniture. Sex is on a bare mattress. While the stories are all independent, many of the same characters surface, answering questions raised in previous stories. Soldiers come back from Vietnam, and years later Afghanistan, finding it difficult to cope once they've returned. Mother's choose dope over their children, an in-law is murdered for his property. Bill shows the seedy dark side to rural America that drugs have delivered to some of the country's most beautiful vistas. Bill's first novel, DONNYBROOK comes out Spring 2013 and I hope it delivers on the incredible writing and characterizations he illustrates with disturbing realism in this marvelous collection of stories.
8 of 10 people found the following review helpful.
tough read but good
By Mike Dubya
Frank Bill's short story collection is a very tough read. Like eating a plate of broken teeth. But hard to put down. Its pretty damn depressing, but each character feels complete and realistic. Bill's descriptions of violence and setting drip with nicotine stains and really put you into each story. There are few redeeming characters in the book, and the one's that barely pass as human have deep flaws of their own. Dont go into this thinking it will be a pleasant read, because its gritty, violent, and very very bleak.
3 of 3 people found the following review helpful.
Disappointed
By Joshua Thomas
I was very excited to read this book after seeing it compared to Donald Ray Pollock, who I consider to be one of the best crime fiction writers period. However, this is just so poorly written that I could barely finish. The characters are so unbelievable and trite that they border on the satirical. The style and tone seem to shift from paragraph to paragraph, and the language felt forced. Overall, just poorly executed. I had to force myself to finish this one.
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