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Selected Poems 1966-1987, by Seamus Heaney
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"Between my fingers and my thumb
The squat pen rests.
I'll dig with it."
Selected Poems 1966–1987 assembles the groundbreaking work of the first half of Seamus Heaney's extraordinary career. This edition, arranged by the author himself, includes the seminal early poetry that struck readers with the force of revelation and heralded the arrival of an heir to Gerard Manley Hopkins, W. B. Yeats, and Robert Frost.
Helen Vendler called Heaney "a poet of the in-between," and the work collected here dwells in the borderlands dividing the ancient and the contemporary, the mythic and the quotidian. Gathering poetry from his first seven collections, Selected Poems 1966-1987 presents the young man from County Derry, Northern Ireland, who "emerged from a hidden, a buried life" in Death of a Naturalist (1966), with his cherished poems "Digging" and "Mid-term Break"; the poet of conscience "as bleak as he is bright" in "Whatever You Say Say Nothing" and "Singing School"; and the astonishingly gifted, mature craftsman behind Field Work (1979) and Station Island (1984)―an artist uncannily attuned to the "music of what happens," restlessly searching "for images and symbols adequate to our predicament."
This volume, together with its companion Selected Poems 1988–2013, allows us to revisit the essential work of one of the great writers of our age through his own compilation.
- Sales Rank: #323169 in Books
- Published on: 2014-11-18
- Released on: 2014-11-18
- Original language: English
- Number of items: 1
- Dimensions: 8.20" h x .73" w x 5.56" l, .70 pounds
- Binding: Paperback
- 256 pages
Amazon.com Review
Seamus Heaney was the winner of the 1996 Nobel Prize, and this collection reveals the range, sureness, and quality of his achievements. Includes the complete and revised version of his long poem, "Station Island," as well as a number of prose poems previously unpublished in the U.S.
From Library Journal
Heaney's tenth book offers an ample selection of some of the best work by one of our finest contemporary poets. The collection emphasizes his recent efforts, although it does not include any new poems. Readers will savor the author's rich Irish-English vocabulary, the sinuous power of his line, and his distinctive music. In the most satisfying poems Heaney's method is that of his emblematic sculptor, "hankering after stone/ That connived with the chisel, as if the grain/Remembered what the mallet tapped to know." His tender but unblinking observations of the people, land, and history of Ireland find there themes and symbols of universal application. Recommended for most libraries.
- Frank Lepkowski, Oakland Univ., Rochester, Mich.
Copyright 1990 Reed Business Information, Inc.
Review
“[Heaney] gives the double impression that nothing gets lost in the translation of the world into poetry, and that it is only through the poetry that the world to which it refers comes fully into existence . . . His is an earth that speaks directly and in recognition to the body. It is without even the vestige of alienation. At the root of every word there is a tentacular handshake between the speaker and the thing spoken of.” ―Seamus Deane, Times Literary Supplement
“Mr. Heaney's patch, of course, is Ireland--its present turmoil and mutilated native culture, within a topography of farmland, rock, and omnipresent bog that preserves, like memory, the 'perishable treasure' of its past. Associated, too, with his growth as a poet is the anomaly of Mr. Heaney's rural Roman Catholic origin in Protestant Northern Ireland . . . Certainly no contemporary poet has taken his role more seriously, or sought more assiduously to define the area of his responsibility. By electing to open Selected Poems 1966-1987 with 'Digging'--a sign-post indicating the direction his future would take--and to put 'The Mud Vision' at the end, Mr. Heaney himself provides a trustworthy guide to his underworld . . . Since the poems in this volume are arranged chronologically, the reader is encouraged to follow, book by book, the 'stations' of the poet's 'dig.' With an archaeologist's deftness, he excavates his roots--now personal, now lost in the turf of saga, myth, and history, yet sensitive always to the claims of equivalent language.” ―Anne Stevenson, The New York Times Book Review
Most helpful customer reviews
3 of 3 people found the following review helpful.
Excellent
By Anthony Johnson
Seamus Heaney is an Irish treasure in literature. His works display the "concrete reality" that he aimed for in his poetry. My favorite poem is "Digging". He is talented in fusing agric./pol./soc./religion themes together in one poem.
2 of 2 people found the following review helpful.
He won a Nobel Prize, after all....
By Sally
I have not read all of these poems as yet as each one calls me to read it over and over. Heaney's startling analogies and humorous twists charm me and shake me up. Listen to Heaney's music in "the pedal treads hanging relieved of the boot of the law" in describing a constable's bicycle.
5 of 8 people found the following review helpful.
good portrait of Heaney's development
By wjg@brooktrout.com
Heaney's "Selected Poems" shows a good picture of the poet's development up to "Station Island" and the sonnets of Glanmore and Clearances. Like Yeats, Heaney had to go through a few volumes before he "became good": except for "The Tolland Man," the poems selected from his first four collections are flat, even the much-anthologized "Digging," which perseveres in anthologies only because it illustrates Heaney's overall philosophy. With the bog poems from "North," Heaney comes into his own, and he has managed to remain at this consistent level of excellence since then.
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