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Primetime Blues: African Americans on Network Television, by Donald Bogle
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A landmark study by the leading critic of African American film and television
Primetime Blues is the first comprehensive history of African Americans on network television. Donald Bogle examines the stereotypes, which too often continue to march across the screen today, but also shows the ways in which television has been invigorated by extraordinary black performers, whose presence on the screen has been of great significance to the African American community.
Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and an edgy, ultra-hip program like Mod Squad. He examines the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated into the ethnic humor of Sanford and Son and Good Times and the poltically conservative eighties marked by the unexpected success of The Cosby Show and the emergence of deracialized characters on such dramatic series as L.A. Law. Finally, he turns a critical eye to the television landscape of the nineties, with shows such as The Fresh Prince of Bel Air, I'll Fly Away, ER, and The Steve Harvey Show.
- Sales Rank: #114752 in Books
- Published on: 2002-02-20
- Original language: English
- Number of items: 1
- Dimensions: 1.50" h x 5.52" w x 8.42" l,
- Binding: Paperback
- 448 pages
Review
"In this thoroughly researched, witty and often shocking social history, media scholar Bogle fashions an in-depth chronicle of the way television has mirrored and influenced the politics of race in the U. S. . . This major new work in television and media studies will be welcomed by both academics and general readers" --Starred review, Publishers Weekly
About the Author
Donald Bogle, one of the country's foremost authorities on African Americans in film, is the author of three prize-winning books. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films is considered a classic study of Black movie images. Brown Sugar: Eighty Years of America's Black Female Superstars was adapted into a four-part PBS series. Dorothy Dandridge: A Biography won wide critical acclaim. Bogle teaches at the University of Pennsylvania and New York University's Tisch School of the Arts. He lives in Manhattan.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Outstanding Television History Lesson for All Interested
By Reginald D. Garrard
Although I initially intended on simply reviewing Bogle's masterwork, I feel that along with a personal reflection on the book, it is necessary to contradict statements made by an earlier reviewer.
Yes, the book is "exhaustive" but never is it boring. Every profile of African-American actors on the tube is carefully detailed and extensively covered, with little asides that make for intriguing reading. To this reader, it is clear that Bogle feels that there have been significant improvements in the representation of Blacks on television, but there are still some significant inroads, in front of and behind the camera, that need to be made. By covering as thoroughly as he has the entirety of those African-American pioneers and trendsetters, the author satisfies those that have longed to see such a mammoth undertaking published.
I, for one, savor the profiles of such underrated performers as Rosalind Cash, Joe Morton, Shirley Hemphill, Juano Hernandez, James Edwards, and a slew of others that labored with many less-than-distinguished parts and managed to create something memorable. It is further refreshing to see the author give the backgrounds of the more familiar African-American superstars like Bill Cosby, Cicely Tyson, and Diahann Carroll.
While I do not particularly care for the programs that have a "monochromatic cast" (Friends, Martin, and the various UPN "black-block" shows), I understand and appreciate Bogle's belief that television shows have a responsibility to inform and present a realistic portrayal of society, be that program a sitcom or a drama.
It is true that television is primarily entertainment; however, in that entertainment, thought-provoking writing and occasional commentary on society is warranted. That is one of Bogle's premises that he eloquently expresses.
This is a top-notch historical/editorial reference that makes for great reading and a worthwhile addition to the library of any fan of the "boob tube."
0 of 0 people found the following review helpful.
Primetime Blues
By Ms. 90
A highly comprehensive and detailed history of Blacks on television. Bogle is quite critical in his analysis of Black television - from the roles actors and actresses played to the actual sitcoms, dramas, and movies that were aired. As usual with Bogle's works, he always provides this reader with a name that I've never heard before, which compels me to do further research. While I may not always agree with his conclusions, he does present a worthy different point of view.
0 of 0 people found the following review helpful.
good book and in good shape
By Ferne D. Spence
i re-found this book at a good price for the book itself as well as for shipping. it was in very good condition.
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