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An Introduction to English Poetry, by James Fenton
PDF Ebook An Introduction to English Poetry, by James Fenton
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A wise, absorbing, and surprising introduction to poetry written in English, from one of England's leading poets
James Fenton is that rare scholar "not ashamed to admit that he mostly reads for pleasure" (Charles Simic, The New York Review of Books). In this eminently readable guide to his abiding passion, he has distilled the essense of a library's--and a lifetime's--worth of delight.
The pleasures of his own verse can be found in abundance here: economy, a natural ease, and most of all, surprise. What is English poetry? Fenton argues that it includes any recited words in English that marshall rhythm for their meaning--among them prisoners's work songs, Broadway show tunes, and the cries of street vendors captured in verse. From these beginnings, Fenton describes the rudiments of--and, most important, the inspiration for--the musical verse we find in books, and concludes with an illuminating discussion of operas and songs. Fenton illustrates his comments with verse from all over the English-speaking world.
Catholic in his taste, shrewd in his distinctions, and charmingly frank, Fenton is an ideal guide to everything to do with poetry, from the temperament of poets to their accomplishment, in all its variety. In all his writing, prose or verse, Fenton has always had the virtue of saying, in a way that seems effortless, precisely what lies at the heart of the matter. In this vein, An Introduction to English Poetry is one of his highest accomplishments.
- Sales Rank: #1195557 in Books
- Published on: 2004-04-01
- Released on: 2004-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .35" w x 5.50" l, .47 pounds
- Binding: Paperback
- 152 pages
- ISBN13: 9780374528898
- Condition: New
- Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
From Booklist
Fenton is primarily concerned with the whys of English verse. Why is iambic pentameter the standard line in English? Why do modern poets recite as they do (flatly)? Why are some poetic forms more versatile in English than others? Why has poetic drama in English been moribund since the seventeenth century? If he doesn't have definitive or original answers to such questions, he always speaks authoritatively about them as a poet and broad-ranging student of poetry. He knows and practices what he talks about. He gets history into the discussion by discriminating between what can and can't now be read comprehensibly--that is, between later-than-fifteenth-century verse and earlier poetry, even Chaucer's, which is pronounced very differently--and in the chronological range, from Elizabethan lyrics to a contemporary experimental sonnet, of the poems he quotes to exemplify different forms, meters, and rhythmic variations within the verse line. John Hollander's Rhyme's Reason (3d ed., 2001) remains the best primer on poetic forms per se, but to understand form in English verse, Fenton's your man. Ray Olson
Copyright © American Library Association. All rights reserved
Review
“[Fenton's] essays educate, enlighten, surprise and thrill, unfailingly.” ―Robin Lippincott, The New York Times Book Review
About the Author
James Fenton was Professor of Poetry at Oxford from 1994 to 1999. His most recent works on gardening, A Garden from a Hundred Packets of Seed (FSG, 2002), of criticism, The Strength of Poetry, and of poetry, Out of Danger, are published by FSG.
Most helpful customer reviews
4 of 4 people found the following review helpful.
For those of you who hate text books this is a great resource. :P
By Jennifer Sanchez
Fenton writes in a way that is not too difficult to understand for those of you who are just beginning to study poetry. He's engaging and interesting while he skims over the basics and sinks into the more difficult aspects of English poetry. If you are the kind of person who would rather read a book than study a text book this is the perfect choice for you. This book was required for an English class that I was taking and I found that I was able to understand the more complicated poets a little easier than I have with any other texbook I've read.
7 of 10 people found the following review helpful.
interesting
By adead_poet@hotmail.com
Fenton's Intro to English Poetry is an interesting book to read, but not because it will teach you anything. It is too short. He covers just about everything, but each chapter (which covers a different topic) is only a couple of pages long. He just doesn't go into it enough. This book is not for teaching. This book is not for beginners. What this book is for is for those who know what they are doing or have an idea and are interested in what Fenton has to say. And it is interesting.
1 of 1 people found the following review helpful.
Not perfect, but full of insights
By K. M. Norwood
Fenton's introduction to the forms of English poetry is charmingly written in a conversational yet elegant style. The book's brief chapters are full of insights that only an experienced poet and careful reader can provide. I have reservations about his way of analyzing meter: for example, he believes some stresses can go missing in a pentameter line, where I typically hear the stresses as weak but still stronger than the adjacent syllables. Robert Pinsky's The Sounds of Poetry seems not only more correct on this point, but also easier for a beginning student of meter to understand. Still, Fenton's abundant insights and engaging tone more than make up for this weakness. A student who reads first Pinsky, then Fenton, will acquire a good sense of how English meter works and will also recognize why it is so difficult to come to a consensus about the best way to scan metrical lines.
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