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Vittorio the Vampire: New Tales of the Vampires, by Anne Rice
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With Pandora, Anne Rice began a magnificent new series of vampire novels. Now, in the second of her New Tales of the Vampires, she tells the mesmerizing story of Vittorio, a vampire in the Italian Age of Gold.
Educated in the Florence of Cosimo de' Medici, trained in knighthood at his father's mountaintop castle, Vittorio inhabits a world of courtly splendor and country pleasures--a world suddenly threatened when his entire family is confronted by an unholy power.
In the midst of this upheaval, Vittorio is seduced by the vampire Ursula, the most beautiful of his supernatural enemies. As he sets out in pursuit of vengeance, entering the nightmarish Court of the Ruby Grail, increasingly more enchanted (and confused) by his love for the mysterious Ursula, he finds himself facing demonic adversaries, war and political intrigue.
Against a backdrop of the wonders--both sacred and profane--and the beauty and ferocity of Renaissance Italy, Anne Rice creates a passionate and tragic legend of doomed young love and lost innocence.
Look for Anne Rice’s new book, Prince Lestat and the Realms of Atlantis, coming November 29, 2016.
- Sales Rank: #809041 in Books
- Color: Multicolor
- Brand: Knopf
- Published on: 1999-03-08
- Released on: 1999-03-08
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 8.30" h x 1.25" w x 4.85" l, .85 pounds
- Binding: Hardcover
- 304 pages
- First Trade Edition 1999
Amazon.com Review
Tired of the same old vampires? Check out Anne Rice's new race of undead bloodsuckers, independent of the Lestat series. Her alterna-vamp books began with Pandora, but the second of her New Tales of the Vampires, Vittorio, is truly a new beginning--a more controlled story and probably the best of her last half-dozen books.
Rice has called Vittorio her vampire version of Romeo and Juliet. The hunky Vittorio is sweet 16 and "incalculably rich" in 15th-century Italy, the epoch of the Medicis and Vittorio's favorite painter, madly passionate Filippo Lippi. Florence is to Vittorio what New Orleans is to Interview with the Vampire.
One night, Vittorio's family is butchered by vampires. The gorgeous Ursula spares Vittorio to make him her reluctant undying sweetheart. Ursula's ravishings of Vittorio recall the erotica Rice wrote under her own name and the pen names Anne Rampling and A.N. Roquelaure.
Vittorio flees to the creepy town of Santa Maddalana, which has made a pact to sacrifice its young to Lord Florian's vampire horde. Vittorio is bent on revenge as he invades the eerie Court of the Ruby Grail (i.e. blood), as angry with the child-sacrificing humans as he is with Florian's fang gangsters. Torn between lust, murderous rage, and vampire thirst, Vittorio is one interestingly troubled soul.
Rice urges readers to enter Vittorio's world by reading the sources she embroiders, Fra Filippo Lippi and Public Life in Renaissance Florence, and to get a feel for the scary communion Vittorio sees in the Court of the Ruby Grail by listening to All Souls' Vespers. --Tim Appelo
From Publishers Weekly
Blood and holy water both run thick through the streets of 15th-century Florence in Rice's 21st novel of the undead, the second in a series of New Tales that leave New Orleans's cemeteries behind. While there's not much plot to this lushly described story of how Vittorio di Riniari became a vampire, there's plenty of period detail about Italy's Golden Age. With the courtly arrogance of one who's to the manor born, Renaissance man Vittorio tells of his seduction into evil immortality. As the 16-year-old scion of a wealthy home, he rubs elbows with Cosimo de Medici and is attracted to the work of Fra Filippo Lippi, whose tormented paintings of angels mirror Vittorio's own heart. In the year 1450, he witnesses the massacre of his entire family by a band of demons. Fleeing from the primal scene, he follows the fiends in search of vengeance, and instead is overcome by the devastatingly beautiful "strega," the bare-shouldered Ursula. His desire for revenge?and his desire for Ursula?propel him in a dizzy descent to religion's darkest side, especially after Ursula's vampire attentions render him able to see and converse with angels. Though the narrative is presented as a tragic tale of doomed love, we know so little of the swooning, inarticulate Ursula that there's hardly any romance or suspense. And while Vittorio's particular road to hell is a new entry in Rice's repertoire of vampirification, much of the material is familiar: the rich, brash young man transformed against his will who agonizes over his new existence. Vittorio's painstaking narration of his biography takes so long to acquire momentum that when at one point he admits, "This chapter ought to be over," even diehard readers may be tempted to agree that it's time for a new vampire for a new age. Agent, Lynn Nesbit. (Mar.) FYI: Rice includes a bibliography of readings for greater appreciation of the time period.
Copyright 1999 Reed Business Information, Inc.
From Library Journal
In Rice's latest, Vittorio tells of his human life and the dramatic events that led him to join the ranks of the undead. He is 16, living the privileged life of the nobility in Renaissance Italy, when a host of vampires savagely attacks his family. His parents, brother, and sister are ruthlessly murdered, but Vittorio has caught the eye of the beautiful vampiress Ursula and is spared. Eventually, Vittorio has his revenge on the demons who have destroyed his loved ones, but he pays a terrible price?part of which is that he must become a vampire himself. In addition to Rice's trademark sensuality, a strong current of Christian philosophy drives the plot. This is the second book after Pandora (LJ 3/1/98) in Rice's "New Tales of the Vampires" series, and it is told in the rhythmic, evocative prose of her best works.
-?Patricia Altner, Information Seekers, Bowie, MD
Copyright 1999 Reed Business Information, Inc.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A gentle version of a continental vampire
By jbucella@aol.com
Anne Rice, has truly woven a tale of vampires distinctively different from Lestat and Armand. Anne Rice captivated an audience with her talent as a storyteller in Interview of a Vampire. With Vittorio she mesmerizes her audience with her talent as a storyweaver. With meticulous detail to the art and artists of Florence, she paints characters and settings that become intriguing and enigmatic. Unlike the other vampires, we have come to know through her works, Vittorio evokes empathy from us rather than sympathy. He must choose between his passion and his soul. As any youth crossing the threshold of maturity, he is seduced by his passions. Because he stands at the threshold of maturity, when he succumbs to his passions, he enters into the abyss of darkness rather than the realm of light. He is given the choice between the Ivory Tower and the Sacred Fount. He chooses the latter and thus begins his eternal conflict. Vittorio may not have the action that readers have come to know and anticipate, but Vittorio shows Ann Rice's mature control of style. She uses diction as vehicles of artistic expression and creates a portrait of a vampire whose passion for art becomes his demise.
4 of 4 people found the following review helpful.
Not what I've come to expect from Anne Rice...
By A Customer
I am a fan of Anne Rice's books, there is no doubt about it. After all I have loyally purchased every single one of them and enjoyed most of them very much. Lately, though, I have begun to suspect that the author is running out of ideas and beginning to repeat certain parts of her stories, simply placed into another time period. After all, how much can you write about vampires? A certain amount of repetition is to be expected, I admit that, but the story does not even flow properly. The "love story" between Vittorio and Ursula is nowhere near the "Romeo & Juliet" storyline I expected after reading the "official" reviews. It could have become such a good book... Maybe Ms. Rice should not try to invent a new generation of vampires as she obviously is trying to do. The success of her earlier stories and the believability of her characters may become tarnished if she keeps on writing like this. I am certain there are other supernatural phenomena she could write about...
Well, as a loyal fan I will continue to buy her new books - but hopefully the next ones will be better!
0 of 0 people found the following review helpful.
Outstanding
By PolarBaker
Usual Anne Rice - outstanding!! Just want more and more and more...
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