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Hemlock Grove: A Novel (Fsg Originals), by Brian McGreevy
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An exhilarating reinvention of the gothic novel, inspired by the iconic characters of our greatest myths and nightmares. Now a hit television series on Netflix.
The body of a young girl is found mangled and murdered in the woods of Hemlock Grove, Pennsylvania, in the shadow of the abandoned Godfrey Steel mill. A manhunt ensues―though the authorities aren't sure if it's a man they should be looking for.
Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family―their personal fortune and the local economy having moved on from Pittsburgh steel―where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he's a werewolf. Or perhaps it's Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia.
At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right―and Brian McGreevy the talent and ambition to enthrall us for years to come.
- Sales Rank: #106058 in Books
- Published on: 2013-04-16
- Released on: 2013-04-16
- Original language: English
- Number of items: 1
- Dimensions: 7.45" h x .90" w x 5.05" l, .52 pounds
- Binding: Paperback
- 336 pages
Review
“It takes a rare stroke of genius to reconfigure the gothic novel within the postindustrial barrens of steel country, and another entirely to upstage this conceit with a mythic and ambitious story of adolescence and alienation. Like a collaboration between Edgar Allan Poe and J. D. Salinger, this is a real emerging talent.” ―Philipp Meyer, author of American Rust
“A wonderfully creative and twisted reinvention of classic monster archetypes, wrapped up in a mysterious thriller. I loved it. Brian McGreevy is a welcome new voice in horror literature, but be warned: it's not for the faint of heart, or stomach.” ―Eli Roth, director of Hostel
“This is . . . horror with a respect for its literary antecedents.” ―Yvonne Zipp, The Washington Post
About the Author
Brian McGreevy grew up near Pittsburgh, Pennsylvania, and received his MFA from the Michener Center for Writers at the University of Texas. Now a screenwriter who has had two screenplays featured on the best of the year Black List, he is working on an adaptation of Dracula for Leonardo DiCaprio's production company. He lives in Los Angeles.
Excerpt. © Reprinted by permission. All rights reserved.
Something Happened
The lone wolf howls to rejoin the pack from which he is separated. But why does the pack howl when no wolf is lost?
Isn’t it obvious?
Because there is no other way to say it.
* * *
The night after the Harvest Moon, the body was discovered. It was nearing October and the sun was still hot, but the leaves were falling now with intention and every night was colder. Peter was walking home from the bus stop when he saw the flashing light of a fire truck up at Kilderry Park. He wondered if there had been an accident. Peter, who was seventeen at the time of which I’m writing, liked accidents: modern times were just so fucking structured. He saw in addition to the fire truck a few cop cars and an ambulance, but no signs of wreckage. He turned his head in passing, but there was nothing more to see beyond the norm. Two of the cops combing the area by the swings he knew; they’d hassled him a couple of times in that kind of obligatory cop way that, in Peter’s experience, every uniform was an SS uniform. Probably some junkie had OD’d or something. There was that bum who hung out around here, an old black guy with yellow and black teeth and one dead eye that looked like a dirty marble who might not have been old, really. Peter had given him a light once, but no change. Better that paid for his own drugs. His interest flagged. Old black junkie kicks it it’s no more news than chance of rain tomorrow. Then he heard it, one sentence. No sign of a weapon, Sheriff. Peter looked again but there was no more to see than a milling cluster of uniforms by the tree line and he put his hands in his pockets and went on.
He had a bad feeling.
Nicolae had always told him that he had been born with an unusually receptive Swadisthana chakra and that underneath the surfaces of things, the illusion of the illusion, there is a secret, sacred frequency of the universe and that the Swadisthana was the channel through which it would sing to you. And the Swadisthana being located of course just behind the balls, he should always always trust his balls. Peter did not know what it was, but something about the scene in Kilderry Park had his balls in a state of agitation.
When he got home he told his mother, “Something happened.”
“Hmm?” she said. She was smoking a joint and watching a quiz show. The trailer was warm and smelled sweet, pot and baked apple. “Hummingbird!” she yelled suddenly, in response to the question What is the only bird that can fly backwards.
He told her what he saw. He told her he had a bad feeling.
“Why?” she said.
“I don’t know, I just do,” he said.
She was thoughtful. “Well, there’s cobbler,” she said.
He went to the kitchen. She asked if he’d been in town.
“Yeah,” he said.
She emptied his backpack of items so small and modest it could hardly be considered stealing while Peter scraped the tar of sugar at the edge of the cobbler and tried to shake this feeling. The feeling that whatever had happened in Kilderry Park was no good. And not in some greater existential sense but no good with his number on it. There was a coffee mug on the counter with the comic strip character Cathy on it and a small chip the shape of a shark’s tooth that held loose change. He dipped his hand in the mug and went to the door and scattered a handful of coins on the stone path out front.
“Why did you do that?” said Lynda.
Peter shrugged. He had done it because he wanted to hear something dissonant and beautiful.
“You are one strange customer, you know that?” said Lynda.
“Yeah,” said Peter.
Copyright © 2012 by Brian McGreevy
Most helpful customer reviews
92 of 100 people found the following review helpful.
Post-modern genius or teen-romance hack?
By Nicholas Moses
This book isn't part of one of my usual genres, and I generally wouldn't touch books with it's cover art/Amazon description with a 15 foot pole. It sounds and looks like the setup for some tragic, overly affected take on Twilight.
But it's not. The plot is shockingly not full of holes (though there are some questions left unanswered, they aren't *unanswerable*), the actions of the characters are actually justifiable, and there isn't any awful fixation on the romance elements - which are sparse, as they should be. It's a story that includes vampires and werewolves, and those two concepts are the most sexual metaphors imaginable, and McGreevy seems to recognize that (and even manages to make a bit of self-referential fun of it). The story is good, and good enough to recommend the book based on. I watched the Netflix series, and it was also good - it followed the story (and in some cases the dialogue) closely, and the acting was good, so if you enjoy this book I'd definitely recommend it.
The story is good and manages to hover above cliché, sometimes even lambasting it. This isn't a happy tale, nor does it come to a contenting conclusion. One thing that the story does manage to handle very well is the juxtaposition of technology and magic - a technical challenge that seems inevitable for the genre (though as I said I'm no genre expert). There's "magic" in the story, no doubt about that, but it's exists in a naturalist sense rather than a romantic one. While the characters take the "magic" elements they can see at face value, there's a lot of discussion of other supernatural elements that are clearly taken as metaphor (for those who have read the book, the story Peter tells Letha is a good example). It pays homage to Frankenstein in a fairly neat albeit direct (Shelly? Like Marie Shelley? What a coincidence!) way, and the two doctors (one a morally obsessed but inadequate psychiatrist, one a power-mad researcher) play into that homage well.
The writing is interesting. A number of comments seem to think that the author should have hired a better editor. I'd respectfully suggest that they're not familiar with stream of consciousness writing. McGreevy's obviously borrowing a number of elements of his technique from the modernist writers. If you're completely uncomfortable with phrases like
"That is, most of a girl named Brooke Bluebell."
"Missing her exactly like he used to."
"Lost in her own thoughts."
Each one of those fragments and countless others appears in the text, capitalized and punctuated like a real sentence. I don't see them as editing mistakes, though, since they're clearly intentional. If that's the sort of thing that bothers you, though, you're probably not the kind of person who does a lot of reading anyway.
There are also several instances where dialogue continues (with no scene description) for a few (short) pages at a time. These are not the norm: most of the book is very concise, and there isn't a lot of extra dialogue. There really isn't a lot of extra anything: everything that happens in the almost 13 hour television series and more happens in this book's short 318 pages. There's something to be said for conciseness, and it works fairly well here. The author keeps you in the dark about at least a few things throughout the book and occasionally things are somewhat unclear due to the sparseness of the text.
There are certainly some flaws in the book, plot-wise. *SPOILER ALERT**SPOILER ALERT**SPOILER ALERT* A handful of characters that readers should care about have almost no development at all. Christina's friends, the totally forgettable twins, are an example, as are all of the show's major victims. Aside from that, Pryce is a particularly uninteresting character when he had so much potential to be the opposite (and muscular hypertrophy? really?). On that note, everything about the White Tower seems weak and unrelated to the plot. Ouroboros has nothing to do with the werewolf killings, or anything the main characters care about. As Olivia puts it, the only important function the biomedical lab does is provides her family money - she's right not just for her own concerns, but for the concern of readers. *SPOILER ALERT**SPOILER ALERT**SPOILER ALERT*
Overall it's an excellent read in a genre I would normally never touch. It seems to be the author's only release, as well, which is promising. His website is essentially a placeholder right now, but I'll be checking back for certain.
33 of 34 people found the following review helpful.
Great Book AND Show!
By Nat Rose
I actually got this book AFTER watching the show on Netflix (which is great, by the way. I think it actually enhances the book.) and wanting more information. The show is great with cinematography and characters, but of course details are left out, so this book was great. Reading it after I saw all the episodes was surprisingly enjoyable. You go in with a general understanding and then get many of your questions answered.
The book moves at a good pace, not dragging out any needless descriptions and Brian McGreevy has a surprisingly broad vocabulary (which I personally loved), so have your dictionaries near by!
There were some differences between the book and the show, as there usually are. I would recommend both.
Also, the word "Upir" is used in the book and never defined, although it is a very important word for the story.
Definition: "Upir" 1. "A type of dragon that feeds off humans but must die by its own hands to awaken its true powers.
(i.e. The upir are the most feared of the supernatural because of their blood thirsty fangs and their ability to hypnotize.)"
2. "Russian vampire that function during daylight hours. Eats children then their parents. Said to be the most vicious vampire."
(Definitions found on UrbanDictionary.com)
There is a third definition, but it's quite inappropriate and irrelevant.
I would definitely recommend this book! I enjoyed it quite a bit!
74 of 82 people found the following review helpful.
Just like the TV series.
By Kindle Customer
After watching the Netflix TV series I was curious to read this book to see if it would clarify a few points that didn't quite make sense. I don't want to write any spoilers or give specific details, but those unclear points were explained by reading this book quite nicely. Definitely recommended to all fans of good horror and original stories.
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