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One of Carlos Fuentes's greatest works, The Old Gringo tells the story of Ambrose Bierce, the American writer, soldier, and journalist, and of his last mysterious days in Mexico living among Pancho Villa's soldiers, particularly his encounter with General Tomas Arroyo. In the end, the incompatibility of the two countries (or, paradoxically, their intimacy) claims both men, in a novel that is, most of all, about the tragic history of two cultures in conflict.
- Sales Rank: #358151 in Books
- Brand: Fuentes, Carlos/ Peden, Margaret Sayers (TRN)
- Published on: 2007-02-20
- Released on: 2007-02-20
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .52" w x 5.55" l, .45 pounds
- Binding: Paperback
- 208 pages
From Publishers Weekly
The premise of this fine, short novel is that Ambrose Biercethe American journalist and writer (The Devil's Dictionary who disappeared in Mexico in 1914, did indeed join revolutionary Pancho Villa's forces, as is generally believed. PW noted that creating the story of Bierce's end enables Fuentes to examine "the borders between men and women, dreams and reality, Mexico and the U.S."
Copyright 1986 Reed Business Information, Inc.
From Library Journal
Clues scattered through this brief but intense novel gradually reveal the identity of the title character, an aging American writer who disappeared in revolutionary Mexico in 1913. Fuentes has made clever fictional use of an actual literary mystery, but his more remarkable achievement here is the portrait of the writer as a father figure to an American governess and to a general in Pancho Villa's army, each of whom has been betrayed by a real father. The tempestuous intimacy between governess and general and the complex relationship each has with the old gringo reflect the links and contradictions between Mexican and American cultures. This is a novel to be savored; it deserves more than a single reading. L.M. Lewis, Social Science Dept., Eastern Kentucky Univ., Richmond
Copyright 1985 Reed Business Information, Inc.
Review
“A dazzling novel that possesses the weight and resonance of myth [and] the fierce magic of a remembered dream.” ―Michiko Kakutani, The New York Times
“A perfect little gemstone, faceted by a master craftsman.” ―Charles Larsen, Chicago Tribune Book World
“The fate of Bierce has intrigued Americans since 1914, when he vanished . . . Fuentes has spun an opalescent around the mystery.” ―Evan S. Connell, Los Angeles Times
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By W. Beavers
Excellent
16 of 17 people found the following review helpful.
Healing the frontiers of the heart and mind
By T. M. Teale
Judging by previous comments on The Old Gringo, many readers are perusing the novel for the content relating to the fate of American writer Ambrose Bierce. To read Fuentes' novel for that purpose is to miss the fine points of the novelist's craft. Or, perhaps, The Old Gringo has simply gotten better since it was first published in 1985. It seems to me that the main premise of The Old Gringo is that Mexico and the United States should get to know each other, become less of a mystery to each other. This premise has become more true over the past two decades--particularly as the immigration debate heats up. Near the end of the novel, the revolutionary fighter Inocencio Mansalvo, looks from "What a shame. They're right when they say this isn't a border. It's a scar." To understand that view, the reader has to have read the previous 185 pages.
As a reader, I feel I ought to offer a compelling reason for others to seriously pick up this book--something more substantial than simply to read how Fuentes fictionalizes Bierce, a real person with a well-documented life. What I find so wonderful here is that Fuentes manages to teach me about Mexico and the United States without preaching, without stopping the flow of the story. First of all, the key to how Fuentes constructed the plot is that he knew enough about American life--he spent much of his youth in Washington, D.C.--that he could see very clear reasons how an American journalist like Ambrose Bierce would purposefully go to Mexico in the 1910s. The conjunction of actual, historical events gave Fuentes the main structure: the Mexican revolution coming as Bierce was aging, feeling bitter about his broken family, regretting that he had written lies for a William Randolph Hearst newspaper. It's believable that Bierce desired to escape his own life but didn't want to commit suicide.
The author's masterstroke was to invent the main character, Harriet Winslow. Fuentes was confident enough as a writer that Miss Winslow is entirely believable. Harriet's interior monologue, the thoughts that come from her deep consciousness, are real enough--physical enough--to carry the responsibility of serving as the frame for the novel. Harriet is back in Washington, D.C. remembering the old gringo and General Tomás Arroyo, the "moon-faced" woman, and the other Mexican people she knew. Fuentes provides the music of the text: the careful detail, the balance between spoken dialogue and interior monologue, the Mexican characters' exact reasons for needing a revolution against the oppressive hacienda system. The Mexican characters are very clear about what they hoped for: freedom of movement in their own nation without fear of the wealthy land owners, freedom to choose whom they could love and marry--basic civil liberties. But there is something more. Fuentes makes clear that the human mind has very deep places: if the reader thinks that Americans and Mexican are all surface with no consciousness, read again.
The Old Gringo is also an existentialist novel, intensely philosophic, an argument for a profoundly nuanced politics: "And the frontier in here?" the North American woman had asked, tapping her forehead. "And the frontier in here?" General Arroyo had responded, touching his heart. "There's one frontier we only dare to cross at night," the old gringo said. "The frontier of our differences with others, of our battles with ourselves."
If we read enough about Mexico and American relations, perhaps we can find healing for the wound, for the scar that is the border. Read. Enjoy. Be intrigued.
14 of 16 people found the following review helpful.
I loved this novel.
By hdoolittle
I thoroughly enjoyed Fuentes' The Old Gringo. It constitutes everything a novel should be: love, death, war, sex, etc. It includes themes of brotherhood, colonialism, relations between the US and Mexico, freedom, love across national boundaries, and what it is to die. I found Fuentes' prose to be beautiful and diverse; an intersubjective consciousness flows through the characters, revealing as well that we are all only readers, and we will never know the real story. Beacuse of his style, Fuentes enriches the text, makes it stand out and vibrate with life. It's tactile. His characters are complex and story line great.
For anyone interested in Latin-American works, I would highly recommend this one. It takes the revolution and gives it the colors we would never see as outsiders.
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