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More Than a Champion: The Style of Muhammad Ali, by Jan Philipp Reemtsma
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From one of Europe's most prominent intellectuals: a brilliant, utterly original study of the boxing style of Muhammad Ali; of his rise, ascendancy, and fall as champion of the world; and of how Ali the man came to reflect many of our own deep, often disturbing, cultural patterns.
This virtuoso essay takes as its narrative framework the legendary Ali vs. Joe Frazier fight in Manila in 1975, which Jan Philipp Reemtsma follows in three-round sections. Intercut with these vivid and telling accounts of what actually is going on (as opposed to what merely appears to be) are much wider ranging sections exploring the choreography (it is not too grand a word) that Ali crafted for his greatest title bouts, how he created a style that became its own myth, how he then came to have to act that style in the ring, and its damaging consequences.
Reemtsma also provides portraits of Ali's opponents: Sonny Liston, George Foreman, Ken Norton, and, above all, Joe Frazier, the strongest "big puncher" of them all. He even produces a startling analysis of Sylvester Stallone's five Rocky movies to show how closely linked they are with the changing mythology of Ali, then opens up that myth so that we see how Ali the man and what he represents are connected with our own lives.
- Sales Rank: #4800312 in Books
- Published on: 1998-03-10
- Released on: 1998-03-10
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 5.50" w x .75" l,
- Binding: Hardcover
- 172 pages
Amazon.com Review
Written by a German academic, More Than a Champion is an odd gem, a thin volume with a solid jab. Using the almost mythic confrontation of Ali and Joe Frazier in Manila as his centerpiece, Jan Philipp Reemtsma bobs and weaves through the champ's life and career to establish a thesis that goes the distance: that Ali, both in and out of the ring, was ultimately a prisoner of the majestic boxing style he created for himself. Though at times Reemtsma seems a little punch-drunk on his own erudition, he is a precise interpreter of boxing's essence, and an imaginative analyst of its most poetic practitioner.
From Publishers Weekly
One of the most admired and best-known boxers of the 20th century, Ali is the subject of some 30 essays and a poem by an all-star cast of prominent contemporaries, including Tom Wolfe, George Plimpton, Jackie Robinson, Leroi Jones, Irwin Shaw, Norman Mailer, Roger Kahn, Garry Wills, Bert Giamatti, Hunter Thompson, Joyce Carol Oates and Gay Talese. One surprise is that Floyd Paterson, humiliated by Ali in the 1960s and who later called him a coward, staunchly defends Ali's fight decisions, in a piece here written by Paterson and Talese. Mailer offers a turgid essay on the language of the body. Oates, who recalls the pugilist's early fights when he said he "floated like a butterfly and stung like a bee," muses on the "genius" of Ali's boxing in view of his graduating 376th out of 391 in his high school class. Other pieces tackle the subject of Ali's Muslim religion, portraying an idealistic, devout, warm, generous and admirable human being determined to help blacks fight what he describes as the "awful odds" against them. Early (Tuxedo Junction) has assembled a splendid collection. Photos. (June) FYI: Knopf has recently published the translation of a German biography of Ali: More Than a Champion, by Jan Philipp Reemtsma, trans. by John E. Woods (172p $21 ISBN 0-375-40030-3)
Copyright 1998 Reed Business Information, Inc.
From Kirkus Reviews
Reemtsma is a philologist by training, a boxing buff by avocation, and the director of the Hamburg Institute for Social Research; as might be expected, he has a big agenda in this slender book. The author strives to give an intellectual pedigree to his subject from the outset, invoking Malcolm X, Martin Luther King, and Bertrand Russell as ostensible aficionados of Ali's arcane art. The book opens with, and is framed by, a series of vignettes drawn from Ali's epic 1975 battle with Joe Frazier, the ``Thrilla in Manila,'' a fight that essentially cut short both boxers' careers with its relentless savagery. With that framing device in place, Reemtsma essentially offers a series of interlocking essays on Ali's life, his defeats, his victories, and the ways in which the five ``Rocky'' movies reflect America's (or at least Sylvester Stallone's) uneasy relationship with Ali. Very little of this is new, and one reads this far wondering exactly why a distinguished European intellectual is so preoccupied with telling us a great deal that any ordinary boxing fan already knows. A lengthy quote from Norman Mailer's The Fight also reminds the reader of how much better a real writer/fan can describe what goes on in the ring. But in the dozen pages of the book's epilogue, Reemtsma reveals his agenda at long last: He sees Ali's boxing style with its unusual combination of ``dominance and variability'' as the avatar of a late- 20th-century phenomenon, a personality that is a cross between ``the dissociated individual'' and its anti-type, ``the megalomaniac.'' Despite the book's brevity, it still seems a long way to travel for such a meager insight. As the old saying goes, what's good here isn't original, and what's original isn't good. -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Good, but not good enough
By A Customer
I've read parts of this book and it held my interest simply because the subject is interesting. But there is nothing in there that I've not read, known or heard before about Ali. The author makes a conclusion of Ali's style on the basis of just one fight, even if that fight is -- to quote Ali himself -- his "greatest". It is also too short, about 200 pages in paperback and contains very few photos of its larger-than-life subject. So what if Ali created a style that he had to maintain as part of his identity before us his fans and the rest of society? That is not a very original or striking psychological observation.
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