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“It is a simple equation,” writes Terry Tempest Williams, “place + people = politics.” Nowhere is this more apparent than in the American West, where millions of acres of wilderness are at stake in the redrock desert of southern Utah. “How are we to find our way toward conversation?” she asks. One story at a time. Red traces Williams’s lifelong love of and commitment to the desert, as she explores what draws us to a place and keeps us there. It brings together the lyrical evocations of Coyote’s Canyon and Desert Quartet with new essays of great power and originality, essays that range from a family discussion on the desert tortoise to an investigation of slowness to startling encounters with Anasazi artifacts (including a ceremonial sash made of scarlet macaw feathers).
Pursuing the question of why America’s redrock wilderness matters to the soul of this country, Red bridges the divide between the political and the poetic and shows how this harshest and most fragile of landscapes inspires a soulful return to “wild mercy.” The preservation of wildness is not simply a political process but a spiritual one.
With grace, humor, and the subtleties of her perception, Williams reminds us of what we have forgotten in the chaos of our lives and what can be reclaimed in the stillness of the desert.
Red is further proof that the writings of Terry Tempest Williams possess a revelatory power and an emotional intelligence at once rare and authentic.
- Sales Rank: #903983 in Books
- Published on: 2001-09-11
- Released on: 2001-09-11
- Original language: English
- Number of items: 1
- Dimensions: 7.26" h x .99" w x 5.36" l,
- Binding: Hardcover
- 272 pages
Amazon.com Review
As a lifelong desert dweller, Terry Tempest Williams is intimately familiar with the multiple shades of red, and she explores many of them, among other things, in this tribute to the desert and canyon country of southern Utah that she holds so dear. In this collection of essays, poems, congressional testimony, and journal entries (some previously published), she ruminates on the meaning of wilderness and the need to preserve it as a way to save ourselves as much as the land itself. In Red, she lends an elegant and passionate voice to the growing "Coyote Clan" in southern Utah--"hundreds, maybe even thousands, of individuals who are quietly subversive on behalf of the land"--along with the many others ideologically in step with this movement. She also discusses those deeply resentful of active environmentalists as well as those seething at the U.S. government for the way it manages millions of acres of western land, writing that "Federal control in the American West remains an open wound." Some of these contrary voices even come from within her own clan, a reality she describes in an essay in which she gently debates the merits of the Endangered Species Act with her father and other family members who own and operate a construction company in Utah.
A beloved nature writer and environmental voice, Williams writes emotionally and even erotically of her relationship with the red-rock landscape surrounding her home outside Moab, closely analyzing the wildlife, human characters, and Anasazi petroglyphs of this magical, arid region. --Shawn Carkonen
From Publishers Weekly
Shaped by wind, heat and the etchings of rare water, the deserts of the American West are at the heart of Williams's numerous writings on the need to preserve wilderness (Leap; Refuge). This new collection of writings (some of which have been published before) is inspired by her daily experiences with the Southwestern desert, Anasazi petroglyphs and small shifts in time at her home outside Moab, Utah. Contributing to the movement to protect these fragile landscapes, she encourages her readers to consider the desert as a threatened national commons, drawing in the life around her to express just how the desert inhabits her and makes her more human. Included here are two of the works that have defined Williams as a central voice in the environmental movement: "Desert Quartet," which is made up of simple and erotic personal essays, and "Coyote's Canyon," comprised of the lovely tales of desert people. To these she adds pieces that center on her move out of Salt Lake City, her study of the meanings of the color red and, most importantly, the imperative to create national protection for land that cannot protect itself from each step of development and population growth. Although there are repetitions between the sections and at times Williams sounds desperate, the collection resonates with an inspiring and convincing devotion that cannot be set aside.
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Williams is at her best as a storyteller and nature writer in this plea for preservation of the Redrock Desert and canyon area of southern Utah. An award-winning author (Leap, Refuge) and passionate wilderness advocate, Williams invites readers into a stark landscape, lush with color, through stories, essays, and congressional testimony. She challenges America's short-sightedness on land use, suggesting that people exercise restraint or, as she quotes Aldo Leopold, practice intellectual humility. We must realize that not every place should be developed and understand what is lost when we destroy the "wide open vistas that sustain our souls, the depth of silence that pushes us toward sanity." She explores the erotic side of nature, that which awakens our capacity to love, and sees our determination to control nature as a reluctance to touch our creative forces and to engage our souls. An appendix with the proposed Redrock Wilderness Act, a map, and a list of supporting organizations is included. Last year's T.H. Watkins's The Redrock Chronicles also discusses the environmental dilemma, providing photos of the places mentioned here. Moving and provocative, Williams's compact book is essential for nature collections; also recommended for general collections. [Previewed in Prepub Alert, LJ 5/15/01; this work contains Williams's Coyote's Canyon and Desert Quartet in their entirety. Ed.] Maureen J. Delaney-Lehman, Lake Superior State Univ., Sault Ste. Marie, M.
- Maureen J. Delaney-Lehman, Lake Superior State Univ., Sault Ste. Marie, MI
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
46 of 48 people found the following review helpful.
Red, a Connection of People with Place
By A Customer
When Terry Tempest Williams starts this book with her simple equation place + people = politics, you know you've started reading a book meant to have political impact. But as the equation states, and as any TTW reader knows, you will be reading about place and about people, and you will be reading about these things as seen through the honest open heart of Terry Tempest Williams.
Red is a collection of stories, poems, journal entries and thoughts centered in one place, the redrock desert of southern Utah. While reading Red I found myself feeling similarities with it and Steinbeck's The Long Valley and The Pastures of Heaven. Like both of those books, Red tells the different stories of separate people and the one place that connects them. But unlike those books, the stories in Red span hundreds of years. The place remains relatively unchanged through time. But the people and civilizations pass through this unchanging landscape living, making their mark on the land, and dying. TTW tells these stories in geologic time-desert time. The people stay connected.
Hands connect the people. Hands appear everywhere in the book. Hands are the link between past, present and future. Hands come from the past in geologic forms with Anasazi handprints on clay pots and redrock walls, and a sharp obsidian chip "worked by ancient hands". They are in the present in biologic forms with a hand sliced open by the same sharp obsidian chip; one hand on the belly of a petroglyph while the other rests on a human belly in the present; and the story of children holding out hands to catch the desert's tears that drip from ferns. Then in the final paragraph hands are formed in prayer: "The eyes of the future are looking back at us and they are praying for us to see beyond our own time. They are kneeling with hands clasped that we might act with restraint....Wild mercy is in our hands."
I enjoy reading Terry Tempest Williams. Her writing seems to always reach out and touch me. She's done it again, and this time with Red hands.
15 of 15 people found the following review helpful.
Interesting perspective
By K. Parsons
Terry Tempest Williams is without a doubt one of the finest writers to tackle the intricacies of the American West in literature of any sort. Carrying her own torch is impressive enough, but Williams also evokes the activism and urgent motivation that calls us to appreciate, respect and save our remaining western wilderness that was so powerfully put into words by Edward Abbey. I have reviewed a portion of "Red" before (see "Desert Quartet"), so I will limit this review to the remainder of "Red".
Williams carries on the great and ancient tradition of storytelling to raise consciousness about uniquely Western, and specifically Colorado Plateau, issues. From the Hopi and Navajo peoples, down through the early American explorers, the proverbial cowboys and the present activist community, storytelling has been a central method of encapsulating emotion, opinion and experience into messages that have wide appeal. Williams, in stories such as "Coyote's Canyon" here in "Red", presents her powerful vision of an environmental movement wrapped in the spiritual connection with the stark, often harsh, always awe inspiring desert and given wings by action. Like Abbey, Williams does not shy away from controversy, and her opening to the title essay is a list of places that strangely grows longer each time I contemplate the names set forth. Williams gets personal here, and the blunt approach of listing over a hundred places brings to my mind the fact that I have walked on much of that ground... and that I have seen the critical need to protect these remaining places from the industrious uses and agricultural manipulation that has occured on the infinitely vaster balance of the Colorado Plateau. In this way, "Red" has demonstrated its effectiveness. Some may say that as a resident of California I might have no reason to comment on Utah... and I would, as Williams exhorts in "Red", flatly disagree. Every one of us has a responsibility to work toward a better world, and Williams manages to say this without preaching it or patronizing the reader. (Besides, my mother lives in southern Utah, and I have walked hundreds of miles of that beautiful land...).
In summary, "Red" is another jewel of a book from Terry Tempest Williams. I am glad to see "Desert Quartet" back in print, though I sorely miss Mary Frank's wonderful illustrations that were in the original. This is a book which is not a difficult read, nor a scholarly treatise... rather, it is a frank, realistic look at a serious challenge facing the United States right now.
7 of 7 people found the following review helpful.
In Every Way, A Great Work
By Cole Wilmot
Both a piece of literary artistry and passionate activism, "Red"'s audience appeal is the broadest of any book I've ever read. The book's structure, both wild and bounded by cadences of space, conforms strategically to Ms. Williams' conceptual take on the color red - red represents heat, anger, unpredictability, the lifeblood of the earth that runs through human beings and all earth's creatures, and is concentrated in the searing deserts of the American West where Ms. Williams lives. A thematic tapestry though it is, it is, at its core, a living breathing message presented selflessly and succinctly by a woman who I believe understands the need for a lifelong journey down the parallel rails of human and non-human nature until these rails converge. I recommend this book highly.
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